A poor child, who does not know his parents, joins a caravan of puppeteers to escape from the house where it is received and try to find his mother. Although living in extreme poverty, the child has, however, something that helps you get ahead: his great voice. One day, when a producer heard her singing in the street, receives an invitation to go to television.
Eight young people from Ohio who are dancers, come to New York, to compete in a major talent competition. But when they get there, they learn that they have to wait some time before they take part in it. So they try to do their best to survive in the Big Apple before competition, and get some lessons about the real World.
Commissioned by the San Francisco Mime Troupe as a short to be screened during intermission for its rather infamous 1965 Minstrel Show (Civil Rights from the Cracker Barrel), which assaulted racial stereotypes by wildly exaggerating them. Scored by Steve Reich. Preserved by the Academy Film Archive in 2007.
Snippets of a family drama involving a rebellious son coming to his depressing home village, his father, and a jaded ex-lover, mixed with various surrealist scenes and statements about sin.
La Fiesta de Santa Barbara is a 1935 American comedy short film directed by Louis Lewyn. It was nominated for an Academy Award at the 9th Academy Awards in 1936 for Best Short Subject (Color). It features a young, pre-stardom 13-year-old Judy Garland singing "La Cucaracha" with her two sisters (billed as "The Garland Sisters"). In the film, Hollywood stars participate in a Mexican-themed revue and festival in Santa Barbara. Andy Devine, the "World's Greatest Matador," engages in a bullfight with a dubious bovine supplied by Buster Keaton, and musical numbers are provided by Joe Morrison and The Garland Sisters. Comedy bits and dance numbers are also featured.
Mr. Casey's daughter, Connie, wants to go to Pottawatomie College and without her knowledge, he sends four football players as her bodyguards. The college is in financial trouble and her bodyguards use their salary to help the college. The football players join the college team, and the team becomes one of the best. One of the football players, Clint, falls in love with Connie, but when she discovers he is her bodyguard, she decides to go back East. The bodyguards follow her, leaving the team in the lurch.
A gambling hall owner relocates from New Orleans to Chicago and entertains his patrons with hot jazz by Louis Armstrong, Billie Holiday, Woody Herman, and others.
A famous opera singer, Giorgio Fini, loses his voice during an American tour. He goes to a female throat specialist, Pamela Taylor, whom he falls in love with.
Crumb director Terry Zwigoff’s first film is a true treat: a documentary about the obscure country-blues musician and idiosyncratic visual artist Howard “Louie Bluie” Armstrong, member of the last known black string band in America. As beguiling a raconteur as he is a performer, Louie makes for a wildly entertaining movie subject, and Zwigoff honors him with an unsentimental but endlessly affectionate tribute. Full of infectious music and comedy, Louie Bluie is a humane evocation of the kind of pop-cultural marginalia that Zwigoff would continue to excavate in the coming years.
A rare and welcome insight into Phil Collins' prodigious musical talent and the fascinating story of his first solo record. Collins first enjoyed international success as the drummer of Genesis and then as lead singer after Peter Gabriel left the band. In 1981, however, Face Value launched him as a solo artist and remains, in many ways, his most exciting and unusual music offering. Face Value was immediately a worldwide hit, entering the British charts at Number 1, spending almost six years in the Top 75, and selling in excess of 12 million copies. The album went on to make the U.S. Top 10, earning a gold record. This documentary includes several previously unseen performances, as well as rare home movies, unique photographs and documents from Phil's own private archives, and insights into the music from an eclectic range of musicians who worked on the album.
Molly and Bee, sweet young 'working girls,' live in a cheap room over a New York grocery store. Molly's idol, wealthy Jack Cromwell, lives in a Long Island mansion but is markedly less happy, since his fiancée Jane won't discourage her other admirers. Fleeing in his car, Jack ends up in an urban block party where he meets you-know-who.
From myth to legend Rowland Howard appeared on the early Melbourne punk scene like a phantom out of Kafkaesque Prague or Bram Stoker’s Dracula. A beautifully gaunt and gothic aristocrat, the unique distinctive fury of his guitar style shot him directly into the imagination of a generation. He was impeccable, the austerity of his artistry embodied in his finely wrought form, his obscure tastes and his intelligently wry wit. He radiated a searing personal integrity that never seemed to tarnish. Despite the trials and tribulations of his career, in an age of makeover and reinvention, Rowland Howard never ‘sold out’. With recent and moving interviews, archival interviews and other fascinating and original footage, AUTOLUMINESCENT traces the life of Rowland S Howard. Capturing moments with the man himself and intimate missives from those who knew him behind closed doors; words and images etch light into what has always been the mysterious dark.
Things are not looking good for Brook, a young, talented singer/songwriter who has become the clichéd tortured artist. Slow to come to terms with the death of his mother, Brook is self-absorbed, aggressive, and the major obstruction to his own career success. His isolation is lifted when his three sisters and estranged father come to spread his mother’s ashes. Brook’s loving sisters have a magical effect on his anger and apathy, suggesting there may be hope for the misanthropic musician after all.
Don't Go in the Woods is sound advice, especially when there's a killer on the loose. First-time director Vincent D'Onofrio (Full Metal Jacket, "Law & Order: Criminal Intent") explores love, greed and ruthlessness in this twisted musical/horror hybrid, telling the story of a young band who heads to the woods to get away from their everyday lives in order to focus on writing new songs. Hoping to walk away from the trip with new tunes that will score them their big break, they instead find themselves in the middle of a nightmare beyond comprehension.
Manorama, the daughter of a rich, orthodox family is married off, leaving her childhood friend Deodhar and his secret love for her, in despair. When tragedy befalls her, and traditions seem unfair, Deodhar must fight for what's right.
Rush's Time Machine shows in 2010 / 2011 were one of the most anticipated tours ever. Celebrating 30 years since the 1981 release of their classic bestselling album Moving Pictures the band performed the entire album live for the first time as the centrepiece of the concerts. The shows also featured favourite tracks from across their lengthy career and two new songs expected to feature on their next studio album.
School supply teacher timid folk art Ales Brabec won first prize at a music festival and will therefore offer to work for the Prague little theater in the basement. Its director Soukup just needs a few songs for the upcoming musical, and so is willing to do everything to Alex to create the right atmosphere for composing.