The greatest rapper to ever pick up a mic - with his velvety flow and unparalleled rhyme style he captivated everyone from Jay Z to Tupac. Now Notorious B.I.G. is revealed.
Film producer Sy Lerner makes a bet with a fellow film executive that he can turn any nobody into a star at the Cannes Film Festival. A New York cab driver who is visiting the festival is chosen as the test subject to settle the bet and Sy uses his skills of hype and manipulation to try and turn the cab driver named Frank into the talk of the town. Many celebrities make cameos throughout the film.
«Fulci for Fake» is the first biopic on Lucio Fulci. Lucio Fulci is an enigma. The mystery that surrounds Fulci is linked in part to his personal life. The director only rarely spoke about himself in interviews. But he did let his experience be reflected in his films. The setting of the film sees Nicola, a successful actor, agree to play the part of Lucio Fulci in a biopic on the director. Nicola will ask himself probing questions about the real nature of a man who, in his own lifetime, had already rewritten his biography.
The Bread Factory is the scene for rehearsals of the Greek play Hecuba. But the real theatrics are outside the theater, with the town invaded by bizarre tourists and mysterious tech start-up workers. There is a new normal in Checkford, if it is even really Checkford any longer.
Standing on the edge of adulthood, Andrew yearns to find his purpose as a young African-American in today's America. With his mother longing to find more to her life then parenting, Andrew is forced to take on the mounting pressure of family responsibility. His search for connection with an absent father, leads him to a dangerous crossroads.
A woman learns her estranged father has passed away. She returns with her boyfriend to her childhood home of Belize, where she is reunited with her brother, and must face her past while fighting for intimacy in the present.
Undaunted by a commission to make a film about his mentors and aesthetic exemplars, the filmmaking team of Jean-Marie Straub and Danièle Huillet, Costa records with great sensitivity and insight the exacting process by which the two re-edit their film Sicilia!, discussing and arguing over each cut and its effect. Incorporating comments about the influence of figures as diverse as Chaplin and Eisenstein, about the ethical and aesthetic implications of film technique and such matters as rhythm, sound mixing, and acting. The film becomes a tour de force, immersing us in the mysteries of cinema as practiced by some of its greatest creators. Costa calls the film both his first comedy and his first love story.
In an abandoned prison, a doctor has revived executed convicts as the living dead. Teenager, Jonathan creates a laser gun from a videodisc player and pursues the walking dead, aided by his girlfriend and grandfather. Also tracking down the zombies is a tabloid reporter.
A wealthy Englishman finds his third wife dead. After the police discover that his first two wives had also died suddenly, an investigation is launched. Meanwhile, a new neighbor moves in and becomes very interested in him.
“Last autumn, a good childhood friend of mine, Florin, told me that his brother, Laurentiu, invented a new sport by changing the rules of football. One month later I went to Vaslui, my hometown, with a small film crew in order to learn more about this new sport...”
On the dark streets of Draiga, a mining colony occupied by the Visray Empire, lives Azura, the last of a fearsome warrior race known as the Sarnians. After witnessing her once beautiful home world turn into a lifeless husk, Azura must fight to the death in the gladiatorial ring to stay alive. Meanwhile, a group of human freedom fighters form a resistance, seeking to try and protect their families from the oppressive and cruel rule of the Visray Section Commander Sorrentine. Unbeknownst to Azura, the fate of all humans on Draiga is about to rest in her hands. Can she survive long enough to save her colony?
After his girlfriend dies in childbirth, Confederate deserter John Warner travels to Mexico, where the woman's father, Don Pedro Sandoval, grudgingly hands over his child. But with no locals willing to provide milk, the baby dies. Rounding up a group of rebels, Warner goes on a rampage through northern Mexico, with the ultimate goal of taking down Sandoval in this gritty Western.
On the outskirts of Austin, 10-year-old Annie tears around on her BMX bike, hurls dough at cars, and smashes things up with her baseball bat. Her father, a goat-farmer-cum-demolition-derby driver, does little parenting. Annie has no friends her age, so her daily routine is filled with solitary mischief. Playing in the woods one day, she hears a woman’s plaintive call for help from an abandoned well. Though Annie feels driven to visit the well daily, she is unsure about how to deal with the woman’s plight.
An obsessed sculptor kills a young women to make a perfect bronze sculpture of her. Years later at his secluded home a number of people become trapped in a web of revenge, murder and horror.
Strange things are happening in Druid Hills, Kentucky, known mainly for its voluminous corn output. Victims of monsters in cornfields begin cropping up, and witnesses are saying there are large Great White sharks swimming in the corn stalks.
Yoav's demons start haunting him after his best friend becomes pregnant, without telling him, and after his boyfriend of 15 years starts talking about children, too. His life unravels, and self-destruction seems inevitable.
Here comes DEATH's probing and pulsing rock doc, DEATH BY METAL, pulling back the palm fronds of DEATH's origins in Altamonte Springs, Florida, and latching a narrative hook into the headstrong Chuck Schuldiner juggernaut for fifteen gratifying if sometimes frustrating years. As the baby steps become giant leaps, the stable of supporting players grows and continually shines in its own devious light.