Music lovers fascinated by the ideas, experiences, and emotions that serve as the foundation of Jamaican reggae are invited to explore the history of the legendary Soul Syndicate - a collection of talented musicians who provided backup instrumentation for such acclaimed artists as Jimmy Cliff, Toots and the Mayals, Burning Spear, and Bob Marley and the Wailers among others.
Two best friends spent the last fifteen years touring the country in their performance art punk band. When one of them decides to quit, they both face deeper challenges than expected.
JAZZ HOT is a major discovery, a unique sync sound film recorded of Django Reinhardt, greatest of jazz guitarists, here with violinist Stephane Grappelli and the Quintet of the Hot Club of France.
Last seen in the West End 15 years ago, Miss Saigon has become one of the most successful musicals in history, seen by 40 million people worldwide. From the process of casting 40 actors from 18 different countries, to the reinvention of the staging, including the famous helicopter scene, The Heat is Back On takes us on a journey through rehearsals right up to the star-studded opening night. Featuring interviews with legendary producer Cameron Mackintosh, authors Alain Boublil and Claude-Michel Schönberg and many of the award-winning cast and creative team.
The title role, in this excellent production, is sung by an Eva Mei in great vocal form, who gives an interpretation of extraordinary depth. Beside her, the famous bass-baritone Michele Pertusi, as Athanaël, shows once again his unquestionable style. On the podium is Marcello Viotti, music director of the Venetian theatre. The story of the conversion of the beautiful courtesan, and the clash between spirituality and sensuality have been portrayed brilliantly by Pier Luigi Pizzi, one of today’s most talented opera directors. The visual quality of this production is indeed one of its strong points, and the DVD recording will not fail to fascinate the viewer.
Part of Tutto Verdi series - La Traviata (2007) Parma. 'La traviata' ('The Fallen Woman') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on 'La dame aux Camélias' (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally titled 'Violetta', after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.
All too often, every great female rock musician has to answer a predictable question - what is it like being a girl in a band? For many, the sight of a girl shredding a guitar or laying into the drums is still a bit of a novelty. As soon as women started forming their own bands they were given labels - the rock chick, the girl band or one half of the rock 'n' roll couple. Kate Mossman aims to look beyond the cliches of fallen angels, grunge babes and rock chicks as she gets the untold stories from rock's frontline to discover if it has always been different for the girl in a band.
Never-before-seen video footage of Guns N' Roses in their formative years, and how they climbed the charts from the gutters of Hollywood's Sunset Strip. The film tells the story of how the band came from playing bars on the Sunset Strip in Los Angeles to stadiums across the world and has been compiled from a host of exclusive interviews and the early footage of GNR fan and friend Marc Canter. Interview subjects include Slash, drummer Steven Adler, former manager Vicky Hamilton, Whisky A Go Go owner Mario Maglieri. Marc Canter has also said there is a full-cinema biopic (with actors) in the works.
Students from the Prague Conservatory leave for a workshop in the picturesque South Bohemian countryside, where they are placed before a demanding task, from which only some of them will emerge successful and they will then continue in their dream to be famous. Each of them will find their true path to happiness.
The Broken Spoke has hosted country greats like George Strait, Willie Nelson, Ernest Tubb, Bob Wills, George Jones, and Roy Acuff. A profile of “the last of the true Texas dance halls” and the tenacious family keeping it alive amid rapid urban growth.
As WWII begins, vaudeville entertainer Tommy Towers is called up to serve. He arranges a job for his girlfriend at the local pub. To keep moral up, his commanding officer orders him to perform for the troops.
David McVicar’s powerful Royal Opera House 2008 production of Strauss's opera – based on a play by Oscar Wilde – takes the controversial and disturbing film 120 Days of Sodom as its visual reference. The action is set in a debauched palace, which has suggestions of Nazi Germany. Strauss’s ravishing and voluptuous score adds to the sexual alchemy that is conjured by an international cast led by Nadja Michael in the title role.
This short film is adapted from Madame d'Aulnoy's clasic fairy tale, The White Cat. The White Cat was originally planned as a feature film musical which Anna Biller worked on over a period of a couple of years, creating an original soundtrack, over a hundred costumes, many props, and a children's book. Eventually, realizing it was a bit unconventional and expensive to raise the proper funding for, she instead adapted it for the stage with a cast of eight performers, and called the new version The Lady Cat. The film and play were trying to capture the complex nature of the character of the White Cat, an enchanted princess who has been transformed into a cat, with all of the perversions and fancies that such a transformation implies. This particular scene is about the sexual feelings that are awakened in the two lovers when they witness the awakening of spring.
The Nation’s Favourite Beatles Number One tells the stories behind some of the greatest Beatles songs ever. With interviews from Beatles’ insiders including musicians, friends, fellow performers and celebrity fans, we’ll hear about the stories behind the Fab Four’s best-loved hits
Thirty-eight year old Edwin Borsheim (of the band Kettle Cadaver) was once known for his bizarre stage antics and brutal self-mutilation. Now, years after the bands demise, Borsheim has fallen into complete seclusion on his acre of land in which he is surrounded by many of the horrible things he has created. As Edwin spirals further in to a hole of drug abuse and self destruction, those closest to Borsheim dissect his mental complexes as he himself reflects on his dark past.
Krzysztof Komeda was a jazz pianist and film composer. With compositions like the lullaby for Rosemary's Baby (1968) by Roman Polanski, Komeda succeeded in writing his own chapter in the history of soundtracks. This documentary follows the life story of the composer by the means of his melodic sounds. It is a reflection on his soundtracks, which changed the common film scores forever. It is a contemporary document about the attitude to life in a time of social, political and cultural change after war, about work and exodus of Polish artists in the 50s and 60s. A story about how film music is created and how it affects people. Directors who worked with Komeda and who are also friends talk about him: Roman Polanski, Jerzy Skolimowski, Henning Carlsen and Andrzej Wajda. His wife, Zofia Komeda, and his sister, Irena Orlowska, recollect him.