In 1991, when images of the Gulf War flooded the international media, it was virtually impossible to distinguish between real pictures and those generated on computer. This loss of bearings was to change forever our way of deciphering what we see. The image is no longer used only as testimony, but also as an indispensable link in a process of production and destruction. This is the central premise of "War at a Distance", which continues the deconstruction of claims to visual objectivity Harun Farocki developed in his earlier work. With the help of archival and original material, Farocki sets out in effect to define the relationship between military strategy and industrial production and sheds light on how the technology of war finds applications in everyday life.
The evils of alcohol before and during prohibition become evident as we see its effects on the rich Chilcote family and the hard working Tarleton family.
Honor Flight chronicles a community coming together to honor World War II veterans. The film follows a team of Midwest volunteers as they race against the clock to send every local WWII veterans to see the memorials built in their honor.
Jerzy Szajnowicz-Ivanov, the son of a Polish mother and a Russian father, raised in Greece, reports to the Carpathian Brigade in the spring of 1941. While the Poles are wary of him at first, he proves his worth by taking part in several sabotage actions against the Nazis.
In 1570, widowed Princess Ana de Mendoza becomes the love object of a deadly rivalry between her cousin Don Inigo, King Philip II of Spain and his secretary of state Antonio Perez.
The tiny independent duchy of Ferrara is located between Casare Borgia's Rome and Venice, and Borgia has plans to conquer Venice via Ferrara. He murders his sister's husband and makes it appear that Alfonso D'Este of Ferrara was behind the killing. To avenge herself against Ferrara and D'Este, Lucretia Borgia marries D'Este and intends to poison him. But...she falls in love with him.
A studio. A man and a woman. Moving images on the screen, which he comments on, spurred on by her questions. All the footage was shot from the window of a flat: views of the street, the metro line running above it, the canal, into the windows of the buildings opposite. The flat belongs to the man’s lover, the man is a guest, spending his nights there but never his days. By the canal, young men from Afghanistan set up makeshift shelters as the man looks on, developing increasing sympathy for them. The seasons change, winter, spring, summer.
Agricultural laborers in Valle del Cauca, Colombia, harvest a field of sugarcane using machetes. The camera keeps its distance as it observes their smooth movements. Soon the rhythmic movements of the machetes develop their own choreography, whilst time appears to expand.
In northern England around 1900, the worker John O'Brien lives near poverty in a small house in the worker's district. He falls in love with Mary, the teacher of his highly intelligent younger sister Kathy and daughter of a rich family. Their love is doomed by the social difference, but the vigorous Mary refuses to allow outer circumstances destroying their love.
During the Civil War in Russia a group of White Guard officers is trying to rescue the family of the tsar Nicholas II captured by Bolsheviks. The officers face betrayal and fight a Red Army detachment sent to eliminate them. It is the Red Army commander against the head of the White Guard group. The only thing that matters is who will be the first to reach the tsar placed under arrest in Yekaterinburg...
Yousry Nasrallah's powerful adaptation of Lebanese writer Elias Khoury's epic novel of fifty years of Palestinian dispossession, exile, and resistance. The film follows the flight of Younes, his wife Nahila, and those around them, from their village in northern Palestine to a refugee camp in Lebanon. Some vow to continue the struggle, most simply struggle to survive. Unsparingly detailing the impact of the nakba (disaster) on Palestinian life and society and the refugees' often-contentious relationship with their reluctant Lebanese hosts, Gate of the Sun spans generations, mixing personal stories with historical events.
The tragedy of a woman who - after seven years of vain searches - gave up hope of finding her husband, a knight lost in battle in Marroc with Sebastião, king of Portugal. She marries, has a daughter by her second husband, and endures the silent reproach of an aid, Telmo Pais, the only who kept his hope that his master shall return, as well as the king... One day, a mysterious pilgrim arrives at the mansion.