Amelia is a gifted violinist who is in danger of quitting the Brissac Academy of Music. Julius arranges to have a scholarship given to her through his employee Tony so that Julius can escort Amelia to every musical event in the city. The trouble begins when he cannot meet her one night and Tony goes in his place. Tony believes that Julius and Amelia are a couple and then son Paul thinks that Tony and Amelia are a couple as he is sending her the money. The worst part is that Amelia might leave classical music for swing music with classmates Dusty, Joy and the band.
A true Canadian iconoclast, acclaimed transgender country/electro-pop artist Rae Spoon revisits the stretches of rural Alberta that once constituted “home” and confronts memories of growing up queer in an abusive, evangelical household.
Gala (1961), a more polished version of Pourvu, set in a black cha-cha nightclub. Relying more upon looks, faces, and unease, rather than gags or dialogue, Pollet sets the cool elegance of the club's manager against the decidedly uncool Melki and his sartorial inadequacies. - Village Voice
Renowned multi-instrumentalist, singer, songwriter, producer and now ringleader Devin Townsend played a special concert October 27, 2012 at the Roundhouse venue in London, England as part of a one-night-only event, dubbed "The Retinal Circus".
Steve Merrick is an out of work writer who stays home and plays house husband while his wife goes to work for her former fiancé and Merrick's publisher who is still carrying a torch for her.
The "Caliban-Ariel" romance of fiftysomething John Barrymore and teenager Elaine Barrie is spoofed in this delightful 20th Century Fox musical. Adolphe Menjou plays the Barrymore counterpart, a loose-living movie star with a penchant for wine, women, and more wine. Alice Faye plays a nightclub singer hungry for publicity. Her agent (Gregory Ratoff) arranges a "romance" between Faye and Menjou. Eventually Faye winds up with Michael Whalen, allowing Menjou to continue his blissful, bibulous bachelorhood. Sing, Baby, Sing represented the feature-film debut of the Ritz Brothers, who are in top form in their specialty numbers--and who are awarded a final curtain call after the "The End" title, just so the audience won't forget them (The same device was used to introduce British actor George Sanders in Fox's Lancer Spy [37]).
Jimmie Allen, a shady bookie, is in love with Pearl Proctor, a greedy dance hall girl. He schemes to get her back after she rejects him; and along the way, he revives a failing Gilbert and Sullivan troupe.
In this musical comedy, a crooked record producer uses his mob connections to force performers to do their stuff. The trouble really begins when the gangster's strong-arm tactics nearly cause a singer to lose his fiancée. A wide variety of entertainers appear including cowboy crooner Gene Autry, baseball hero Joe DiMaggio, and big band stars Cab Calloway, Ted Lewis, and the Kay Thompson Singers. Songs include "Mamma I Wanna Make Rhythm," "Manhattan Merry-Go-Round," "Heaven?," "I Owe You," and "It's Round-up Time in Reno."
As sixteen year old Ann Winters begins a relationship with an older actor to further her career, lookalike fan Penelope Ryan is recruited by a group of former child stars to perform in a USO show.
The story of the 1985 Senatorial hearings to place "Warning: Parental Advisory" labels on music albums with 'obscene' lyrics and themes - and the rockers who tried to fight it.
Deanna Durbin is all grown up in Hers to Hold, the unofficial sequel to her "Three Smart Girls" films of the 1930s. Durbin plays Penelope Craig, the starry-eyed daughter of wealthy Judson and Dorothy Craig (Charles Winninger, Nella Walker). Developing a crush on much-older playboy Bill Morley (Joseph Cotton), Penelope stops at nothing to land the elusive Morley as her husband. Highlights include Durbin's renditions of "Begin the Beguine" and the "Seguidilla" from Carmen, and a captivating sequence that includes highlights from Durbin's earlier films, presented as home movies!
I'll Get By is an updated remake of the 1940 20th Century-Fox musical Tin Pan Alley. William Lundigan and Dennis Day play William Spencer and Freddie Lee respectively, successful song publishers who make hits out of such numbers as "I Got a Gal in Kalamazoo", "Deep in the Heart of Texas", "You Make Me Feel So Young", "There Will Never Be Another You", and other favorites (the rights to all of these songs were conveniently held by 20th Century-Fox). The partnership has some hard times, especially during the feud between ASCAP and the radio networks, when only public-domain songs like "I Dream of Jeannie" were permitted to be broadcast.
England, the 19th Century. The almighty butler Sebastian of the Phantomhive House: the "evil nobles" that are contracted to perform Queen Victoria's "underground" work. His true form is that of a demon. According to his contract with his young Master Ciel, a proudly independent boy who faces his cursed fate head-on, he becomes Ciel's shadow and cleans up the incidents that occur in the underground society.
Like the play from which it derived, the film tells of the early struggles of composer Edvard Grieg and his attempts to develop an authentic Norwegian national music. It stars Toralv Maurstad as Grieg and features an international cast including Florence Henderson, Christina Schollin, Robert Morley, Harry Secombe, Oskar Homolka, Edward G. Robinson and Frank Porretta (as Rikard Nordraak). Filmed in Super Panavision 70 by Davis Boulton and presented in single-camera Cinerama in some countries, it was an attempt to capitalise on the success of The Sound of Music.