Young cheerleader Ashley is adopted by her parent’s killers. Years later, during a home robbery, her crazed family reveal what they are really capable of and Ashley must decide who’s side she is on.
Karla, a young medical student, is trying to cure her brother, Blake, from a terminal sleep illness called Fatal Familial Insomnia, where you are unable to sleep until you die. On her quest to treat him, a more sinister reason for his condition is revealed.
After a programmer working on a top secret surveillance program snaps in a murderous rage, a notorious code wizard with problems of his own moves into the startup offices to figure out what went wrong and deliver the final product. But the deeper he delves into the code, the more the code takes on a malevolent life of its own.
A modern, dark-humored tale of greed, romance, and lost innocence in consumer-crazed, alienated society that functions as a harsh critique of society today without taking itself too seriously.
Aspiring young novelist Tony Zonis (Alexis Denisof) wants to write the next great suspense thriller, so he decides to study the work of master crime writer, Willard Hope (Christopher Lee). Together, they pick through random newspaper stories, looking for the unusual event that will make a good thriller. What they find is murder. A government cover-up... an international scandal... and the bodies are just beginning to fall into place. Now Tony isn't just writing the next best-seller... he's writing his own obituary.
After a drug deal goes south, four heroin addicts barricade themselves in a country bar as the cops close in. Withdrawal sets in, further complicating their hostage situation, while a secret one of them is hiding could destroy them all.
Motif focuses on a police investigation and its most obvious innovation is the female perspective that the director imposes. Protagonist Dewi (Sharifah Amani) is a police officer who is sent from the capital of Kuala Lumpur to a provincial area, Tanah Merah (lit. “Red Earth”), to investigate the disappearance of the young daughter of the local community’s richest family. From the beginning, her arrival is greeted with distrust by her male colleagues, who are doubly annoyed by the fact of having an outsider who is also a woman intrude in the community.
During one of Oregon's most violent storms, a young cellist seeks solitude and comfort in the safety of her large apartment, but soon realizes she might not be home alone.
A young woman takes work on a Martha's Vineyard farm and befriends the ten year old farmer's daughter only to discover present day horrors that stem from a dark past.
Jane Ravenson finds herself in the middle of a grocery store with $10,000 in her coat pockets and no memory of her life or who she is. Her husband eventually finds her and she starts to believe that her family life is fine until she feels a deep, nightmarish paranoia that something is horribly and terribly wrong.
Officer Prabhat and his team arrive in Nepal to verify a terror suspect and arrest him within a deadline of four days. A race against time ensues when Pakistani agencies start chasing them.
After her father ends up in the hospital, Emma flies back from New York to her hometown in Italy and stays at her parents' home. All alone in the house, she faces an evil entity that is connected to a cursed radio. Emma will have to unveil the dark secret behind the radio to survive the night and protect the ones she loves.
THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.