With four incredible performances at the legendary Montreux Music Festival to his name to date, legendary bluesman Otis Rush offers a memorable look at just how it all began in this release of the 1986 performance that started it all. In addition to memorable appearances by Eric Clapton and Luther Allison, Rush and company offer thirteen rousing blues hits including "Gambler's Blues", "Lonely Man", "Mean Old World", and "Right Place, Wrong Time". Tracklist: Tops [6:22] I Wonder Why (Will My Man Be Home Tonight) [7:15] Lonely Man [4:48] Gambler's Blues [9:40] Natural Ball [5:33] Right Place, Wrong Time [6:35] Mean Old World [5:52] You Don't Love Me [3:52] Crosscut Saw [8:25] Double Trouble [5:32] All Your Love (I Miss Loving) [7:53] Every Day I Have the Blues [10:00] If I Had Any Sense, I'd Go Back Home [6:51] INFO: DVD 9 ENG PAL Region 0 4:3 Screen Format DTS + Dolby Surround 5.1 + PCM Stereo
Directed by Frank Lin this movie tells the story of a group of talented but financially struggling B-Boys that join an underground fighting ring in Downtown Los Angeles that uses Hip-Hop music and Break dancing to battle for money. To save the life of one of their friend's father, the B-Boys form a strong bond. They fight for each other, for their families and for a better future.
Based on and built around the west coast radio program, "The Hollywood Barn Dance", although no members of the 1947 cast of the program are in the film, but the better-known (on a national scale) Ernest Tubb and His Texas Troubadors, Jack Guthrie and Jimmy and Leon Short more than make up for that. The slight plot, around 18 songs, begins with Tubb and his band searching for $2000 needed to rebuild their town chuch after it burned down while they were rehearsing in it. Hollywood, here they come!
Reluctant rock hero J.J. Cale takes the spotlight for this 80-minute session, recorded in Los Angeles in 1979 but virtually unseen until 2001. The reclusive, Oklahoma-born Cale is probably best known for writing songs made famous by others ("After Midnight" and "Cocaine" by Eric Clapton, "Call Me the Breeze" by Lynyrd Skynyrd). Those are among the some two dozen tunes heard here (five of which, including "Breeze," are audio-only bonus tracks), as is Cale's own minor hit, "Crazy Mama." The latter is a good example of the witty, laconic groove that Cale, a superb guitar player and laid-back vocalist, brings to much of his music, an appealing style that's been an obvious influence on Mark Knopfler and others.
Rebecca is born to a poor family, a young woman whose life is defined by poverty and deprivation. But of the many things she has to endure, it is the insults that other people hurl that hurt the most. Yet despite of everything, Rebecca remains ambitious and unabashed. She pledges to herself that she will one day raise herself and her family from poverty and when that time comes, she will get back at those who had oppressed them.
During 1977-1981 The Police went on a truly global tour which took them through more than a dozen countries, including many that most Rock bands of the period would fail to reach. This film features highlights of the tour which include stops in Japan, Hong Kong, India, Egypt, Australia and Latin America. Recorded live during the tour are 16 songs featured in this film, However this is more than a video rock concert - including many humourous off-stage shots that show the band sampling some of the sights, customs and culture of the lands their fans call home
The hardest working man in show business is back--and some say better than ever--in this live concert filmed in 1985 at Georgia's famed Chastain Park. Performances include 1. Give It Up Or Turn It Loose 2. It's Too Funky In Here 3. Try Me 4. Get On The Good Foot 5. Prisoner Of Love 6. Get Up Offa That Thing 7. Georgia On My Mind 8. It's A Man's Man's Man's World 9. Cold Sweat 10. I Can't Stand Myself 11. Papa's Got A Brand New Bag 12. I Got You (I Feel Good) 13. Please, Please, Please 14. Jam
In celebration of the Wildlife Conservation Society's 100th anniversary, popular country singer and American icon John Denver is joined by James Burton and Jim Horn in a concert for the environment. John Denver: The Wildlife Concert DVD Among the exclusive interview clips and twenty-four musical numbers are such favorites as "Sunshine on My Shoulder," "Annie's Song" and "Rocky Mountain High."
Twenty years ago, Sardar Rajpal killed his brother and fled his hometown with his adopted daughter. Once settled, he asked his estranged wife to send their son on the misleading promise of employment. When two young men with the same name show up, both claiming to be there for the job, a baffled Sardar is forced to work out the imposter and his motive, while his daughter gradually develops a soft spot for one of them.
Saxophonist Art Pepper (1925-1982) lived the kind of jazz life only found in Hollywood movies. His prodigious talent led him to top gigs as a teenager, but drugs and attendant criminal activity knocked him out of commission for virtually all of the 1960s and early 1970s. This documentary, shot shortly after his searing memoir, {-Straight Life}, was published in 1979, shows Pepper in the full flower of a remarkable comeback. His third wife, Laurie, is featured prominently; they met in the drug treatment facility Synanon in 1969 and were married in 1974. She took over his business affairs and helped him write {-Straight Life}. Pepper tells his own story here, but the emphasis is on an evening's performance at a club in Malibu, with the musician in fine form, backed by a terrific trio. (Tom Wiener, Rovi)
In July 2007 the famous Miles Davis Hall at Montreux was witness to a gathering of the Wu-Tang Clan. With the exception of the sadly deceased Ol’ Dirty Bastard, the whole Clan was present: RZA, GZA, Method Man, Inspectah Deck, Raekwon The Chef, U-God, Ghostface Killah and Masta Killa. Also joining the party were some of their extended family members: Cappadonna, Streetlife and DJ Mathematics. This rare gathering of the full clan took Montreux by storm and got the whole audience on their feet and jumping with a set featuring all their best known hits and classics plus a number of solo tracks, including a clutch of Ol’ Dirty Bastard hits.
Procol Harum: Live at the Union Chapel is a record of the final performance of the band's 2003 world tour, taped on December 12 before a small London crowd. The venue was an inspired choice. As a performance space, the Gothic church is at once both intimate and grand, a perfect mirror for the band's odd but cogent mix of bar-band boogie and classically tinged prog rock. The 21-song concert includes eight selections from The Well's on Fire, Procol Harum's 2003 studio album. Most of the newer songs are strong (particularly "The Question" and "An Old English Dream"), and the band, having honed its arrangements to a T, does an exceptional job of blending its recent music with its older material. Singer-pianist Gary Brooker and organist Matthew Fisher, both original members, lead the way through time-honored favorites like "Homburg," "Conquistador," and their immortal 1967 hit "A Whiter Shade of Pale."
Chick Corea is one of the most significant jazzmen of recent times. He first came to notice as a keyboard player for Miles Davis in the late sixties and early seventies before founding his own jazz-fusion band Return To Forever with Stanley Clarke, which started the career of Al Di Meola. In more recent times he has been operating as either the Chick Corea Akoustic Band or, as in this case, the Chick Corea Elektric Band. The band line-up features Corea on keyboards, John Patitucci on bass, Frank Gambale on guitar, Dave Weckl on drums and Eddie Marienthal on sax.
A stunning live performance by the legendary Paul Simon featuring performances of some of his most beloved and classic songs as well as newer selections from his critically acclaimed 2011 release, So Beautiful or So What.
La Scala went all out for its 1986 production of this grandest of grand operas, with a strong cast and, most important for a video recording, a larger-than-life staging. The Triumph Scene in Act II is by no means Aida's only attraction, but it is the part that makes the strongest and most lasting impression and it is the visual and musical climax of this production. Stage director Luca Ronconi brings on a procession to dwarf all processions: looted treasures, heroic statuary, miserable captives struggling under the lash of whip-bearing slave drivers. On par with these visuals is Lorin Maazel's first-class performance of the popular Grand March with the outstanding La Scala chorus and orchestra. In Act III, the contrasting tranquility of the Nile Scene also gets a visual treatment to match the music's qualities.