A young woman discovers that she is a witch when people close to her begin to die under mysterious circumstances. She comes under the protection of a white magic coven/yoga studio. But the real danger may be right in front of her.
The whole film takes place in a single room where representatives of the two political forces and their enemy "the Jew" are gathered. A female character establishes the dialogue between these individuals and comments on the ideology of each; Until the final scene where everyone seems to rally to a common idea.
Sumon is compelled to grow up in the city's underworld as mafia lord Osman Ali's killer machine. After killing a pregnant woman carrying Osman Ali's illegitimate child, Sumon's conscience leads him to defy Ali's order.
A Green Ray that never features. Instead, we sense it, seeing beyond our own eyes, beyond the hills, we sense it for an instant. We are plunged into the unknowable, beyond the horizon, beyond seeing altogether. In a single, virtuoso 11 minute take, Barley takes us from lush sunsets. to beyond the green ray, and into the gloaming, into the heavy night's darkness, where we, transfixed, can do nothing but await the impending storm.
Martin is a lonely television director who becomes obsessed with his neighbor Isabel when he finds an amateur porn video in which she participates. However Isabel turns out to be the wife of the owner of the TV network where he works.
Clarissa, the wife of a Foreign Office diplomat, is given to daydreaming. 'Supposing I were to come down one morning and find a dead body in the library, what should I do?' she muses. Clarissa has her chance to find out when she discovers a body in the drawing-room of her house in Kent.
After losing his best friend Charlie on Christmas Eve, Bobby Whiteside ventures out onto the lake where they played games of winter hockey. Upon shoveling the ice surface he discovers a magic, perfectly groomed hockey rink that appears only at night in his presence. When a development company starts purchasing lake frontage, Bobby joins forces with his high school crush to rally the town to play one last game on the night pond.
A young woman is found unconscious in a city street - claims to be another person who was brutally murdered two months earlier - escapes from a psychiatric hospital in order to prove her identity and find the truth about her life, her death, and her murderer.
High school student Yoshio Kamogawa suddenly gained the power to read other people's minds. One day, he receives mail from Sae Asami in Tokyo asking for his help. Yoshio Kamogawa loves Sae Asami. Yoshio Kamogawa goes to Tokyo and infiltrates the high school where Sae Aami attends. Yoshio Kamogawa then becomes involved in a strife between 3 different groups as he tries to save Sae Asami. Shizuka Tachibana also falls in love with Yoshio Kamogawa.
A late night radio host goes off on a rant about his disdain for magicians. But when a man claiming to be a magician calls on air, things get increasingly sinister.
A white bisexual vampire, Lillia, is trapped in a monotonous cycle with her thoughtless, misogynist vampire partner, Luke (who, while also being a bisexual, prefers to devour women prey). Her encounter with Black lesbian Zena, who is reading about goddesses across religions and cultures and thinking about the horror film genre, pulls Lillia out of a state of bad faith into an enlightened state of knowledge and play. 'The Mark of Lilith' was the graduation film of Bruna Fionda, Polly Gladwin, Zach Mack-Nataf’s from The London College of Printing, under the tutorship of Laura Mulvey. The film was shot in Brixton and made with a cast and crew of local filmmakers, artists and activists. The Mark of Lilith was digitally restored from the 16mm print by the BFI in 2021.
An ordinary funeral procession moves along its path from church to cemetery. Observing, you slip from reality into a place where time has lost its linearity, looping through the odd images thrown off by a distorted reality. Images of non-existence, of varying reflections of death issuing from both past and future, concrete yet abstract, horrible yet desirable. A family asks a young psychiatrist to be their guest for a while to untangle the circumstances of their father's illness. He's developed a suicidal fixation for ropes and knots among other things. While deeply involved in analyzing the patient's delirium, the doctor begins to lose track of what is taking place. The task of "how to help" is twisted into "who am I? Doctor or patient? Chance guest, member of this suffering family, or a catholic priest who has dreamed this all up?" In order to get a handle on it all, it's best to start from the beginning, but why do things keep shifting, changing?