The older boys are graduating school and recount their memories together. The next day everyone defends the graduation ceremony against Zundar and Dadacha's Second-Button Monster, but Yumoto struggles using his love power.
The Golden Tour was the fifteenth concert tour by Australian recording artist Kylie Minogue. It was launched in support of her fourteenth studio album, Golden (2018) and visited Europe and Australia.
The audience is invited into Violetta’s privacy to have a close look at the fire to which she abandons herself among the guests of this musical and phantasmagorical celebration that blends theatre and opera, voices that speak and sing, and where the distinction between the instrumentalists and the singers becomes blurred, where Charles Baudelaire is seated next to Christophe Tarkos, and where the phantoms of this Paris in full industrial boom whose future we are living at present, sing and die.
Foreigner, Double Vision Then And Now takes viewers behind the scenes as original band members join Mick Jones and FOREIGNER s current lineup for the very first time in the band s 40-year history. Both incarnations of the band share the same stage for an epic performance. Watch rock and roll history with one of music s most anticipated reunions. Recorded in 2018, Foreigner - Double Vision: Then And Now celebrates the 40th anniversary of the band s multi-platinum 1978 album, Double Vision with a masterful live performance of the band s biggest hits, filmed at Soaring Eagle Casino & Resort, Mount Pleasant, MI. Original members Lou Gramm, Al Greenwood, Dennis Elliott, Ian McDonald and Rick Wills take the stage with Mick Jones, Kelly Hansen, Tom Gimbel, Jeff Pilson, Michael Bluestein, Bruce Watson and Chris Frazier. They rock through some of the best-selling songs that bring back the memories which make it feel like the first time for both long-time fans and new generations.
Quincy Jones, accompanied by a symphony orchestra conducted by Jules Buckley, brings together nearly 100 musicians and special guests to celebrate his 70-year career.
Adrián, Manuel and Paula live in Madrid; together they form the VVV group (Trippin’you). This documentary tells the life of the group over two years, deepening the implications of being young today. It's about loss and about things that will never come back, and how that translates into reality; a reality that is perceived as alien and that drags the waste of a troubled past. In this context, a convulsive generation, disoriented but paradoxically competent, is framed. They are the first digital natives, the most qualified accident generation in history and one of the generations that have most abruptly detached themselves from their memory. A halfway between the past and the future, VVV (Trippin’you) tries to portray the contradictions that surround the daily life of a confused and disenchanted youth.
Shocking music videos and interviews with Necrophagia. Film works as an introduction to the underground that influences this particular music movement and showcases moments of intense performances.
Four rebellious young Mexican women band together as outlaws in this film without audible dialogue, set to a soundtrack chiefly comprised of of Mexican rock & roll.
A documentary about the well-known Latvian youth choir “Kamēr...” and its journey to the Tolosa Choral competition. A debut from a 20 year old singer of the choir, the film offers a deeply personal insight into the most difficult challenge the choir has ever faced. After the head conductor leaving, the choir has just 2 months to get used to a new leader. A test for the new conductor who has to prove his worth at one of the most important competi-tions of the choir’s history. It’s do or die, as nothing less than a victory will be accepted. Following the choir every step of the way, the director puts the audience in a first-row seat at rehearsals, performances, discussions and spectacular moments that can only be seen through the eyes of a singer. An unprecedented view of the personal battles and achieve-ments, that lead up to a real-life story, never captured before.
In 2006 CBGB, the most famous rock club in the world, closed its doors forever. Everybody associated it with bands such as Blondie, The Ramones and Talking Head, but no one remembers that what made it legendary were the hardcore matinées in the 80s. Walter Schreifels, the musician of the most influential hardcore punk bands, tells us a story not only about some kids and their music but of New York and its changes, too.
“Hallelujah” is a queer/circus concept about religion and the importance of choosing kindness regardless of our differences or beliefs. Religion is a tough subject for many in the LGBTQ community, and this piece is a reflection of the struggle and rejection we often feel. It tells the story of an individual troubled by the hate in the world and his partner who is fighting to lift him up, to remind him he is beautiful exactly how he is. My message is that religion should inspire more kindness and open arms, even towards those you may not understand.
Self-effacing Hungarian pianist, József, has a unique talent for fusing contemporary jazz with traditional Roma music. This new sound catches the attention of the acclaimed saxophonist Tim Ries and the two begin performing together. József dreams of escaping his humdrum life and making it big in the home of jazz: America. Along the way, he conquers his demons and learns that when shooting for the stars, success is not the destination, but the journey itself.
Anti-Nowhere League: We Are The League tells the full uncensored story of how a biker, a skinhead, a grammar school boy and a Persian exile came together, with no musical talent or ambitions and even less respect for anything or anyone, to burst onto the UK charts with their debut single. Even when judged by the often confrontational standards of U.K. punk, the Anti-Nowhere League were a band committed to offending people. Looking less like a group of bohemian rebels than an especially unsavory biker gang eager to stomp someone, the Anti-Nowhere League made an immediate impact when they burst onto the British rock scene in 1980. They were heroes to hard-boiled U.K. punks, and to nearly everyone else they were an affront to all decency - which, of course, made the punks love them all the more.