Merchant Valentin Skog runs the small town's grocery shop and folk park with little revenue but a lot of heart. But the no-good profiteers brothers Grym has their eyes on his business, and will use any means. The dirtier the better! But they haven't counted on "The Doll"- a fresh breeze from the big city - or rather storm wind - who blows life in the struggle against the crooks.
Live performance from British rock band Deep Purple recorded at the California Jam festival at the Ontario Motor Speedway in April 1974. Playing to a crowd of over 200,000 people, the band perform hits including 'Smoke On the Water', 'Might Just Take Your Life' and 'Burn'.
Live at the Royal Albert Hall is the second live album and video by British rock band Bring Me The Horizon. It was recorded on 22 April 2016 at thr Royal Albert Hall, with accompaniment from the Parallax Orchestra.
Eric Idle persuades Professor Brian Cox to present a lecture on the birth of the entire universe. Brian soon realises Eric is actually hosting a comedy and musical extravaganza.
A Christmas Carol: The Concert is a unique musical event — Charles Dickens' popular 1843 novella has been adapted for a live orchestral concert with choir and soloists, and performed for an audience in a concert setting. The score, composed by Bob Christianson, recalls Broadway classics such as Les Miserables and The Phantom of the Opera, and is filled with memorable, haunting and rousing songs. It includes musical styles that range from classical to Broadway to blues and gospel. The story, faithfully adapted by Alisa Hauser (who also wrote the lyrics), is performed by leading lights from the Chicago and New York theater world, including Michael Aaron Lindner (Ebenezer Scrooge), E. Faye Butler (Narrator), Scott Coulter (Fred/Bob Cratchit), Kyle Scatliffe (Marley/The Ghosts), and Arya Daire (Belle).
When a surprise package arrives from Miss Vera Goode with her new "Book of Manners for Children," Barney's friends question why minding their manners is so important. Barney explains that they have the perfect opportunity to be on their best behavior because they're invited to a party!
The Art of Listening is a documentary film about the journey music takes to reach a listener’s ear, from the intent of an instrument maker and composer, to the producers and engineers who capture and preserve an artist’s voice. This journey is narrated by intimate conversations with artists, engineers and producers about the philosophy of their work and the intent behind each musical note they create.
A narrator provides very brief info on the beginnings and history of Vaudeville while Vaudeville acts are staged by impersonators and contemporary performers.
Rock band Rimba Bara continues to struggle in the music industry that is full of political games. Meanwhile, Jijoe comes across rock queen Ella in a recording studio and falls in love with her. Jijoe loves her so much that he is willing to leave behind his rock music life and become an F-class contractor so that he will have a more secure life. This causes Rimba Bara to fall apart and various conflicts arise.
Inspired by Mary Shelley’s Gothic masterpiece, Frankenstein is the world premiere of Liam Scarlett’s new full-length ballet. A story of betrayal, curiosity, life, death and, above all, love, exploring the very depths of human nature. Federico Bonelli dances the role of Victor Frankenstein, Laura Morera is his Elizabeth, and Steven McRae is the creature. Koen Kessels conducts Lowell Liebermann’s newly commissioned score in this co-production between The Royal Ballet and San Francisco Ballet.
“When I do my suicide for you, I hope you’ll miss me too,” Herman Brood sang in “Rock ‘n’ Roll Junkie” – just one of many announcements of his own death Brood worked into his songs. It’s a subject Brood, who jumped off the roof of the Amsterdam Hilton 15 years ago, often sang about. In Unknown Brood, a whole range of people look back on the rock and roller’s turbulent life, including fellow musicians, his manager, a former girlfriend, photographer Anton Corbijn, Brood’s wife and their daughter. Video footage shot by Brood himself and never seen before is intercut with a rich collection of archive material, including a humorous clip of Brood barking the Dutch national anthem. His sister Beppie Brood stresses her brother’s split personality: on the one hand the shy, vulnerable man wary of other people, and on the other the one who played Herman Brood – an extravagant, hedonistic junkie and rock and roll star.
Don Letts examines the history of this notorious subculture in a fascinating documentary, which features interviews with members of different skinhead scenes through the decades. Beginning in the late 1960s, Don fondly recalls a time of multiracial harmony as youngsters bonded over a love of ska, reggae and smart clothes as white working-class kids were attracted to Jamaican culture and adopted its music and fashions. But when far-right politics targeted skinheads in the 1970s and 1980s, an ugly intolerance emerged, and Don reveals how the once-harmonious subgroup has since struggled to shake this stigma.
Once the commercial exploitation of the resources existing in the American provinces of the Hispanic Monarchy began, hundreds of Africans were enslaved. Those who remained in Spain ended up forming a community that, over time, managed to gain a small space in society. Music and dance helped to strengthen their identity.