The murder of a gay recluse by small town religious fanatics forces the dead man's lover, a closeted divorced police detective, to find the remains of his former lover and come to terms with his loss.
Seeking to escape the stifling London court society, the beautiful headstrong Lady Dona St. Columb flees to her family estate on the Cornish coast. Her new freedom swiftly brings her into contact with the dashingly handsome French privateer Jean Aubrey who sweeps her off her feet and into a world of adventure on the high seas very different from her dull and boring life at court with her husband Sir Harry. Together with Jean Aubrey and her enigmatic servant William, Lady Dona conceives a daring plan to steal a ship right from under the noses of the English authorities. The theft enrages the authorities who make every effort to trap the French Pirate. However, as the noose begins to tighten around the lovers, Lady Dona is faced with the dilemma of duty and children with Sir Harry or freedom and excitement with Jean Aubrey
The daughter of a poor rancher, Si-eun's only hope is to one day, become a jockey. With her mother passing away at her birth, her favorite horse, Chun-doong, has become not only her friend, but also a soul mate. She is devastated when Chun-doong is sold to another owner, but when they are reunited two years later they have a chance to create a miracle by teaming up in a race.
"The Man from Cairo", a Michaeldavid production for distribution by Lippert, with Ray Enright the only credited director on the film print, finds Mike Canelli, the man from Cairo, nosing around Algiers with mystery surrounding the people he meets and the things he does and has done to him, all deriving from the war-time theft of $100,000,000 in gold which lies somewhere in the adjacent desert. People representing many nationalities and reasons are also seeking the gold. It boils down to a battle between Canelli and the original looter aboard a speeding train.
Hardworking Minnie (Cora Green) marries "Dollar" Bill (Bud Harris) a shady gambler after her money and her attractive daughter, Sue (Izanetta Wilcois). Sue meanwhile, is in love with Bob (Carl Hough), an idealist fond of looking out over the skyline and saying "Harlem... there's so much to be done here--it's fairly screaming for leadership." When Bob decides to organize the community against local racketeers he little realizes would-be father-in-law Dollar Bill is one of them. Bill meanwhile has problems of his own: A vicious white mob from lower Manhattan is muscling in on his action, and bullets are about to fly.
A group of "respectable" people are all partly responsible for the suicide of a servant girl. They are pounced upon by a wily blackmailer, who knows that these people will pay dearly rather than inform on themselves or others.
"The County Fair" begins with a nasty rich guy threatening to turn an old lady onto the street--unless her niece (who lives with her) marries this man's son. While she's dead set against it, the niece is a sweet thing and would do anything to help her aunt--even marry the rich jerk. However, a possible way out is presented. When a poor young man is taken in and fed, he turns out (naturally) to be a jockey and thinks he can win the $3000 prize at the fair and save the farm.
Young Alice Mason wishes to start a family, but because her own has been deemed "defective" by the state health authorities—her parents are lazy alcoholics who continue breeding, and her siblings are disabled, have mental problems or are imprisoned—she is ordered by a court to undergo sterilization so that her family's "defective genes" won't be passed on to any further. Her boyfriend Jim and a kindly priest search desperately for a way to stop the forced surgery before it's too late.
Flame in the Streets is a 1961 British drama film directed by Roy Ward Baker. Racial tensions manifest themselves at home, work and on the streets during Bonfire Night in the burgeoning West Indian community of early 1960s Britain. Trades union leader (Mills) fights for the rights of a black worker but struggles with the news that his own daughter is planning to marry a West Indian, much against his own logic and the prejudice of his wife.
A phony spiritualist hypnotizes the daughter of a wealthy banker in a scheme to swindle the banker out of his money. A reporter investigating the swami discovers the plot, determines to expose it.
Leah Garr wants to move from Phoenix to take a new job in Denver to help her family (Husband Marcus and Daughter Robin). When Robin goes to camp to give her parents time to sort things out, something unexpected occurs. On Robin's return from camp she finds out her mom is taking the new job in Denver, only returning each weekend to visit. During this turmoil in Robin's life, A new lady, Dorothy, befriends Robin, moves into the same apartment complex and spends a lot of time with her and her father Marcus. Leah is concerned about this because she does not know very much about Dorothy or her intentions. It soon becomes clear that Dorothy is after much more than friendship with the Garr family.
A gold-digging woman wins a big settlement against an older married man, which threatens to destroy the man's family. His son, discovering that the woman is part of a ring of blackmailers and that she is planning to flee the country, takes along his hulking chauffeur and follows her onto an ocean liner. There the two pretend to be a pair of wealthy playboys so that the woman will make a play for him and try to blackmail him, too, so he can then expose her and prove his father's innocence. Complications ensue.
The senior creative executive at a top advertising agency seems to have it all. But when he takes on a protégée to save a major account, he gets far more help than he bargained for.
Newly married to a sexually perverted German millionaire, Siv submits herself to endless degradation before discovering that her husband harbors a diabolical secret.
Middle-aged Napa Valley grape-grower Tony posts a marriage proposal to San Francisco waitress Lena enclosing a photo of his handsome younger brother Buck. When she gets there she overlooks his duplicity and marries him. Then she falls in love with Buck.
Raymond is the family black sheep, relying on handouts from his half-brother, Otis. He's lost his job, his apartment, and all his confidence until word comes that he has inherited an English countryside property. Otis gladly purchases a one-way ticket for the new "Lord of the Manor". Except Raymond discovers his inheritance is no manor house, but a small, crumbling stone church that's the center of a scheme by the village scrooge, Malcolm Slee, in his frantic search for a valuable chest of gold hidden in the village by King Charles at the end of the English Civil War. Raymond initially accepts Slee's offer to purchase the church, but has second thoughts when he learns from the local Bed & Breakfast owner Rachel that a family with children lives on the property. As Raymond and Rachel begin to bond, Raymond is singled out by a mysterious young orphan named Diggity, who believes that if he helps Raymond find his way in life, he will earn his wings as an angel.
The architecture student Estela (Silvia Aguila) makes a suicide attempt after her plans for solving Havana's housing shortage are rejected. This brings her into contact with earthy, cynical hospital nurse Ernesto (Jorge Perugorria). Estela invites him home for dinner, and he succeeds in offending everyone present. Unable to find a quiet spot to be alone, they finally find a squatters' tenement, where their sexual frenzy causes a ceiling to collapse. They next try vertical love in a stalled elevator, trapping people in the modern building minus stairs. Fleeing responsibilities, they stage a romantic rendezvous alongside a country river, but once again they are interrupted as Cuban commissars arrive with papers and forms because the couple constructs a hut beneath a bridge. Amid the misadventures, lust turns to love