A simple filmed performance featuring Cantor, done up in his stage minstrel makeup, allegedly at the Ziegfeld Theatre Roof Garden, but actually filmed on a soundstage at the Paramount Astoria studio.
Shiek Yousseff, poses as a friend of the French while secretly plotting to overthrow them. Apposing Yousseff are the Riffs, whose secret leader, The Red Shadow, is Paul Bonnard, a professor who is studying the desert, and whose attacks on the supply trains intended for Yousseff keep the Riff villages in food. Foreign Legion General Birabeau arrives to conduct an investigation, accompanied by his daughter, Margot. Birabeau hires Bonnard to tutor her, and she is attracted to a Legionaire captain, Claud Fontaine. While the general, Bonnard and Fontaine pay a visit to Yousseff, an American newspaper man, Benji Kidd, discovers a secret way in and out of Yousseff's palace, with the aid of Azuri, a dancing girl in love with Bonnard. The latter is forced to resume his role as the Riffs leader, and kidnap Margot until he can convince her of Yousseff's treachery. But Yousseff's men attack the Riff camp and take Margot prisoner.
When Marvin Hamlisch passed away in August 2012 the worlds of music, theatre and cinema lost a talent the likes of which we may never see again. Seemingly destined for greatness, Hamlisch was accepted into New York’s Juilliard School as a 6-year-old musical prodigy and rapidly developed into a phenomenon. With instantly classic hits ‘The Way We Were’ and ‘Nobody Does It Better’ and scores for Hollywood films such as The Swimmer, The Sting and Sophie’s Choice and the Broadway juggernaut A Chorus Line; Hamlisch became the go-to composer for film and Broadway producers and a prominent presence on the international Concert Hall circuit. His streak was staggering, vast, unprecedented and glorious, by the age of 31 Hamlisch had won 4 Grammys, an Emmy, 3 Oscars, a Tony and a Pulitzer prize: success that burned so bright, it proved impossible to match.
An adaptation of Leos Janacek's opera Prihody Lisky Bystrousky (1925), based on the novel Liska Bystrouska by Rudolf Tesnohlidek. It follows the life of Sharp-Ears, a fox who is captured by a forester as a cub and raised in his home prior to escaping back into the forest.
Two years after the death of his beloved wife, Pat O'Brien summons his children back to their homestead in the west of Ireland. Fionn travels from New York, Gareth from London, and daughter Una returns from Dublin, fearing the worst. Pat is not the only family member bearing the burden of a secret. The O’Briens is a modern comedy about a dysfunctional Irish family and the town they grew up in.
Alicia Keys at Cidade do Rock, Rio de Janeiro, Brazil on September 15, 2013. Setlist: 01. Karma / 02. You Don't Know My Name / 03. Listen to Your Heart / 04. A Woman's Worth / 05. Un-Thinkable (I'm Ready) / 06. Try Sleeping with a Broken Heart / 07. Fallin' (with Maria Gadú) / 08. I'll Be There for You / You're All I Need to Get By (Marvin Gaye & Tammi Terrell cover) / 09. When It's All Over / 10. Limitedless / 11. Unbreakable / 12. Brand New Me / 13. If I Ain't Got You / 14. No One / 15. New Day / 16. Girl on Fire / 17. Empire State of Mind, Part II: Broken Down
A love triangle occurs between the publisher's daughter Betty Moody. comic book artist Tim Jones, and the company's wily manipulative manager Hilton Payne. In addition, Betty's dad, Phineas Moody suffers from severe melancholy; and an emergency cure of laughter is required to save his health.
Convinced of her limitless talent, charm, and ability, Rosie sweeps the neighborhood Nutshell Kids into the beam of her private spotlight as they perform in her pretend movie.
Filmed during the tour for 2004’s Uh Huh Her (and directed by longtime collaborator Mochnacz), Please Leave Quietly intermixes live footage with backstage antics, street scenes, buggered sound checks and impromptu commentary from tour personnel and bandmates. Often interspliced and edited to a near distracting degree, the live performances are riveting, with Polly Jean displaying a venomous allure in her Oz-red high heels and short-skirted dresses.
The Committee, starring Paul Jones of Manfred Mann fame, is a unique document of Britain in the 1960s. After a very successful run in London’s West End in 1968, viewings of this controversial movie have been few and far between. Stunning black and white camera work by Ian Wilson brings to life this “chilling fable” by Max Steuer, a lecturer (now Reader Emeritus) at the London School of Economics. Avoiding easy answers, The Committee uses a surreal murder to explore the tension and conflict between bureaucracy on one side, and individual freedom on the other. Many films, such as Total Recall, Fahrenheit 451 and Camus’ The Stranger, see the state as ignorant and repressive, and pass over the inevitable weaknesses lying deep in individuals. Drawing on the ideas of R.D. Laing, a psychologically hip state faces an all too human protagonist.
Paramore took the stage at Germany's annual Rock Am Ring Festival for 2013, delivering a hot performance in the sweltering summer heat. They played several songs from their new self-titled album, along with an array of classic tracks.
A large group of children from different countries sail to the Black Sea port, heading for the international pioneer camp "Artek". Two stragglers of foreigners meet local teenagers who arrange a tour of the port for them.
Beneath New York City’s Maritime Hotel, under the paper lanterns and vaulted ceilings of the Japanese-themed Hiro Ballroom, British neo-soul star Corinne Bailey Rae gave her fans a special treat: an intimate performance showcasing her new hit album, The Sea, seven weeks before its release. [S02-E04] I Lost You
Blame It On Cain
interview 1
Dr. Watson, I Presume
Poor Borrowed Dress
A Slow Drag With Josephine
Jimmie Standing In The Rain
interview 2
The Spell That You Cast
That’s Not The Part Of Him You’re Leaving
National Ransom
interview 3
Stations Of The Cross
Sulphur To Sugarcane
Leave My Kitten Alone
Old rockers, like soldiers, never die, they only pass away. Well, Erik Clausen turns nostalgia into a vivid tribute to the moods and manners of the 1950s Danish Rock'n Roll by picking up a group of dispersed fellow bandsmen from wherever life and fate have left them stranded to have them revive their group and relive the good old days. A spirit of social solidarity permeates throughout.