Liza Minnelli stars in a television concert directed and choreographed by Bob Fosse. She performs her songs such as the title number and a medley of songs from the film Cabaret (1972).
The story of gamers turned lovers Cairo and Gavreel, to spend time together in Gavreel's house, a few weeks before Cairo returns to his province. What starts out as a romantic holiday for the young couple turns into a relationship test that they have to overcome. Cairo is faced with the reality of his imminent departure while Gavreel is compelled to make a life-changing decision. After defying distance and even the pandemic, will Cairo and Gavreel be able to prove once again that their love for each other is strong enough to withstand fate and circumstance?
Ella Fitzgerald was a 15-year-old street kid when she won a talent contest in 1934 at the Apollo Theatre in Harlem. Within months she was a star. Over the next six decades, her sublime voice would transform the tragedies of her own life and the troubles of her times into joy. JUST ONE OF THOSE THINGS retraces this extraordinary journey.
From Lemmy filmmaker Wes Orshoski comes the story of the long-ignored pioneers of punk: The Damned, the first U.K. punks on wax and the first to cross the Atlantic. This authorized film includes appearances from Chrissie Hynde, Mick Jones (The Clash), Lemmy and members of Pink Floyd, Black Flag, GNR, the Sex Pistols, Blondie, Buzzcocks, and more. Shot around the globe over three years, the film charts the band's complex history and infighting, as it celebrated its 35th anniversary and found its estranged former members striking out on their own anniversary tour, while still others battle cancer.
Scottish musician, Edwyn Collins' world was shattered by a devastating stroke. After fighting back from the brink of death, he discovers that life, love and language mean even more to him that he could ever have imagined.
Guerilla filmmaker Brendan Toller unleashes I NEED THAT RECORD! THE DEATH (OR POSSIBLE SURVIVAL) OF THE INDEPENDENT RECORD STORE, "an elegy for a vanishing subculture...a lively, bittersweet film that examines - with caustic humor, brutal candor, and, ultimately, great affection - why roughly 3,000 indie record stores have closed across the nation over the past decade," (Johnathan Perry, Boston Globe). A tour-de-force tale of greed, media consolidation, homogenized radio, big box stores, downloading, and technological shifts in the music industry told through candid interviews, crestfallen record store owners, startling statistics, and eye-popping animation. Fat cats or our favorite record stores? You decide. Featuring- IAN MACKAYE, NOAM CHOMSKY, MIKE WATT, THURSTON MOORE, LENNY KAYE (Patti Smith), CHRIS FRANTZ (Talking Heads), GLENN BRANCA, PATTERSON HOOD (Drive By Truckers), PAT CARNEY (Black Keys) , LEGS MCNEIL, BOB GRUEN, BP HELIUM, and many indie record stores across the U.S.
When a man answers an ad to train as a record producer, he's excited by the prospect of signing undiscovered artists only to discover his new job isn't all it's cracked up to be.
Onyx rapper Sticky Fingaz directs and stars in this hip-hop musical about a gangster who gets caught up in a bloody war between two feuding crime families while struggling to leave the streets behind. When Black's family raids one of Stick's drug houses and kills two of his men, Stick is forced to choose between leaving it all behind or seeking revenge and feeding the cycle of violence.
Bessie and Winston "Slug" Winters are married coaches whose mission is to whip their college football team into shape. Just in time, they discover a hillbilly farmhand and his sister. The hillbilly farmhand's ability to throw melons enables him to become their star passing ace.
In squeaky-clean New York at the turn of the century, playboy Charlie Hill falls so much in love that he can walk on air. The object of his affections is beautiful Angela Bonfils, a mission house worker in the Bowery. He promises to reform his dissolute life, even trying to do an honest day's work.
Song-and-dance man Bert Kalmar can't continue his stage career after an injury, so he has to earn his money as a lyricist. By chance, he meets composer Harry Ruby and their first song is a hit. Ruby gets Kalmar to marry his former partner Jessie Brown, and Kalmar and Jessie prevent Ruby from getting married to the wrong girls. But due to the fact that Ruby has caused a backer's withdrawal for a Kalmar play, they end their professional relationship.