Growing up in Greenville, Texas, Bart Millard suffers physical and emotional abuse at the hands of his father, Arthur. When Arthur becomes terminally ill, he finds redemption by embracing his faith and rediscovering his love for his son. Years later, Bart's troubled childhood and mended relationship with his dad inspires him to write the hit song "I Can Only Imagine" as singer of the Christian band MercyMe.
Two girls meet on a train: Prune is looking for her father whom she has not seen since she was a little girl, Marina is looking for the mother she has never had. Prune learns that her father took his life and then she accidentally dies by drowning. Marina decides to assume her identity and begins a correspondence with Prune's mother.
This intriguing audio-visual piece was created by Mike Batt in 1982. It was the first thing Batt ever directed (co-directing with John Eastway). The designs and "animations" were all part of the original concept, conceived and designed and by MB during his 1981 Pacific crossing from Los Angeles to Sydney aboard his boat, Braemar. The story is about a young man called Number 17 (Ralph to his friends) - played by Batt. Set in the distant future, or past, - the World in which Number 17 lives is one devoid of Love, which has being deliberately, genetically eradicated. Number 17, however, is a genetic throwback and falls in unrequited love with Number 36, a surgeon at the local correction centre for those afflicted with the disease of Love.
The longing and critical review of the copla is lived through the history of the marqués de Almodóvar, a passionate ambassador who organized Franco's folkloric festivals; generous, womanizer, excessive, wasteful, himself the protagonist of his own copla. In love in his youth with a Concha Piquer chorus girl, he dedicated his life to collecting fetishes and memories of all the cante divas with which to organize a sentimental museum in his decaying castle, filling it with showcases where he could store his longings. When he died, destitute, in the pension of his last mistress, also a cupletist, she disputes her legacy with the housekeeper who took care of him and her picturesque collections all her life. family castle. A dear diplomatic friend recalls his fanciful existence emotionally. An aesthetic that is part of the feeling of the Andalusian people. And as a common thread "Ojos Verdes", the most beautiful song of songs of his rich songbook.
Bandleader/singer/songwriter Ted Barry arrives to heaven. The receptionist tells him that before he can take his place in the Hall of Music, a committee must review his work and decide whether he is worthy of admittance.
A filmed version of David Byrne's Broadway show, a unifying musical celebration that inspires audiences to connect to each other and to the global community.
Between Russia and the USA, an enchanting concert in summery tones, led by young Finnish conductor Tarmo Peltokoski and South African soprano Golda Schultz. On the program: works by Dmitri Shostakovich, Igor Stravinsky and Samuel Barber, as well as George Gershwin's classic "Summertime".
After the highs of winning the world championships, the Bellas find themselves split apart and discovering there aren't job prospects for making music with your mouth. But when they get the chance to reunite for an overseas USO tour, this group of awesome nerds will come together to make some music, and some questionable decisions, one last time.
Fatin wants to enter the Indonesia Dreams singing competition. He was supported by his friends. It made him excited for his dream of becoming a famous singer. All the events he poured in the diary that he gave the title, "Dreams".
Ruth Sherwood and her sister, Eileen, have moved to 1935 Greenwich Village. They're surrounded by colorful Village characters (including an out-of-work football player known as the Wreck, and Mr. Appopolous, a modern painter and their landlord) and embark on various New York adventures. Ruth, who's trying to make it as a writer, meets up with a sleazy newspaper writer named Chick and a kindly editor named Bob, both of whom take an interest in both her career and her.
Maria Valenzuela is lead conductor of the Guadalajara Philharmonic. She aspires to be recognized internationally. Challenged by the presence of a young and new conductor who just arrived.
A South American composer travels to India to search for the truth behind a poetic vision, written to him by a female painter and his mysterious journey to discover the source of his music inspiration.
A mechanical worker and football fanatic finds the meaning of life in encouraging, following and collaborating with the club that he loves, to the point of indefinitely postponing the marriage with his eternal girlfriend.
When reporter Jean Craddock interviews Bad Blake—an alcoholic, seen-better-days country music legend—they connect, and the hard-living crooner sees a possible saving grace in a life with Jean and her young son.
A rock documentary, about the Mexican band Molotov, that focuses more in the political and musical context of Mexico rather than in the actual story of the band.
While rehearsing a flamenco ballet adaptation of Bizet's opera “Carmen”, Antonio, the choreographer, falls in love with the main dancer, Carmen, a fiercely independent woman. Antonio is slowly consumed by jealousy and possessiveness towards Carmen, just like Don José in the original opera, blurring the lines between fiction and reality.