Sending a burning arrow into the stunting effects that the compartmentalization of culture has on how creativity manifests, visual artist Doug Aitken embarked on an experiment exploring a less materialistic and more nomadic direction of art creation, exhibition, and participation. Station to Station involved a train that crossed North America housing a constantly changing creative community including artists, musicians, and curators, who collaborated in the creation of recordings, artworks, films, and 10 unique happenings, across the country.
Through the eyes, words and songs of its popular music stars of the 50s, 60s, and 70s, Don't Think I've Forgotten: Cambodia's Lost Rock and Roll examines and unravels Cambodia's tragic past, culminating in the genocidal Khmer Rouge's dismantling of the society and murder of 2,000,000 of its citizens.
Two entertainers destined for the big time are mismatched in a casting office from two very different online contests. Tony, a stripper from New York, is cast in an Off-Broadway musical and needs to trade in his tear-away trunks for tap shoes and tights. Anthony, a naive musical theatre enthusiast from Montana, needs to decide if he can strip all the way down just to stay in town. Hilarity ensues as they realize that "to make it" they're gonna have to learn some new tricks.
A personal, accessible look at an artist - Kevin Barnes, frontman of the endlessly versatile indie pop band of Montreal - whose pursuit to make transcendent music at all costs drives him to value art over human relationships. As he struggles with all of those around him, family and bandmates alike, he's forced to reconsider the future of the band, begging the question - is this really worth it?
This is the story of Harry, Niall, Zayn, Louis and Liam; five boys from the UK who are taking the world by storm. One Direction are a global phenomenon, spearheading a British Invasion of America not seen for fifty years. From their explosive first appearance on The X Factor to becoming the hottest boy band on the planet, Reaching for the stars features previously unseen footage from the boy s world tour and concerts. Interviews with industry experts explore what really makes these teen idols tick, and as this pop fairy-tale unfolds we ask what s next? for the boys who seem to have it all.
Including Youssou N'Dour And Le Super Etoile De Dakar In October 1987. After many months on the road, it was in the elevated surroundings of the hillside open-air theatre at Lycabettus overlooking Athens that the So tour came to a climactic close. The three nights were filmed in what was the first-ever Peter Gabriel concert to be committed to film.
Mary and Larry are are a modestly successful skating team. Shortly after their marriage, Mary gets a picture contract, while Larry is sitting at home, out of work.
A spirited cast kicks up its heels in a lively musical spoof of cowboy films crammed with spur-jangling tunes by Jay Livingstone and Ray Evans and decked out with colorfully stylized, Oscar.-nominated sets. Rosemary Clooney heads up the high-kicking, red-gartered girls of the Red Dog Saloon. They can-can. but she won't-won't unless Jason (Jack Carson) asks her to get hitched. Guy Mitchell and Gene Barry are gun-totin' polecats who think they've got a feud to settle. And Frank Faylen and Buddy Ebsen are among the folks who hope the gunslingers get itchy fingered - so they can hold a town barbecue during the funeral!
In the late 1980s, the Belgian electronic New Beat music movement conquered dance floors worldwide, and all of a sudden Belgium was on the map. This eclectic predecessor of house music appeared to materialize out of nothing, but according to the makers of The Sound of Belgium, it was the product of a historical search for identity that apparently went back to the Battle of Waterloo and the aftermath of the First World War.
The future is bleak for a troubled boy from a broken home in the slums. He runs away when his step father breaks his violin, ending up sleeping in the basement of a music school for poor children.
Most people know the lasting legacy of Harry Belafonte, the entertainer. This film unearths his significant contribution to and his leadership in the civil rights movement in America and to social justice globally.
The worlds of glitz, glam, and pop-rock fused immortally on Goodbye Yellow Brick Road, born of the formidable partnership of Elton John and Bernie Taupin. This 1973 double album may well have been the peak of their collaboration. Ranging from perennial favorites like "Candle in the Wind," "Bennie and the Jets," and the title track to more ambitious compositions like "Funeral for a Friend/Love Lies Bleeding" and everything in between, Goodbye is unmatched in its depth and scope. This entry in the Classic Albums series of DVDs documents the often tumultuous writing and recording sessions for that masterpiece through vintage clips of the musicians in the studio and new interviews with Elton, Bernie, producer Gus Dudgeon, and the band members. We may never know how the John-Taupin team achieved their magic, but this release offers a both a peek at the process and a few reasons why the album endures today.
Robert Mugge filmed jazz great Sun Ra on location in Philadelphia, Baltimore, and Washington, D.C. between 1978 and 1980. The resulting 60-minute film includes multiple public and private performances, poetry readings, a band rehearsal, interviews, and extensive improvisations. Transferred to HD from the original 16mm film and lovingly restored for the best possible viewing experience.
Some Girls: Live in Texas '78 is a live concert film by The Rolling Stones released in 2011. This live performance was recorded and filmed in 16mm during one show at the Will Rogers Auditorium in Fort Worth, Texas on 18 July 1978, during their US Tour 1978 in support of their album Some Girls.
The Black Parade Is Dead! is MCR's final performance as their onstage characters, the Black Parade. The Black Parade centres around a dying character called The Patient, who reflects on events in his life while he is confronted by Death in the form of his fondest memory, that of his father bringing him to see a marching band. This is based on frontman Gerard Way's belief that death comes to a person in the form of their fondest memory. The band is seen in their Black Parade uniforms throughout the performance, and during the first song "The End", Gerard Way is seen taking the role of The Patient, before tearing off his hospital gown to reveal his uniform.