The young composer Mikhail Glinka performs his new work at a soiree at earl Vielgorsky's house. However, the public is accustomed to Western music, and reacts coldly to the creation of the composer. This makes him very sad, but soon he decides to go learn the art of music in Italy. After returning from Italy, he is full of desire to write national Russian opera. Vasily Zhukovsky proposes a subject: a feat of Ivan Susanin. Tsar Nicholas I change the name of the opera to A Life for the Tsar and assigns a librettist - Baron Rosen. Acquaintance with the future co-author shocked Glinka: Rosen speaks Russian with a noticeable German accent. The premiere was successful, but Glinka was still not entirely happy with the libretto: "False words were written by Rosen". When Nicholas I learned that Ruslan and Lyudmila was written on Pushkin's subject, he sees it as sedition. The bitter experience of the composer brighten his supporters.
A 60-minute showcase of beastly basslines, scything guitars, tormented lyrics, piercing synths, leather, lace and fashion on the edge! This programme celebrates the Goth aesthetic that began in early 80s British clubland and traces its evolution in music throughout that decade and beyond. Featuring classic BBC TV performances from Siouxsie and The Banshees, Bauhaus, The Cure, Depeche Mode, Killing Joke, The Sisters of Mercy, Nick Cave & The Bad Seeds, PJ Harvey and many more.
"Re-Invention World Tour" was the sixth concert tour by Madonna. It supported her ninth studio album "American Life". The final show in Lisbon was expected to air on CBS, who had allegedly offered to pay $10 million to broadcast it as a two-hour special, and after it would be released on DVD as "Get Up Lisboa! - The Re-Invention World Tour", but did not happen. In early 2010, the tour's professional recording was completely leaked on the internet.
Borrowing a beloved song from his own 1984 feature Sister Stella L., Mike De Leon made this video in a damning response to the victory election of Ferdinand “Bongbong” Marcos Jr. as president of the Philippines. In a prepared statement at the Cannes premiere of his recently restored Itim, he wrote, “Horror has now acquired a more sinister meaning. It is no longer about a ghost but about the monsters of Philippine politics, monsters that, after a long wait in the subterranean caverns of hell, have returned to ravage and rape my country all over again. The crazy thing is that we invited them back.”
In this strikingly modern 2016 production from the Zurich Opera House, Tcherniakov transposes the opera’s intrigue from forest and castle to living room and psychiatric office. The love story of the original work remains riveting, but Tcherniakov brings an unexpected psychological element to his mise en scène, with Prince Golaud as a psychiatrist and Mélisande as a young woman suffering from PTSD. You’ve never seen Pelléas like this!
Passion, jealousy and betrayal take center stage at Londons Royal Opera House in a spectacular production of the worlds most popular opera. Bizets Carmen is packed with some of the best-loved and memorable music in all of opera. In this characteristically vivid and vibrant stage production by Francesca Zambello, beautifully filmed in 3D by Julian Napier, Seville is brought to life with ranks of soldiers, crowds of peasants, gypsies and bullfighters as well as a magnificent horse, a donkey and even some chickens! This spectacular RealD and Royal Opera House production features a supremely talented cast, gripping drama and Bizets energetic and passionate score. It is truly a musical event to remember!
Filmed at the Vienna State Opera in 2005, Andrei Serban's production of Massenet's opera with a late 18th century setting pushes the action forwards to the 1950's,with the visuals exemplifying that decade with precision.With as much delicacy on display as naked passion,his(Alverez)morbid poet is outstandingly realised both vocally and dramatically. Together with Erod's dour Albert and Ileana Tonca's Sophie-clearly in love with Werther herself-the drama is set out with unusual clarity and realism.Philippe Jordan ensures that Massenet's pent-up emotion explodes exactly on cue,its expressive power providing impossible to resist.
Mourning his past relationship, heartbroken college senior Austin Caldwell becomes obsessed with the "Big Break" song competition, convinced that the only way he'll be able to move on, is if he wins.
As he explains to the journalist who came to interview him, Honoré cultivates, as a perfect Marseillais, farnienté and galéjade. He evokes the Phocaean Protis, who founded the city of Marseille, and the Roman Honorius, who invented pétanque. He loves to go fishing with his friends Garrigue and Watermelon to prepare a good bouillabaisse, and even more, to rig the results of a vote to allow a little protégée to be crowned Miss flots bleus.
Zombie Land Saga: Yumeginga Paradise builds upon the original TV series' unique setting with an expanded scale. The idol group Franchouchou, which initially set out to revitalize a region, is reborn in this film as a symbolic entity carrying the future of the Earth. While preserving the quirky charm of zombie idols, the film’s direction is more dazzling, suited to the theater screen. In particular, the climax's live performance scene introduces new potential in idol anime by seamlessly blending music and drama, offering both laughter and heartfelt emotion.
GASP is a popular alternative band. Conflict arises when the lead singer To-Y is offered a pop idol contract that stipulates he leave the rest of the band behind.
Her sister's tragic death in an underground music concert made Galang devastated and searched for the cause until he finally met Asmara, the manager of her sister's favorite band who happened to be performing at the same concert when her sister died. Will Galang take revenge or will he find his true identity?
TANNHÄUSER UND DER SÄNGERKRIEG AUF WARTBURG is a grand opera by Richard Wagner in three acts. After experiencing boundless sensuality and freedom with the fun-loving Venus (soprano), the singer Tannhäuser (Tenor) finds it impossible to conform to the cultured setting of his betrothed Elizabeth (soprano), who loves him. During a singing contest, Tannhäuser describes the affair with Venus as the ultimate love experience and because of that, he is cast out from the established society. Thanks to Elizabeth's intervention, he is allowed to undertake a pilgrimage to the Pope to ask for the Holy Father's pardon. If the Pope accepts to forgive him, he would be allowed to take back his place in society. Tannhäuser accepts. But fate will not allow him to meet with his beloved Elizabeth again in this life. This is a recording of the legendary staging by Götz Friedrich for the 1978 Bayreuth Festival conducted by Sir Colin Davis.
An immensely moving story of sacrifice, idealism and musical genius which charts the last five years of Frederick Delius's life through the eyes of a young composer and aide, Eric Fenby.
A biopic of French pop star Claude Francois, most famous for co-writing the song 'My Way'. Tracing his life from his childhood in Egypt through his success in France to his untimely death in Paris in 1978.
The Met production easily has the most beautiful staging, designed by Otto Schenck, who also produced the fabulous set for the Met's previous Ring cycle. Kurt Moll is a wonderful Gurnemanz, but compared to his studio recording under Karajan a decade earlier it has lost some of its original velvety body and luster. As Parsifal, Jerusalem is starting to show some wear and tear on his voice at the Met in 1992 as opposed to his prime form at Bayreuth in 1981, but is still quite good; only Placido Domingo could compete with him in the role at that time.