A lyrical drama in a context of political, religious and cultural revolution, in the heart of the late 17th century in Russia. The story takes place during the 1682 revolt opposing the Old Believers and the New Orthodox. Ivan Khovanski (Vladimir Ognovenko), head of the streltsy's uprising, embodies the movement of religious indignation which ends up being bloodily crushed.
An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories.
Twenty-eight well-known filmmakers living and working in Austria were invited by WIENER MOZARTJAHR 2006, to produce associative miniatures on Mozart. Requirement: they had to be one-minute artistic short films. The directors come from a whole range of different backgrounds, ranging from animated, experimental and short film to documentaries and feature films. The result is a multi-facetted sampler of diverse formal and contextual positions with regard to Mozart’s person and his influence on today’s society, art and culture. The contributions run the gamut from experimental-conceptual statements through socio-critical and documentary observations to pithy short feature films.
Singer and songwriter Hank Williams rises to fame in the 1940s, but alcohol abuse and infidelity take a toll on his career and marriage to fellow musician Audrey Mae Williams.
The Rose: Come Back to Me is an intimate documentary chronicling the remarkable journey of The Rose — from their humble beginnings as a South Korean indie band to their rise as a global sensation. Irresistibly magnetic, the film captures the band’s enchanting music and the deep bond between its members.
In this film, childhood friends come face to face with the demons of rock and roll (lust, drugs, and passion) on a cross-country road trip that compels them to face their past, present, and future. Rocker Spyder, whose debut album was a huge hit saw his follow-on album bomb, causing him to retreat to his small hometown and give up. Seven years later, 27-year-old Spyder reconnects with his long-lost best friend and writer of his debut album Eric, son of a late great punk rock guitar legend, who has long settled into the sedate life of a suburban middle school music teacher. The reunion forces the two to recall their youthful ambitions and re-examine the choices they've made.
Lyrical story about a young double bass musician who travels with fellow musicians out of town to play at a wedding in a summer house. A thief and a girl, a bride at a wedding, will unexpectedly determine his fate. In a film without dialogue, music has a special role.
Mikhail Baryshnikov and his guests perform numbers from over a dozen renowned Broadway musicals including Oklahoma!, Fiddler on the Roof, Can-Can, The King and I, Cabaret, Where's Charley, Hello Dolly, Ain't Misbehavin', Guys and Dolls, The Boyfriend, Kiss Me Kate and A Chorus Line.
The big band 'Swing Girls & A Boy' formed in the movie 'SWING GIRLS'. This concert will be the culmination of that, and deliver their first and last concert! In addition to the fresh big band jazz of the girls who jumped out of the movie, the folk duo from the film "Coelacanth" appears.
Feature length documentary about Jonathan Larson and "Rent"'s journey from Broadway to the screen. Featuring director Chris Columbus, the entire cast, and dozens of friends and family of Jonathan Larson.
Centers on two performances; in the first, dancers Storyboard P and Okwui Okpokwasili twist and twine their bodies in a moving two-part dance of desire, pain, and regret. In the second, present-day hip-hop royalty Beyoncé and Jay-Z serenade each other as part of a live performance. The work accompanies Jay-Z's track of the same name, widely viewed as an apology to his wife, Beyoncé for his infidelity and emotional failures as a husband. A collaboration between Arthur Jafa, Malik Sayeed, and Baltimore-based Elissa Blount Moorhead, the video uses cinematography, choreography, and found footage to explore complex and constricted notions of masculinity in an insightful and moving tapestry of Black love and life.
An Iowa pajama factory worker falls in love with an affable superintendent who had been hired by the factory's boss to help oppose the workers' demand for a pay raise.
Four sisters, each with their different characters, embark on their separate roads to romance. Elder sister has vast experience of romance; second sister is predisposed to vampiness and wantonness; third sister is righteous and of noble character; fourth sister is just reaching puberty and experiencing the pangs of first love. Being sentimental, flirtatious and amorous, the four sisters form a backdrop conducive to songs and tripping the light fantastic.