All his life, Riku Tachibana has been raised by his grandfather. For some reason, the old man has always been fond of strange hand gestures, and they've rubbed off on Riku, who performs them almost subconsciously, to his classmates' great amusement. One day, however, it suddenly becomes clear to Riku what his grandfather has been surreptitiously teaching him. And the teachings could mean the difference between life and death for Riku.
Noori, a garbage picker, dreams to live a respectful life in the city but harsh realities stand in her way. Her awkward situation forces her to marry a rich widow's mentally challenged son, Bhola. Unbeknownst to both, their mutual feelings of social alienation would bring them close.
For Himuro, being a descendant of a snow spirit is tough at the workplace when your emotions can lead to snow blasts with snowmen and igloos. Any emotionally charged incident with coworkers can trigger it—conflict, fun, and in this case, romance. And with his lovely and calm coworker Fuyutsuki, he gets more frozen, literally. Get ready for a snow-white office romance that blows in like a blizzard.
Jazz pianist Johnny Staccato supplements his meager musician's income by working as a private detective. The background for many of the episodes is his friend "Waldo's" jazz club in New York City's Greenwich Village, featuring performances by the Pete Candoli jazz combo which included Barney Kessel, Shelly Manne, Red Mitchell, Red Norvo and Johnny Williams. The theme was composed by Elmer Bernstein.
Kang's Family; Migrant Wives, Local Husbands (Chinese: 外来媳妇本地郎 is a Cantonese sitcom produced by Guangdong Radio and Television. Filming began on April 18, 2000, and has been broadcast on GRT Pearl River Channel since November 4, 2000, with two episodes on Saturdays and Sundays at 19:00. It is the longest-running and most frequently aired sitcom in Chinese television history. As of May 15, 2021, the show has aired more than 4,000 episodes.
About a family of seven monsters and their mother. Each monster is named after a different number from one to seven, and each has unique physical characteristics.
British comedian Richard Ayoade (later taken over by Joe Lycett), accompanied by a celebrity guest, takes a ruthlessly efficient approach to travel, covering everything top tourist destinations have to offer in just 48 hours.
In the near future, a sudden and unexplained sea rise has left much of human civilization underwater. Ikaruga Natsuki, a boy who lost his mother and one of his legs in an accident some years earlier, returns disillusioned from a harsh life in the big city to find his old countryside home half-swallowed by the sea. Left without a family, all he has to his name is the ship and submarine left to him by his oceanologist grandmother, and her debts. His only hope to restore the dreams for the future that he has lost is to take up an opportunity presented to him by the suspicious debt collector Catherine. They set sail to search the sunken ruins of his grandmother's laboratory in order to find a treasure rumor says she left there. But what they find is not riches or jewels; it is a strange girl lying asleep in a coffin at the bottom of the sea, Atri. Atri is a robot, but her appearance and her wealth of emotions would fool anyone into thinking she's a living, breathing human being.
Each season of this anthology series explores a story that rocked the business world to its core and changed culture. The first season tells the story of Uber, one of Silicon Valley’s most successful and most destructive unicorns.
A woman's life gets twisted one day because of her biological father who shows up after 28 years of absence. He had been thoroughly hiding his identity, afraid that he might be an obstacle in his daughter's life. The father and daughter meet the "only ones" in their lives and put back together the pieces of their broken hearts.
Teppei Arima, who lost both of his parents in a car accident is attending the second year of high school. After being adopted by his grandfather Isshin Arima, the mightiest man in japanese economy, he is forced into the position as his grandfather’s successor, the head of the Arima Group. To be prepared for life in high society he has to attend an elite accademy for children of the higher social classes.
Three young, struggling actors (played by three young, less-struggling actors) try to navigate the maze of agents, auditions and avarice that is Hollywood, frequently turning to their acting teacher for advice. As the title implies, the dialogue is mostly improvised, with situations based on the lives of the cast and creators.
Two housemates get married for financial convenience, but discover nothing is simple when it comes to demanding in-laws — or facing their growing bond.