Three generations of the same family grapple with addiction and inherited trauma in this cinematic rendering of the latest album from American folk-rock band The Lumineers.
Diego and Gabriela Silang are landed Ilocos natives disaffected with the imposition of the indulto de comercio (a law giving right to Spanish officials to buy rice and tobacco at the price they prefer). The year is 1762 and the British invade Manila, the childless couple is among the landowners denying aid to the Spaniards in thwarting the British. When the Spaniards in retaliation jail Diego, his wife gathers their confederates and leads the uprising herself.
An in-depth exploration of a seminal moment in DC music history (circa 1976 to 1984) and the rise of harDCore. The film is made up of a mix of rare archive material, conversational interviews, and a collage editing style. Features early DC punk and hardcore bands like Bad Brains, Minor Threat, Slickee Boys, The Faith and more.
Self Discovery for Social Survival is a collaborative surf and music film produced by Brooklyn based record label, Mexican Summer and Pilgrim Surf + Supply, a New York based surf and outdoor brand. Filmed in Mexico, the Maldives and Iceland in three separate vignettes, musicians (Allah Las, Connan Mockasin, Andrew Van Wyngarden of MGMT, and Peaking Lights) alongside pro-surfers,embark on a journey that combines a symbiotic relationship between music and the waves, the environment, and local culture. Poetically narrated by the legendary avant-garde film maker Jonas Mekas.
Isabella, Jonata and Pedro are stuck at home for a weekend. Distressed by the state of the world and financial difficulties, the trio decides to go out on the streets of a dystopian São Paulo to relax, which allows them to meet many individuals in a similar situation, causing tragicomic and fantastic situations.
The shakuhachi is a famous Japanese lbamboo-flute. It was originally introduced from China into Japan in the 7th century and underwent a resurgence in the early Edo period. The film records the life of the shakuhachi performers, controllers, and learners in China, Japan, the United States
With original footage sourced from "Elvis: That's the Way It Is" (1970), an experimental audio remix of a few of Elvis' conversations with the audience, spliced together with video footage of Elvis performing in front of his fans.
A boogie-woogie piano introduces what purports to be a jitterbug lesson, starring prize winner Arthur Walsh, his partner, and then later various other couples. We start with steps imported from other dances, like the waltz, then sped up. Next Walsh and his partner show some basic steps, but the movements are too swift for the narrator to describe them or the viewer to learn how to do them. By the end, various couples (all but a pair of briefly-seen children are white), including some comic ones, give a high-speed demonstration as the music rocks and swings. These are hep cats. Pete Smith's narration is full of slang.
That Kiljunen familys sets out find their two missing family members, who have been sent to Tampere by the Matalamäki boarding school for retraining due to poor school performance.
Two young men and two girls on a moonlit night confess to each other in their strange fantasies and loves that go beyond the usual standards.. The impetus to making the film was the book of the same name by the Russian religious philosopher Vasily Rozanov, who died 100 years ago. His treatise was devoted to the study of sexuality and its denial in Christianity. The film was made in the style of experimental films of the 1920s with a non-linear narration full of strange surrealistic images. He is black and white and devoid of dialogue. Filmed on film 16 mm of firm "Svema", released in the USSR. This added to his exoticism. The image was put to the music of Alexander Scriabin “The Poem of Ecstasy” (1907).
Synth-pop pioneers Soft Cell reunited for one last time at London’s The O2 on Sunday 30th September 2018 – their first UK show for 15 years. Marc Almond and Dave Ball performed together for a one-off show, ‘Say Hello, Wave Goodbye’, as they celebrate their 40th anniversary as a duo with their first UK show since 2003. This was the band’s last EVER show.
How does a working class autodidact, with no visible means of support, maintain his role as the leader of a cult British underground band into its fifth decade? Comedian and writer Stewart Lee, director Michael Cumming and James Nicholls investigate the mysterious existence of Robert Lloyd, Britain’s ultimate post-punk survivor. Robert Lloyd’s Prefects played with The Clash on the White Riot tour in 1977, and their ongoing incarnation, as Birmingham’s Captain Beefheart suffused post-punk poets The Nightingales, recorded more John Peel sessions than any other band. Ever. But what were the social, cultural and economic circumstances that enabled and sustained such outsider artists in the punk and post-punk eras, and how has the world changed to the point where such figures are unlikely to flourish in the same way today? Lloyd’s own odyssey echoes how abstract notions of social mobility, of the value of culture and music, have changed in the last five decades.
Anna is living the dream. Having rocketed from obscurity to internet stardom as electro-rap iconoclast 'Uffie' following the release of her breakout hit 'Pop the Glock', she is ready to take her place as socialite royalty, adored by indie boys and girls everywhere. Yet such a meteoric rise can never be without its associated pressures. Trapped between drug-fuelled hedonism, music industry bureaucracy and Myspace mania, Anna starts to wonder whether 'Uffie' is a character she can continue to play.
Talented eight year old Tina Denmark will do anything to play the lead in her school musical. Anything! As Tina discovers where her talent comes from, she shows us just what it takes to succeed...