Eight young people from Ohio who are dancers, come to New York, to compete in a major talent competition. But when they get there, they learn that they have to wait some time before they take part in it. So they try to do their best to survive in the Big Apple before competition, and get some lessons about the real World.
Supported avidly by his mother and more reluctantly at first by his father, a working-class Austrian boy joins the Vienna Choirboys, where he proves to be unusually talented.
Mr. Casey's daughter, Connie, wants to go to Pottawatomie College and without her knowledge, he sends four football players as her bodyguards. The college is in financial trouble and her bodyguards use their salary to help the college. The football players join the college team, and the team becomes one of the best. One of the football players, Clint, falls in love with Connie, but when she discovers he is her bodyguard, she decides to go back East. The bodyguards follow her, leaving the team in the lurch.
A gambling hall owner relocates from New Orleans to Chicago and entertains his patrons with hot jazz by Louis Armstrong, Billie Holiday, Woody Herman, and others.
Crumb director Terry Zwigoff’s first film is a true treat: a documentary about the obscure country-blues musician and idiosyncratic visual artist Howard “Louie Bluie” Armstrong, member of the last known black string band in America. As beguiling a raconteur as he is a performer, Louie makes for a wildly entertaining movie subject, and Zwigoff honors him with an unsentimental but endlessly affectionate tribute. Full of infectious music and comedy, Louie Bluie is a humane evocation of the kind of pop-cultural marginalia that Zwigoff would continue to excavate in the coming years.
A rare and welcome insight into Phil Collins' prodigious musical talent and the fascinating story of his first solo record. Collins first enjoyed international success as the drummer of Genesis and then as lead singer after Peter Gabriel left the band. In 1981, however, Face Value launched him as a solo artist and remains, in many ways, his most exciting and unusual music offering. Face Value was immediately a worldwide hit, entering the British charts at Number 1, spending almost six years in the Top 75, and selling in excess of 12 million copies. The album went on to make the U.S. Top 10, earning a gold record. This documentary includes several previously unseen performances, as well as rare home movies, unique photographs and documents from Phil's own private archives, and insights into the music from an eclectic range of musicians who worked on the album.
Molly and Bee, sweet young 'working girls,' live in a cheap room over a New York grocery store. Molly's idol, wealthy Jack Cromwell, lives in a Long Island mansion but is markedly less happy, since his fiancée Jane won't discourage her other admirers. Fleeing in his car, Jack ends up in an urban block party where he meets you-know-who.
From myth to legend Rowland Howard appeared on the early Melbourne punk scene like a phantom out of Kafkaesque Prague or Bram Stoker’s Dracula. A beautifully gaunt and gothic aristocrat, the unique distinctive fury of his guitar style shot him directly into the imagination of a generation. He was impeccable, the austerity of his artistry embodied in his finely wrought form, his obscure tastes and his intelligently wry wit. He radiated a searing personal integrity that never seemed to tarnish. Despite the trials and tribulations of his career, in an age of makeover and reinvention, Rowland Howard never ‘sold out’. With recent and moving interviews, archival interviews and other fascinating and original footage, AUTOLUMINESCENT traces the life of Rowland S Howard. Capturing moments with the man himself and intimate missives from those who knew him behind closed doors; words and images etch light into what has always been the mysterious dark.
Things are not looking good for Brook, a young, talented singer/songwriter who has become the clichéd tortured artist. Slow to come to terms with the death of his mother, Brook is self-absorbed, aggressive, and the major obstruction to his own career success. His isolation is lifted when his three sisters and estranged father come to spread his mother’s ashes. Brook’s loving sisters have a magical effect on his anger and apathy, suggesting there may be hope for the misanthropic musician after all.
Don't Go in the Woods is sound advice, especially when there's a killer on the loose. First-time director Vincent D'Onofrio (Full Metal Jacket, "Law & Order: Criminal Intent") explores love, greed and ruthlessness in this twisted musical/horror hybrid, telling the story of a young band who heads to the woods to get away from their everyday lives in order to focus on writing new songs. Hoping to walk away from the trip with new tunes that will score them their big break, they instead find themselves in the middle of a nightmare beyond comprehension.
Rush's Time Machine shows in 2010 / 2011 were one of the most anticipated tours ever. Celebrating 30 years since the 1981 release of their classic bestselling album Moving Pictures the band performed the entire album live for the first time as the centrepiece of the concerts. The shows also featured favourite tracks from across their lengthy career and two new songs expected to feature on their next studio album.
A group of guys who sang together in a college a cappella group reunite 15 years later to perform at a friend's wedding and discover how their lives have progressed -- and in some cases regressed -- since their college heyday.
Young Russian Princess Anastasia is the cherished daughter of the mighty Czar Nicholas. Anastasia’s perfect world changes forever when the evil monk Rasputin topples the Czar from power. Anastasia falls in love with the dashing young soldier, Alexander, who helps the young princess flee for her life.
The Royal Ballet Company brings Squirrel Nutkin, Tom Thumb, Hunca Munca, Jemima Puddle-Duck, Jeremy Fisher, Pigling Bland, and Pigwig to the screen doing pirouettes and pas de deux in this filmed ballet production directed by Reginald Mills. The film more properly belongs, however, to choreographer Frederick Ashmore, composer John Lanchbery, and costume designer Rostislav Douboujinsky. This literal adaptation concerns the shy Beatrix Potter and how, when all of the toy animals in her room come to life, she emerges from her shell and begins to enjoy life. Sequences include a rowdy dance with Tom Thumb and Hunca Munca destroying a collection of plaster food, a midnight pas de deux between Pigling Bland and Pigwig, and a corps de ballet of dancing mice.
A concert film taken from two Rolling Stones concerts during their 1972 North American tour. In 1972, the Stones bring their Exile on Main Street tour to Texas: 15 songs, with five from the "Exile" album. Mick Jagger, Keith Richards, Mick Taylor, Charlie Watts, and Bill Wyman on a small stage with three other musicians. Until the lights come up near the end, we see the Stones against a black background. The camera stays mostly on Jagger, with a few shots of Taylor. Richards is on screen for his duets and for some guitar work on the final two songs. It's music from start to finish: hard rock ("All Down the Line"), the blues ("Love in Vain" and "Midnight Rambler"), a tribute to Chuck Berry ("Bye Bye Johnny"), and no "Satisfaction."