Shocking new evidence of highly advanced civilizations mounts as previously unexplored regions of the earth reveal mind boggling artifacts that defy all convention and utterly mystify today's academic and scientific factions. It's clear there are massive gaps between our current understanding of the cosmos and the origins of humanity and that of ancient civilizations that existed before "recorded history". Experience unprecedented relics and artifacts that force us to re-evaluate the mainstream dogma of who we are and where we came from.
Become a paleontologist and piece together the facts behind these real-life monsters. Experience the process of discovery from start to finish - the excitement of digging, reconstruction, and the realization of what dinosaurs might actually have looked like.
A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.
Paris, May 1931. Black culture is in vogue at the same time that a great colonial exhibition displays the peoples of the world subjugated by the French Empire. It is then that a group of researchers travels to Africa and undertakes an ambitious ethnographic mission. On their way from Dakar to Djibouti, they collect a large number of objects destined for the Musée de l'Homme. Is it a well-intended adventure or a great plunder?
The history books say that the first European to make contact with Native Americans was Christopher Columbus. New evidence tells a different story, that another civilization arrived in the New World centuries earlier. They were the Norse, a seafaring people who originated in the Scandinavian countries of Denmark, Norway and Sweden. They bore the name Viking, an "Old Norse" term for a pirate raid.
Based on the Maratha warrior Hansaji Mohite who was later given the title of Sarnobat Hambirrao, the film portrays his life as the Commander in Chief of Chatrapati Shivaji Maharaj's army.
From time immemorial, the Bretons have fought many battles to safeguard their culture, rich in language, music and dance. However, Brittany was for a long time a forgotten land, neglected by the Republic which forbade its language. From the 1960s onwards, the agricultural revolution turned peasant life upside down. Its culture, which had long been supported by Catholic priests, was emancipated in the seventies, carried by a new breath of air that accompanied the Breton angers. The youth then reappropriated their language and culture. From the long years of relegation to their great anger, the Bretons have written a fascinating saga since the end of the 19th century.
You all know the story about the Great Fire of London. That the fire was started by accident in a bakery on Pudding Lane, and the inferno rapidly engulfed the City of London in September 1666, burnt for four days, destroying everything in its path. But how many of you are aware that at the time many Londoners believed that the fire was started deliberately? And as suspicions grew, London lynch mobs attacked immigrant groups, prompted by a widely-held belief that it was an act of arson committed by a foreign power?
Delphyne (meaning ‘womb’) discusses the stigma around menstruation. Addressing shame and acceptance, taboos around menstrual blood are told through a fabric-themed metaphor, and the conflict between a mother-daughter relationship; to find a shared unity and language to beat the conflict which projects itself in the shame metaphor that they’ve unwound and removed from their life. The historical connotations of staining, feminine purity and the divide between private and public space as well as ownership of the body come into play. The coming of age theme is reflected in reference to her struggle with the self (alter-ego), struggle with the ‘other’ (male influence) and struggle with the home (her Mother).
From the first minutes after his inauguration, the newly elected president wants to translate his promises and his campaign project into action. "Change is now", "Change life", "Together everything becomes possible": all campaign slogans promising a break with the past, a change. The first few months were decisive: it was a matter of making a mark, asserting one's style, imposing one's authority and taking the first measures, those that would make a mark on public opinion and set the first lines of the political narrative in history. From 1959 to 2017, the eight successive presidents have acted without delay. Thanks to the many witnesses and actors of these first hundred days, the film retraces the stakes and decisive moments that marked the beginning of each mandate.
The great oak tree of Scandiano, in the Reggio Emilia hills, is the silent witness of a long history, that of a territory shaped by nature and human activity. From the late Renaissance to the present, revolutions and traditions have alternated, leaving an uninterrupted flow of images imprinted in the memory of the centuries-old tree. Shot using a drone in a 15-minute sequence plan, The Great Oak is the result of a courageous technical challenge, but above all a conceptual one: to overturn the anthropocentric point of view of film narration and offer a more articulate perspective on reality, on the invisible links between living beings and on our role in the world.
A once-dead man is resurrected by a mysterious old man's spiritual magic to take revenge on those who killed him. An unusual and bizarre historical drama with a vaguely Western atmosphere. Starring the sword-fighting star Kozaburo Ramon, directed by Kenji Shimomura.