When they are accidentally transported to the Jurassic Era, the Teenage Mutant Ninja Turtles must find their way through prehistoric dinosaurs to return home while facing dangerous aliens from the future who have a nefarious plan for them. But things get even more complicated with the arrival of Triceratons, Bebop and Rocksteady.
A pioneer of visual music and electronic art, Mary Ellen Bute produced over a dozen short abstract animations between the 1930s and the 1950s. Set to classical music by the likes of Bach, Saint-Saëns, and Shoshtakovich, and replete with rapidly mutating geometries, Bute’s filmmaking is at once formally rigorous and energetically high-spirited, like a marriage of high modernism and Merrie Melodies. In the late 1940s, Lewis Jacobs observed that Bute’s films were “composed upon mathematical formulae depicting in ever-changing lights and shadows, growing lines and forms, deepening colors and tones, the tumbling, racing impressions evoked by the musical accompaniment.” Bute herself wrote that she sought to “bring to the eyes a combination of visual forms unfolding along with the thematic development and rhythmic cadences of music.”
The date: 2015 AD. The Angels’ assaults on Tokyo-3 have increased in its ferocity. In this city, three young girls upload their latest song onto Nico Nico Douga.
Mister Cok is the owner of a large bomb factory. Looking for efficiency and profit, he decides to replace his workers by sophisticated robots. The formers stare helplessly at the toil of the robotic labourers. But one of the workers does not accept being discarded so easily...
An experimental short film based on repetitive movement. The main intention was to create a film much in the same way as you would create a piece of music; themes that build and develop rather than a traditional narrative.
Lonely, old parents living on a small farm look forward to their son's visit. The man finally shows up one day, but he separates himself from his parents with a newspaper. Inadvertently, he drops a slice of bread. His father picks it up respectfully.
An animated satire on the question of self-image for African American women living in a society where beautiful hair is viewed as hair that blows in the wind and lets you be free. Lively tunes and witty narration accompany a quick-paced inventory of relaxers, gels, and curlers. This short film has become essential for discussions of racism, African American cinema, and empowerment.
The plucky hero joins a fire company to save the world and gain the affection he so richly deserves. However, the results never turn out the way he plans.
Souvenirs, memories, nostalgia, alienation, the ephermal quality of life ...these are the subjects of this animated diary. The film is not made in the usual way (screenplay, storyboard) and was born at the moment when the author sat at his desk and began animating.
Vida is a young Iranian lifeguard swimmer. Popular in her team, she is determined to fight in order to be the one to participate in an international competition in Australia. However, when Sareh, as fast and talented as her joins the team, she will have to face an unexpected situation.