Set in Athens, this Greek film concerns the trials and tribulations of two girls from the village of Korfu. Unschooled in big-city ways, our heroines are prime targets for every sharpster and lothario in the city. The results of their naivete are more comic than dramatic, culminating in lasting romance for both ladies. The plotline is periodically interrupted by the performance of Greek folk dances, easily the highlights of the film. Indicative of the frugality of the Greek film industry is the fact that, at $80,000, this was the country's most expensive production up to 1957!
Giselle is the quintessential Romantic ballet. Its title role, one of the most technically demanding and emotionally challenging in the classical repertory, is here danced by Alina Cojocaru, partnered by Johan Kobborg as Count Albrecht. This tale of the transcendental power of love over death is evocatively portrayed through Peter Wrights sensitive staging and John Macfarlanes designs, which beautifully contrast the human and supernatural worlds mastered from a High Definition recording and true surround sound. Conductor : Boris Gruzin Orchestra : The Orchestra of the Royal Opera House
The Prince, suffering from melancholy, embarks on a dangerous and fascinating journey in search of three oranges. In one of the oranges, he finds his beloved Adelita and is cured of the blues forever.
Istvan Varju a.k.a. Kanya is a track driver. He drives alone on the roads and listens to the radio. We're In the middle of seventies, the radio broadcasts hungarian beat music. He is convinced that interesting and significant events in the life happen on the roads, so we should go, go and go in order not to miss something.
Ana, a girl who is about to get married, discovers in her boyfriend's house a photograph in which her mother, dead at birth, and her future father-in-law appear in a very affectionate way.
A musician is offered a job in Vienna as stage director, but his disagreements with the aristocratic opera manager end in abrupt firing in spite of a mutual attraction. He's quickly engaged by another theatre and becomes famous for his lavish stage productions and fine acting, which begins their golden age with Suppé and Strauss.
Gruber is a normal 16-year-old growing up in Budapest in 1962, but he has a problem -- how does he get to know the opposite sex? At the Sunday afternoon dance classes the young "ladies and gentlemen" hold each other while dancing, and that makes the lessons worth something. Otherwise, the pianist's attention wanders and the orchestra does not exactly play with a single-minded dedication. In fact, everybody seems to have other things on their minds, except for the enthusiastic dance instructor and his ever-smiling assistant.
In August 1962, director Leslie Woodhead made a two-minute film in Liverpool's Cavern Club with a raw and unrecorded group of rockers called the Beatles. He arranged their first live TV appearances on a local show in Manchester and watched as the Fab Four phenomenon swept the world. Twenty-five years later while making films in Russia, Woodhead became aware of how, even though they were never able to play in the Soviet Union, the Beatles' legend had soaked into the lives of a generation of kids. This film meets the Soviet Beatles generation and hears their stories about how the Fab Four changed their lives, including Putin's deputy premier Sergei Ivanov, who explains how the Beatles helped him learn English and showed him another life. (Storyville)
Carlos Lopez is a handsome Argentine sportsman. Many women love him and he toys with them all. His days are filled with romance and intrigue and he manages to get himself feared and hated by most of the married men in Buenos Aires.
An unfortunate convent cooking accident causes most of the order of the Little Sisters of Hoboken to die of botulism. Before all of the deceased sisters can be buried, Reverend Mother Superior (Rue McClanahan) buys a camcorder and VCR for the convent - resulting in not having enough money to bury the four remaining sisters (which, by the way, are temporarily being stored in the freezer). In order to raise money to bury the four dead sisters, the Little Sisters of Hoboken (well, what's left of them) put on a riotous revue packed with hilarious, show-stopping song and dance numbers.
In the early 1950s, the popular radio show "La Kermesse aux Étoiles", hosted by the famous Jean Nohain, mixing lottery games and performances of various artists, will be disrupted by the adventures of a man and his fiancée seeking to recover a dangerous bottle of perfume (explosive) which was unfortunately mixed with the prizes to be won ...
A seductive dancer (Marika Rökk) helps her uncle to fight against the closing of his casino. Through her feminine charm she achieves diplomatic success.
German director Werner Schroeter invited his favourite opera singers to a 13th century abbey near Paris. There was no pre-planned action. There was no script, no continuity. On the other hand, there were precise constraints that provided the rules of the game: the setting, the Abbey of Royaumont, and the chosen participants. Each singer came accompanied by a person of his or her choice, and worked on an aria chosen by the director.
Igor Savchenko's Accordion (Garmon', 1934) was adapted from a poem by A. Zharov. This film sheds light on the reasons why the mass song came into being. In it, the country boy Timosha stops playing the accordion after being chosen leader of the local Komsomol. When he understands that he must compete with the sad kulak songs played by Tlskliby ("Mournful"), he recognizes his mistake in abandoning his accordion, and in the end he gathers the other youths around him with his lively and merry songs.