Margaret Hale is a southerner from a country vicarage newly settled in the industrial northern town of Milton. In the shock of her move, she misjudges charismatic cotton mill-owner John Thornton, whose strength of purpose and passion are a match for her own pride and willfulness. When the workers of Milton call a strike, Margaret takes their side, and the two are brought into deeper conflict. As events spiral out of control, Margaret - to her surprise - begins to fall in love with Thornton...
The story of a band of spotty, noisy, working-class kids with “no future,” who shook the boring, corrupt Establishment to its core, threatened to bring down the government and changed music and culture forever.
Busytown is an enchanting place that's abuzz with energy and life. Young audiences are invited to sing and laugh along as Huckle Cat, Lowly Worm, and other beloved characters from acclaimed author Richard Scarry make their way through the day exploring their happy and lively world.
MegaStructures is a documentary television series appearing on the National Geographic Channel in the United States and the United Kingdom, Channel 5 in the United Kingdom, France 5 in France, and 7mate in Australia.
Each episode is an educational look of varying depth into the construction, operation, and staffing of various structures or construction projects, but not ordinary construction products.
Generally containing interviews with designers and project managers, it presents the problems of construction and the methodology or techniques used to overcome obstacles. In some cases this involved the development of new materials or products that are now in general use within the construction industry.
MegaStructures focuses on constructions that are extreme; in the sense that they are the biggest, tallest, longest, or deepest in the world. Alternatively, a project may appear if it had an element of novelty or are a world first. This type of project is known as a Megaproject.
James Hacker MP the Government's bumbling minister for Administrative Affairs is propelled along the corridors of power to the very pinnacle of politics - No. 10. Could this have possibly have been managed by his trusted Permanent Private Secretary, the formidably political Sir Humphrey Appleby who must move to the “Top Job” in Downing Street to support him, together with his much put upon PPS Bernard Wolley.
What could possibly go wrong?
An unusual, real-world romance involving relatable people, with one catch - there are three of them! You Me Her infuses the sensibilities of a smart, grounded indie rom-com with a distinctive twist: one of the two parties just happens to be a suburban married couple.
Ultraman Max was an Ultraman TV series which started airing on 7 July 2005, and produced by Tsuburaya Productions and Chubu-Nippon Broadcasting Co., Ltd.. The show tried to return to the true formula of new monsters every week and being a fast paced show like previous series with the exception of Ultraman Nexus. The show is full of homages to past series by having three of the original cast members from the first Ultraman series being featured in an episode, updated versions of classic monsters like Red King, Eleking and Pigmon among others. One unusual episode revolves around the filming of the 1964 program Ultra Q which was the predecessor to the first Ultraman show in 1966. Two actors from that show appear as themselves.
A talented cast of aspiring makeup artists live and work together as they attempt to prove their potential to industry professionals from a multitude of worlds from fashion to film. With regular eliminations, the challenges not only test their skills under pressure but also give them the opportunity to unleash their creative vision with jaw-dropping results.
Upon discovering ancient stones with dinosaur images imprinted on them, a 12-year-old boy named Max Taylor (Ryuta Kodai) and his friends Rex Owen and Zoe Drake (Malm Tatsuno), discover they are able to call forth dinosaur companions. These companions will aid the owners in stopping the nasty Alpha Gang from coming into possession of the mysterious stones and crush their chances at world domination.
Koshi Torako has everyone fooled. Her classmates see her as the perfect honor student, unaware of her secret delinquent past. But her new picturesque school life is thrown into chaos when she bumps into Shikanoko Noko, a girl with antlers! Mayhem seems to follow this strange doe-eyed girl. Who, or what, is she?
Floyd Mooney is a young African-American comedian whose star is on the rise. But the path to stardom is a minefield that Floyd must navigate to maintain his credibility while attempting to become “white famous.”
The sudden death of her husband upends and transforms every relationship in Leigh Shaw’s life. It also forces her to realize there was a lot about her husband that she didn’t know.
The Walking Dead star and motorcycle enthusiast Norman Reedus hits the open road to explore local biker culture and celebrate the best and brightest collectors, mechanics and craftsmen around the country. Each episode features Reedus and a riding companion – a fellow actor, musician, friend or local chopper fanatic – as they journey to custom bike shops, tattoo parlors, collector’s warehouses, or a roadside smokehouse… with plenty of time for unplanned detours and tire changes.
Tracker is a 2001 Canadian science fiction television series starring Adrian Paul and Amy Price-Francis. The series is based on a short story by Gil Grant and Jeannine Renshaw. The pilot episode and two other episodes were edited into the film Alien Tracker.
Angelika Schnell is the head of homicide and living proof that chaos is just another form of order. Nevertheless, she is a brilliant investigator - even if her methods are sometimes quite unconventional: In addition to hard facts, she also allows her distinctive inner voice to apply, which often leads to incomprehensible but very important conclusions...
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast on CBS from 1948 to 1957. When the show was adapted to television, it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.