Popeye and Bluto are running for President. It's election day, the vote is tied, and Olive Oyl is the only remaining voter. However, she won't vote, and the election outcome be decided, until her chores are done. Popeye and Bluto compete to complete them.
Popeye and Bluto both plan to marry Olive Oyl, but Popeye proposes first. When Olive says, "Yes!" to Popeye, Bluto sets out to make Popeye look bad, break up the wedding, and win Olive over.
Sylvester Cat and his son, Junior, live in a dump, and Junior decides to find them a home. He does, but the fat lady who lives there only wants to adopt Junior and separates the kitten from his father. So, Sylvester makes a number of attempts to gain access to her house.
After another failed series of attempts to catch the ever-elusive Road Runner with a grenade, a bow, a rope, invisible paint, and a gun disguised as a peep show, Wile E. Coyote uses a rocket to chase after the bird. The rocket goes off course, crashes through the earth and sends Wile E. to China where a Chinese Road Runner greets him.
When Speedy Gonzales invades the home of Granny and rapidly drives her cat, Sylvester, to a nervous breakdown, Granny calls on Daffy Duck of the Jet Age Pest Control company to do the job of removing Gonzales from her home.
Wile E. Coyote finds a spy kit and uses its contents (sleeping gas, a mail bomb, explosive putty, and a gadget-filled spy car) in his unsuccessful attempt to catch the Road Runner.
A descent into the maelstrom of anguish that tormented Arthur Lipsett, a famed Canadian experimental filmmaker who died at 49. A diary transmuted into a clash of images and sounds charting a prodigious frenzy of creation, a tableau depicting an artist’s dizzying descent into depression and madness: with LIPSETT DIARIES, Theodore Ushev renews his filmmaking aesthetic and explores what happens when genius is on a first-name basis with madness.
Jean’s father is always busy at work, so he spends most of his time with his nanny Yvette and neighbour Michelle. His mother is away but nobody talks about her. Luckily Michelle is on hand to read postcards about Mum’s Wild West escapades and, even though they seem far fetched at times, they keep Jean happy. At school, the steel marbles Jean takes from his father’s factory are valuable playground currency but their removal has unexpected consequences. This delightful, bittersweet animated film, based on the best-selling children’s story by Jean Regnaud and Emile Bravo, is a joyous, thought-provoking tale about childhood loss and the need even for adults to hide from the truth at times. (Source: LFF programme)
Relentlessly reworking ‘real’ images, using techniques borrowed from painting and animated film, Patrick Bokanowski is an author of stature, capable of creating an insane and cataclysmic universe of unquestionable beauty.