A man and a woman meet in the ruins of post-war Poland. With vastly different backgrounds and temperaments, they are fatally mismatched and yet drawn to each other.
Four kids get lost in the forest in the middle of a storm and go take refuge in an abandoned castle. There they will meet and face Dracula, the Werewolf, Quasimodo and Doctor Frankenstein. Despite the attempts of the monsters to scare them and, in passing, recover their lost prestige, the children, with the help of Count Dracula's son, will face the evil creatures.
1/4 - In 1925, the young M’hamed El Anka replaced his master Nador at short notice. He realizes that he is far from mastering all the instruments of his art and begins a self-taught training program in Oud, the Arabic language, and religious singing in the hadra of Sidi Abderrahmane. 2/4 - In 1932, the young El Anka released 10 45 rpm records in Paris, including the first song from his composition "L'Exil". He is gradually “lightening” the Andalusian heritage. He made the pilgrimage to Mecca and wrote the famous song "El Mendouza". 3/4 - The 40s and 50s will confirm the maturity of the master, who consolidates the constituent elements of what is today called Chaâbi music. In the midst of the national liberation struggle, El Hadj M'hamed El Anka triumphs with the song "Youm El Djemâa". 4/4 - In 1962, El Anka sang of independence: "El hamdou lilah, mabqach listaâmar fi bledna". Activist, poet and musicologist Bachir Hadj Ali explains the artist’s exceptional style.
Jim Brickman performs his beautiful piano renditions of favorite Disney classics. Performances are accompanied by vocal performances of Wayne Brady, Michael Bolton, Lila McCann, and Linda Eder.
A struggling country music singer returns home after years spent on the road for one last chance to correct wrongs made and reunite with loved ones he abandoned.
NieR:Orchestra Concert 12024 [ the end of data ] contains new pre-recorded readings from the English voice actors of 2B and 9S set directly after the events of NieR:Automata.
This short film shows the musical career of Nat "King" Cole, shows the ups and downs of his career, his conquest of illness, how he switched from being the leader of a trio to a solo vocalist, and his growing popularity with the record-buying public. Numbers include: "Sweet Lorraine," "Route 66," "That's My Girl" and "Pretend."
The point of departure for this film is the 1981 composition De Tijd by Dutch composer Louis Andriessen. Van der Keuken leaves the music undisturbed as an autonomous soundtrack and has the images engage in a sort of battle with it. These images are associations, fragments of events, scenes and situations. The film is preceded by a text by Bert Schierbeek.
A young man unearths an ancient relic that lets him peek into the future. In his obsession to control what lies ahead, he risks losing all that matters most in the present.
After years of hopeful struggle, waiter and aspiring singer-songwriter Al Stone is on his way. He gets his huge break on a magical night when his song wows big-time producer Louis Marcus and gold-digging showgirl Molly, whom Al fancies. Broadway success and marriage follow, but sure enough, hard times are on the way.
Richard Wagner called Die Walküre the “first evening” of the Ring of the Nibelung; he called Das Rheingold the prologue or Vorabend. Musically and dramatically, we are introduced to a radically new and different world when the opening bars of Die Walküre resound. A fully developed orchestral palette of Leitmotivs paints a wild storm scene, and the curtain rises on a modest dwelling: a fully human scene that has nothing to do with the gods, dwarves and nymphs of Das Rheingold. At the same time, however, the way Die Walküre portrays radical beginnings reveals some telling reminiscences of the unfolding of Das Rheingold. Die Walküre is exciting and deeply feeling drama.