All hell breaks loose when a giant grizzly, reacting to the slaughter of her cubs by poachers, attacks a massive rock concert in the National Park. [This sequel to "Grizzly" (1976) was left unfinished after production wrapped prematurely in 1983, and was not officially released until 2020, though a bootleg workprint version had been in circulation for some years prior to this.]
On a train trip out west to become a mail-order bride, Susan Bradley meets a cheery crew of young women traveling out to open a "Harvey House" restaurant at a remote whistle-stop.
Hat check man Louis Blore is in love with nightclub star May Daly. May, however, is in love with a poor dancer but wants to marry for money. When Louis wins the Irish Sweepstakes, he asks May to marry him and she accepts even though she doesn't love him. Soon after, Louis has an accident and gets knocked on the head, where he dreams that he's King Louis XV pursuing the infamous Madame Du Barry.
Lucifer incites Heaven’s wrath by dispatching train cars of condemned souls a-crashin’ through the pearly gates. As God plots to put an end to the rebellious deeds, a fable is told, and the midway gets set for a fateful reunion between God’s Agent and Hell’s Painted Doll, promising to make sinner and saint alike scream Alleluia!
Cossetted and bored, Barbara Barry is finally sent off to school by her busy if doting widowed soap manufacturer father. When her nurse is injured en route, Barbara finds herself alone in town, ending up as part of radio song-and-dance act Dolan and Dolan sponsored by a rival soap company.
On February 7th, 2003, renowned artists across multiple music genres and generations commandeered the stage at New York City's Radio City Music Hall to pay tribute to their common heritage and passion - the blues. Shared with thousands of fans in attendance, legendary performers from roots, rock, jazz and rap joined forces for a once-in-a-lifetime "Salute To The Blues" benefit concert whose proceeds went to musical education.
Singer-songwriter Paul Simon had been on the cutting-edge of pop music throughout most of the 1960s and the '70s, first as half of the seminal folk-rock duo Simon & Garfunkel, and then as a well-received solo artist. But the rise of 1980s rock and new wave saw a decline in Simon's commercial success, and the singer responded by experimenting with different musical styles--most notably, world beat--that culminated in his adventurous 1986 masterpiece GRACELAND. The album's fusion of American folk-rock songwriting and buoyant South African rhythms not only broke new ground in pop music, but became Simon's biggest-selling solo record. This episode of the CLASSIC ALBUMS series examines the making of Simon's groundbreaking work through interviews, behind-the-scenes footage, music videos, and live performances of album tracks such as "Boy in the Bubble," "Diamonds on the Soles of Her Shoes," "You Can Call Me Al," and "Under African Skies."
It was the 80s: Hardcore punk got too violent and started getting banned in clubs and venues, new wave died as well as the clothes and the first wave of metal became stale; we were looking for a new sound and a new look. Bored with what we knew, we ushered in Bands that lived harder and drank more than we did - bands like Hanoi Rocks, Guns N Roses, Jane's Addiction. It was freeing to be young and rock'n'roll - we changed the fashion and its rules, ran the town, set the scene and remade Melrose ave. our street. It was OUR time, Scenester's in Los Angeles. This 80 minute documentary goes back to the clubs, the scenester's, and the 'mover and shakers" of the time - the bands. A non-judgemental look at a musical movement that defined a generation and explained a culture.
The reunion concert that brought New York to its knees in 1986 – the original Dead Boys, Stiv Bators, Cheetah Chrome, Jimmy Zero, Jeff Magnum and Johnny Blitz on stage at the Ritz! The band got together for one more show in their old stomping ground, starting with an introduction from long-time supporter, Joey Ramone, to the power riff of “Sonic Reducer” (played twice!) to an unreal cover of The Stooges’ “Search & Destroy!”
Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.
Three dance crews – one Latin American, one European and one Canadian – prepare to battle at the International Beat the World competition in Detroit. Along the way, they struggle with gambling debt, bad break-ups and their own egos. In the final showdown to become world champions they find that their lifelong hopes, dreams and even lives, are at stake.
Supersonic charts the meteoric rise of Oasis from the council estates of Manchester to some of the biggest concerts of all time in just three short years. This palpable, raw and moving film shines a light on one of the most genre and generation-defining British bands that has ever existed and features candid new interviews with Noel and Liam Gallagher, their mother, and members of the band and road crew.
Scottish musician, Edwyn Collins' world was shattered by a devastating stroke. After fighting back from the brink of death, he discovers that life, love and language mean even more to him that he could ever have imagined.
Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound, and is an interpretation of the particular aria.
Encomium to Larry Hart (1895-1943), seen through the fictive eyes of his song-writing partner, Richard Rodgers (1902-1979): from their first meeting, through lean years and their breakthrough, to their successes on Broadway, London, and Hollywood. We see the fruits of Hart and Rodgers' collaboration - elaborately staged numbers from their plays, characters' visits to night clubs, and impromptu performances at parties. We also see Larry's scattered approach to life, his failed love with Peggy McNeil, his unhappiness, and Richard's successful wooing of Dorothy Feiner.
Ethan Bortnick plays the leading role as Nathan,a young boy who's separated from his mother when she goes missing during a trip to Japan to help after the tsunami. The movie explores issues like homelessness, military family life and adoption. Ethan co-wrote the music with Grammy award winning songwriter and producer, Gary Baker and will also score the entire film. Ethan will become the youngest actor to co-write the soundtrack and play the leading role in a feature film. When Army lieutenant, MARGARET PETERS (Lacy Chabert) goes missing during a tsunami rescue mission in Japan, back in Detroit, her son, NATHAN (Ethan Bortnick), discovers that his father GEORGE (Jonathan Bennett) isn't his biological father. Learning that Child Care Services could take him away, Nathan runs away before his father can explain. While George goes on a frantic search, Nathan takes to the streets of Detroit where he meets CAPTAIN MILES, a homeless Iraqi war veteran. Captain Miles takes the boy under his ...
The story of the black, gay origins of rock n' roll. It explodes the whitewashed canon of American pop music to reveal the innovator – the originator – Richard Penniman. Through a wealth of archive and performance that brings us into Richard's complicated inner world, the film unspools the icon's life story with all its switchbacks and contradictions.