The Dybbuk is a made for TV film adaptation of a classic Jewish folktale. The story is about a young Jewish man, Sender (Theodore Bikel) who loves a young Jewish woman, Leah (Carol Lawrence) but her father arranges her marriage with another man. The grief of this causes Sender to die, but his spirit passes into the body of his beloved on her wedding day. Rabbi Azrael (Ludwig Donath), who serves as our narrator through the beginning of the film, is charged with the task of exercising Sender’s Dybbuk (sometimes defined as a malicious spirit or demon who possesses the living) from Leah’s body.
After being abandoned by their Nazi parents at the end of World War II, five German siblings embark on a harrowing journey across their war-torn country. Led by the eldest, 14 year-old Lore, the children are forced to confront their parents’ actions and the reality of a new world.
The career and personal life of writer Lee are at a standstill, so he divorces his bashful wife, Robin, and dives into a new job as an entertainment journalist. His assignments take him to the swankiest corners of Manhattan, but as he jumps from one lavish party to another and engages in numerous empty romances, he starts to doubt the worth of his work. Meanwhile, top TV producer Tony falls for Robin and introduces her to the world of celebrity.
Story of four women, whose lives are dominated, crafted, and judged by the society. The movie conveys how the lives of four women are affected changed and disturbed by external influences. The struggle of a women in breaking free, from the stereotypes designed by the society and the limitations that are enforced on them through her constant effort to live a happy life, an unjudged life, a simple life is portrayed though four character in the film.
During her Christmas holidays with the royal family at the Sandringham estate in Norfolk, England, Diana decides to leave her marriage to Prince Charles.
A novelist is blinded in a car crash that killed his wife and several years later rediscovers his passion for life and writing when he embarks on an affair with the neglected wife of an indicted businessman.
In WWII Western Germany, Private David Manning reluctantly leaves behind a mortally wounded fellow soldier and searches for survivors from his platoon, only to learn from commanding officer Captain Pritchett that they have all been killed in action. Despite requesting a discharge on the grounds of mental disability, Manning is promoted to sergeant and assigned to lead a new platoon of young inductees.
Shankar lives in a remote village in rural India with his mother and sister, Manju, and drives a horse-carriage for a living. The main employer in the region is a kind-hearted businessman Maganlal. When Maganlal announces that he would like to undertake a religious pilgrimage, his son, Kundan, takes over and wants to cut back on labor and mechanize the business - thus leading to loss in jobs
After losing his parents in a car accident, Mukesh stays at his Aunt's house in Delhi. Enrolled in a good for nothing course in college he finds peace by playing chess at the local cemetery, the rest of the times he worries over ways to make a living and taking care of his sisters. 'B.A.Pass' is a story looking at the fatal promise of a new life. When Mukesh meets Sarika 'auntie' at a kitty party, little does he know of the city and it's ways and means to survive. Sarika seduces Mukesh, shy and inexperienced he falls for her. What follows is a twist of destiny, a kind of story that appears in the tabloids as 'heinous acts of crime'
The story is one of an architect that has lost his inspiration and goes looking for those motivations that pushed him as a youngster to take up the profession. Inspiring him was the baroque movement and all of its artifices: the Guarini in Turin and the Borromini in Rome. The film’s central story ends up being the love story that develops between architecture, artistic inspiration and feelings.
The sudden death of Michael Jackson sends a former King of Pop devotee — now a young imam — into a tailspin, in this tender and comedic film from Egyptian filmmaker Amr Salama.
From Paris in the 1960s to London in the first decade of the third millennium, Madeleine and her daughter Véra flit from one amorous adventure to the next, living for the moment and taking all the opportunities that life offers. But not every love affair is without its consequences, its upsets and its disappointments. As time goes by and gnaws away at one’s deepest feelings, love becomes a harder game to play.
When 12-year-old Stephanie Crowe is brutally murdered at her home in her small home town, the authorities foolishly jump to conclusions that her 14-year-old brother Michael must be responsible. They completely ignore strong evidence that suggests another suspect is the one. They work hard to force Michael to falsely confess to what he did not do, in order to avoid tougher investigation.
When his husband Gabriel files for divorce, Nicky fights for custody of their 8-year-old son Owen, as he struggles to come to terms with what it means to love someone and what it means to be a father.
Manhattanite Catherine O'Mara (Heche) bonds with a young man who has run away from his father. When the father returns to New York a year later to sell his Christmas trees, he and Catherine cross paths.