As foreman of a dude ranch, Gene has two problems. One is a guest, the spoiled daughter of a millioniare, and the other is the disgruntled ex-foreman that Gene replaced, now just a ranch hand. Gene eventually gets the daughter straightened out but has to fire the ex-foreman and this leads to trouble when he returns intent on revenge.
When the video of a once-famous emo band performing impromptu karaoke together goes viral, a door opens for the possibility of a reunion the day of the guitarist's Christmastime wedding.
"Golden Voices Competition" is to be held this year at Terrell Christian College (TCC), but there's one problem TCC does not have a choir. Georgia Mae Jackson (Irma P. Hall) who is the head of the music department has been challenged by the Assistant Dean Vickie Wilson (Tonea Stewart), to put a choir together in one month or lose her job. Georgia's back goes out so she tricks her granddaughter, Sidney Nicole Taylor (Nikki Dixon) into taking over the choir for her. Sidney turns the college upside down when she hires a fallen, bad boy, R&B singer, Jax Rebel (Mario Mims), to help her with the choir. Dean Wilson finds out about Jax's sorted past and threatens to fire Georgia if they don't win the competition. Will, Sidney and Jax be able to save Georgia's job?
Barcelona 1967. The pop culture revolution. Jordi (Patrick Bauchau) is a rich playboy who runs around with a bunch of high-end hippies, smoking, drinking, dancing and daydreaming about Tuset Street, an effort to develop a popular street in the newer section of Barcelona after the models of Haight Ashbury Street in San Francisco and Carnaby Street in London. Jordi and his gang represent the new Barcelona, wealthy, artificial and striving for imported sophistication. On the older side of the city is El Paralelo, the theater district. At El Molino, one of its many music halls, performs Violeta (Sara Montiel), a showgirl in the old style tradition who supplements her singing income with prostitution. Somehow Violeta represents the old values, the "real world" living along side an artificial creation such as Tuset.
Before MTV and the age of television, there were Soundies. First appearing in 1941, these three minute black-and-white films featured artists of the Big Band, Jazz and Swing era, like Duke Ellington, Count Basie, Louis Jordan, Louis Armstrong, Gene Krupa, The Mills Brothers, Les Paul, Cab Calloway, and Fats Waller. The Soundies helped launch the careers of Doris Day, Nat King Cole, Liberace, and Dorothy Dandridge, among others. Viewed for a dime through a special machine called a Panoram, a movie jukebox, these forerunners to the music video could be seen in nightclubs, roadhouses, restaurants and other public venues across the U.S. These classic films remain as glorious time capsules of music, social history, popular culture, and tell the story of a crossroads in our country, when the uncertainties of war, race relations, and emerging technologies combined to write one of the most influential chapters in our nation¹s history.
When a gang of suburban teens stumbled across a bunch of abandoned instruments and formed The Fleshtones little did they know that 30 years later they'll still be struggling to rock - and pay the bills.
In 1984, American heavy metal band Twisted Sister became a global sensation. For 30 years, they been synonymous with hairspray, women's clothing and tasteless album covers. Until now. Ten years ago, director Andrew Horn was granted access to the archives of Twisted Sister founder Jay French and he explores the decade that preceded their breakthrough.
A spoiled schoolgirl, her overworked executive mother, and a disillusioned young minister each receives an uplifting message about friendship, commitment, and the truest meaning of Christmas from a friendly, but mysterious drifter.
The popular musical is brought to life on soundstages at London's Three Mills Studio, in a live TV dramatisation of the timeless story of Maria and the Von Trapp Family singers, one of the world's best-known concert groups in the era immediately preceding World War II.
Get Thrashed traces the rise, fall and impact of thrash metal; from its early years, through its influence on grunge, nu metal and today's heavy metal scene. It is the story of the heaviest, hardest music of the 80s and early 90s as told by the bands who lived it, the fans and bands that grew up on it and by the artists that carry the "thrash metal" flag today.
Iconic Welsh rock musician Mike Peters' rise to fame, battle with cancer and inspiring return, featuring one-of-a-kind performances from other legendary musicians.
Two of the most notorious unsolved cases in the history of American crime – the murders of renowned rap stars Tupac Shakur and Biggie Smalls – have been the subject of exhaustive investigations, relentless speculation, and a web of conspiracy theories and dark secrets. Now, for the first time, the true story behind these sensational cases is laid bare in "Murder Rap: Inside the Biggie and Tupac Murders". Using information sourced from hundreds of police case files, taped confessions never shown before, and interviews with the lead detective and witnesses, this is the riveting account of the task force that finally exposed the shocking truth behind the deaths of these two rap music icons.
On a bicycle trip across the country, a young Neill Kirby McMillan Jr. experiences The Mojo Revelation and becomes Mojo Nixon. After teaming up with the enigmatic Skid Roper, he unexpectedly finds mainstream success during the Golden Age of MTV.
From their roots as a brutal, confrontational industrial band, through breakups and chaos, to their odds-defying current status as one of the most accomplished and ambitious bands in the world, one whose concerts are more like ecstatic rituals than nostalgic trips. SWANS has always been a collection of singular performers, but there's been one constant since its formation in 1982--singer, songwriter Michael Gira. 'Where Does a Body End?' is a SWANS documentary with unfettered access to hundreds of hours of Gira/SWANS archives of never-seen-before recordings, videos, and photographs. An unfiltered story of a life in the arts, frequent difficulty spanning decades without a safety net, creating work because Gira says "What else am I going to do?"