Norman McLaren instructs Grant Munro on the movements he is to make. The film technique for Two Bagatelles is pixillation, where the actor is animated frame by frame, as in the film Neighbours/Voisins.
An animated film in which colored shapes dance to calliope music. The visuals were drawn by Norman McLaren directly upon the film with pen and ink. Simple forms dance about the screen to the discordant strains of an old-time circus calliope.
In the modern village of the future, everything is mechanized, but the dreams of the village musician remain the same. He wants to become an artist. Thanks to the fact that an Art Nouveau goddess gave him a helping hand, Janko Muzykant saves his life and escapes from the village on a Pegasus.
This film illustrates the life of the film director, Shui-Bo Wang in The People's Republic of China. We learn of the life of the director in his own words and images from a child steeped in the values of Chinese communism exemplified by Chairman Mao, to a young man striving to live up to those ideals both as an artist and a soldier.
Garry Trudeau's classic characters (Mike Doonesbury, Zonker, etc.) examine how their lifestyles, priorities, and concerns have changed since the end of their idealistic college days in the 1960s. Preserved by the Academy Film Archive in 2012.
The famous lover Jean Navarro arrives at the castle of a marquis. This is a vulgar bon vivant who has been married to the young Chantelle for a short time. At lunch the Marquis falls asleep and Chantelle goes into the garden with Jean, shows him the roses, the stables and the summer house and shortly afterwards confesses her love to him. Jean asks her to do three things as proof of her affection: the tail feathers of her husband's favorite bird, the marquis's whiskers and one of his teeth.
Prop & Berta is the story of a friendship between a little stout man and a big and proud cow, who are able to talk to each other. Together they confront an ugly and evil witch who is determined to get rid of them because they have moved into a house on the edge of her wood. The witch hates neighbours and through magic and evil planning she turns Prop and Berta's friends, the Teeny burpers, into dangerous hoodlums who begin to terrorize the nearby town. Prop and Berta manage to overcome the witch and turn her into a good person, restoring peace in the little town and breaking the spell which binds their friends.
Mr. Magoo is hired by his neighbors to babysit their little son, Homer. Magoo is delighted to accept but, unfortunately, a notorious cat burglar is intent on entering and robbing the house Magoo is babysitting it. To make matters worse, Magoo is constantly confusing Homer with the family dog and vice versa. When the thief finally breaks in, all chaos breaks loose but everything turns out all right in the end when the thief is apprehended thanks to the dog who is more alert than Magoo was.
Animation, also of a new order in the recent series of short works. Mostly on black space, the figures in blue perform a very compact and jewel-like opera in surreal form, again to Satie’s piano music. Ideally, the film should be projected on a 30" wide white card sitting on a music stand, center stage of a large auditorium or music hall, with sound from the projector piped into the big speaker system. The film is most effective this way, but can be shown normal-size also
Fragile Machine is an underground cg film about science, religion, and man's role in a new nature of which he has partial authorship. Through a unique combination of animation and music which some have likened to an 'electronic operetta' it tells the story of the first girl to be built in a factory instead of born from a womb.
Comedian Louie Anderson tells a story of one Christmas when he was a kid, growing up in Wisconsin, and how he and his dad brought Christmas cheer to a woman who appeared to have none.
A very lo-fi and raw claymation about a nervous clay figure named Puppetboy. The style is very hands on, DIY, but with a precise touch of facial expressions and tense atmosphere. A combination of slap stick and romantic, erotic drama.
A couple is having a wedding anniversary date in their own apartment. He is at the kitchen, concentrated, cooking a heart-shaped chocolate cake, insistently interrupted by their chihuahua dog, which wants him to play fetch with her. Meanwhile, his curvy wife is getting ready: bathing, dressing in her sexiest clothes, and applying make up. Their movements and actions are, without them knowing, synchronized and mimicked by the other, and they lead to the bedroom. What about the dog?!
It's breakfast time, and Pa finds the honeypot empty. Literally risking life and limb, he has Junyer help him raid a nearby beehive. In the end, he finds he should have listened to Ma in the first place, rather than telling her to "Shaddap!"