Part of Tutto Verdi series - La Traviata (2007) Parma. 'La traviata' ('The Fallen Woman') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on 'La dame aux Camélias' (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally titled 'Violetta', after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.
All too often, every great female rock musician has to answer a predictable question - what is it like being a girl in a band? For many, the sight of a girl shredding a guitar or laying into the drums is still a bit of a novelty. As soon as women started forming their own bands they were given labels - the rock chick, the girl band or one half of the rock 'n' roll couple. Kate Mossman aims to look beyond the cliches of fallen angels, grunge babes and rock chicks as she gets the untold stories from rock's frontline to discover if it has always been different for the girl in a band.
In this amiable Columbia B musical, society girl Ann Miller escapes her Back Bay family by performing in the chorus line in a burlesque house. But trouble starts when her boss (William Wright) decides to build her up as a star. One of the many bread-and-butter Columbia productions graced by the contributions of Cole’s in-house dance studio. Cole dances behind Miller in “I’m Gonna See My Baby.” --Museum of Modern Art
Never-before-seen video footage of Guns N' Roses in their formative years, and how they climbed the charts from the gutters of Hollywood's Sunset Strip. The film tells the story of how the band came from playing bars on the Sunset Strip in Los Angeles to stadiums across the world and has been compiled from a host of exclusive interviews and the early footage of GNR fan and friend Marc Canter. Interview subjects include Slash, drummer Steven Adler, former manager Vicky Hamilton, Whisky A Go Go owner Mario Maglieri. Marc Canter has also said there is a full-cinema biopic (with actors) in the works.
The Broken Spoke has hosted country greats like George Strait, Willie Nelson, Ernest Tubb, Bob Wills, George Jones, and Roy Acuff. A profile of “the last of the true Texas dance halls” and the tenacious family keeping it alive amid rapid urban growth.
As WWII begins, vaudeville entertainer Tommy Towers is called up to serve. He arranges a job for his girlfriend at the local pub. To keep moral up, his commanding officer orders him to perform for the troops.
This short film is adapted from Madame d'Aulnoy's clasic fairy tale, The White Cat. The White Cat was originally planned as a feature film musical which Anna Biller worked on over a period of a couple of years, creating an original soundtrack, over a hundred costumes, many props, and a children's book. Eventually, realizing it was a bit unconventional and expensive to raise the proper funding for, she instead adapted it for the stage with a cast of eight performers, and called the new version The Lady Cat. The film and play were trying to capture the complex nature of the character of the White Cat, an enchanted princess who has been transformed into a cat, with all of the perversions and fancies that such a transformation implies. This particular scene is about the sexual feelings that are awakened in the two lovers when they witness the awakening of spring.
Thirty-eight year old Edwin Borsheim (of the band Kettle Cadaver) was once known for his bizarre stage antics and brutal self-mutilation. Now, years after the bands demise, Borsheim has fallen into complete seclusion on his acre of land in which he is surrounded by many of the horrible things he has created. As Edwin spirals further in to a hole of drug abuse and self destruction, those closest to Borsheim dissect his mental complexes as he himself reflects on his dark past.
Krzysztof Komeda was a jazz pianist and film composer. With compositions like the lullaby for Rosemary's Baby (1968) by Roman Polanski, Komeda succeeded in writing his own chapter in the history of soundtracks. This documentary follows the life story of the composer by the means of his melodic sounds. It is a reflection on his soundtracks, which changed the common film scores forever. It is a contemporary document about the attitude to life in a time of social, political and cultural change after war, about work and exodus of Polish artists in the 50s and 60s. A story about how film music is created and how it affects people. Directors who worked with Komeda and who are also friends talk about him: Roman Polanski, Jerzy Skolimowski, Henning Carlsen and Andrzej Wajda. His wife, Zofia Komeda, and his sister, Irena Orlowska, recollect him.
In every corner of our vast country there are talented people worthy of recognition and glory. They flock to the capital and take part in popular television shows. But the spotlights go out, and life goes on. And not as they saw it ... Each of the heroes - young and adults, ambitious and modest, lonely and in love - will have to go through many trials. They are waiting for ups and downs, meetings and partings, friendship and betrayal. But in the end they will become one big team, a family that unites different people from the most remote towns of our big country, in the name of music, talent and, of course, love!
While touring to promote her second studio album "Sucker", Charli XCX tackles what feminism ('the f-word') really means to women in the music industry in a series of interviews with other pop artists.
A riches story amidst the filth and squalor of the Smokey Mountain. A scavenger among the garbage who had to carry her crippled mother on her back while begging on the steps of the Manila Cathedral. Raped by an unknown man she left her poverty laden existence and won success as a singer.
"Rocky Horror Picture Show" meets "Oklahoma" in this outrageous musical comedy. A 1940's Technicolor-style fantasy with a modern and subversive twist. Fifteen original songs, a cast of madcap characters and a story chock full of American family values...just don't bring the kids!
A sailor decides to marry his girlfriend, but her boss is in love with her and orders a beating for her boyfriend. Once the sailor regains consciousness, he is accused of murder and must flee. Once he gets to the port, however, he is beaten again, losing his memory as a consequence.