Steven Okazaki presents a deeply moving look at the painful legacy of the first -- and hopefully last -- uses of nuclear weapons in war. Featuring interviews with fourteen atomic bomb survivors - many who have never spoken publicly before - and four Americans intimately involved in the bombings, White Light/Black Rain provides a detailed exploration of the bombings and their aftermath.
Unable to serve in World War II because of a heart condition, a barber moves his family adjacent to a Wisconsin army base and prisoner-of-war camp to provide his services. But even in rural America -- far from the frontline -- the war finds victims.
Macho Lawrence 'Larry' Hammer and frailer Dean Mazzoli initially rival as U.S. Navy SEAL trainees, but become buddies in instructor chief petty officer Bosco's merciless training class. The friends date two girls, but both love Barbara, who chooses to marry Larry, as ideal father for her pre-teen son. After graduation from Basic UDT/SEAL training, they choose opposite oceans for further training. However Sadam Husein's invasion of Kuwait gets both mobilized in the same unit, with Bosco, who gets captured and tortured. Dean learns Barbara has left adulterer Larry. They mount a rescue together, taking risks even on their own side.
The story of Irish fighter pilot Brendan "Paddy" Finucane, who at the age of just 21, became the youngest ever Wing Commander in the Royal Air Force, and one of its greatest and most celebrated fighter aces during World War Two.
Two families, cotton merchants in England and America, with branches in France and Prussia swear to stand by each other in a belief that a great business firmly established in four countries will be able to withstand even such another calamity as the Napoleonic Wars from which Europe is slowly recovering. Then many years later, along comes World War One and the years that follow, to test the businesses.
With the Vietnam War raging in 1969, two young fathers report for duty. A man of great faith and a doubtful cynic. A quarter-century later, their sons, Wayne and John Paul (David A.R. White and Kevin Downes), meet as strangers. Guided by handwritten letters from their fathers from the battlefield, they embark on an unforgettable journey to The Wall-the Vietnam Veterans Memorial in Washington, D.C. Along the way, they discover the devastation of war cannot break the love of a father for his son.
Between 1933 and 1945 roughly 1200 films were made in Germany, of which 300 were banned by the Allied forces. Today, around 40 films, called "Vorbehaltsfilme", are locked away from the public with an uncertain future. Should they be re-released, destroyed, or continue to be neglected? Verbotene Filme takes a closer look at some of these forbidden films.
When the planes bombed a Slovene town, a Slovene boy and a German girl set on a journey towards the valley, in which there is no war. On their way a black American pilot, who jumped of a shoot-down plane, joins them. Although American planes have killed the boy's parents, he accepts the pilot with enthusiasm. The children communicate with him in German and the valley of peace seems like the last paradise place of refuge. The Slovene boy, the German girl, and the American pilot represent a symbolic triangle of peace in this adventure happening in the middle of the War of Liberation.
Sir! No Sir! is a documentary film about the anti-war movement within the ranks of the United States Military during the Vietnam War. It consists in part of interviews with Vietnam veterans explaining the reasons they protested the war or even defected. The film tells the story of how, from the very start of the war, there was resentment within the ranks over the difference between the conflict in Vietnam and the "good wars" that their fathers had fought. Over time, it became apparent that so many were opposed to the war that they could speak of a movement.
When a covert raid in Normandy goes wrong, a small team of British commandos are cut off from their comrades. Holed up in a barn and surrounded by Wehrmacht forces, their chances of survival appear bleak, until an unexpected discovery provides an opportunity to escape.
16 year old aspiring director Elliott Hasler's epic depiction of his great-grandfather's WW2 experiences; an escaped POW's battle for survival whilst on the run in war-torn Italy, as his wife and young son eagerly await news in England.
Armed with dreams that extend beyond their block, Luis and Ronald, two best friends from Los Angeles, videotape their last 36 hours before shipping off to Afghanistan. One hundred days before Obama's inauguration, these young men have joined the Marines together to face the obstacles and circumstances that seem to overwhelm their passage into manhood. Luis wants to be a filmmaker and Ronald wants to travel the world and raise a family. Through the lens of Luis's video camera, they capture their friends, family members and places they call home - to remember who they are and where they come from. In their darkest hour, they turn on the video camera for the last time and document the final moments of their journey home. They soon realize that their dreams and promises of a new life mean nothing in a place called War.
A Portuguese soldier, who got stranded from his team during the La Lys battle, struggles by himself through dozens of German offensives so he can guarantee the safety of his companions.
An unfiltered look in to the lives of 3 characters surviving amongst the most recent cycle of conflict in the Democratic Republic of Congo, otherwise known as the M23 rebellion.
Vietnam 1973. After a brutal Vietcong attack, American sniper Calvin Hart and his injured spotter Thomas Newton must fight their way through enemy territory with limited resources to reach their rescue team. While communicating via radio with their sergeant, the soldiers become the targets of bounty hunters, assassins and the VC's best sharpshooters. With Newton dying fast and Hart losing his sanity even faster, the pair faces immeasurable odds made worse by a haunting obligation waiting back at home.
Their family name alone evokes horror: Himmler, Frank, Goering, Hoess. This film looks at the descendants of the most powerful figures in the Nazi regime: men and women who were left a legacy that indelibly associates them with one of the greatest abominations in history. What is it like to have grown up with a name that immediately raises images of genocide? How do they live with the weight of their ancestors' crimes? Is it possible to move on from the crimes of their ancestors?