Gretchen has bigger problems than abysmal fashion sense: She's 17, painfully awkward and stuck in the most unforgiving place on earth - high school. When her obsession with school bad boy Ricky gets out of hand, her mother sends her to an emotional treatment center to recover. She has to travel elsewhere, however, to truly begin to understand why she fixates on the wrong kind of guy.
Composed of a series of short vignettes that share a telecommunications application as a common thread, Distancing Socially focuses on loosely connected human interactions taking place virtually across a world in lock down.
A nameless man wanders the city, littered with necrotic artifacts and a trail of corpses. Are his grotesque hallucinations clues to a violent past? Or are they premonitions?
The son of a junkie aristocrat and a schizophrenic showgirl becomes a master of reinvention on a 50+ year journey through rock and roll, TV, and movies.
Author Barry Gifford's gritty autobiographical stories of growing up in 1950s Chicago provide the backdrop for an impressionistic documentary portrait of a vanished time and place.
Larger-than-life actress, cabaret performer, activist, and proud sex professional since the age of eleven, Luana Muniz - arguably one of Brazil’s most recognizable transgender personalities, shapes a new reality for a new generation of transgender sex workers in her hostel by providing a safe working environment in the dangerous neighborhood of Lapa in Rio de Janeiro. Queen of Lapa explores the day-to-day lives, quests for love, housemate rivalries in a turbulent political climate under matriarch Muniz’s watchful and guiding eye.
Argentina may lead South America in terms of progressive social politics, but the gap between cultural values and recently accorded rights to gays, lesbians and transsexuals is palpable and persistent. A toxic atmosphere is created from the all- encompassing Catholicism and Machismo along with the complexity of class, historical and rural-urban divides, as well as aboriginal-settler tensions.
Optically printed images of a man and a woman fragmented by a film frame that is divided into four distinct sections. An experiment in form/content relationships that are peculiar to the medium.
A woman drinks tea, washes a window, reads the paper: simple tasks that somehow suggest a kind of quiet mystery within and beyond the image. Sometimes one hears the rhythmic, pulsing symphony of crickets in a Baltimore summer night. Other times jangling toys dissolve into the roar of a jet overhead, or children tremble at the sound of thunder. These disparate sounds dislocate the space temporally and physically from the restrictions of reality. The small home-movie boxes within the larger screen are gestural forms of memory, clues to childhood, mnemonic devices that expand on the sense of immediacy in her “drama.” These miniature image-objects represent snippets of an even earlier media technology: film. In contrast to the real time video image, they feel fleeting, ephemeral, imprecise.
THE LAST HAPPY DAY is an experimental documentary portrait of Sandor (Alexander) Lenard, a Hungarian medical doctor and a distant cousin of filmmaker Lynne Sachs. In 1938 Lenard, a writer with a Jewish background, fled the Nazis to a safe haven in Rome. Shortly thereafter, the U.S. Army Graves Registration Service hired Lenard to reconstruct the bones, small and large, of dead American soldiers. Eventually he found himself in remotest Brazil where he embarked on the translation of “Winnie the Pooh” into Latin, an eccentric task that catapulted him to brief world-wide fame. Sachs’ essay film uses personal letters, abstracted war imagery, home movies, interviews and a children’s performance to create an intimate meditation on the destructive power of war.
A look at the modern-day problem of "affluenza," an epidemic of stress, overwork, shopping and debt caused by the pursuit of the American Dream. The history of the condition is explored, as well as the advertising and marketing ploys used to sustain it. Men and women from around the country share their stories of personal debt and suggestions for financial recovery.
A comedic slice of Indie Rock Apocalypse, Altamont Now is a biting satire of how the “alternative” youth culture of America lifts its rebellion from the past.
Through the intimate portraits of five student survivors, IT HAPPENED HERE exposes the alarming pervasiveness of sexual assault on college campuses, the institutional cover-ups and the failure to protect students, and follows their fight for accountability and change on campus and in federal court.
A haunting portrait of a down and out comedian, part tale of redemption, love story and classic America family saga. A slice of life straight from the glass that cuts us.
In this illuminating study of cultural contrasts, American filmmaker Lynne Sachs and her sister, Dana, travel north from Ho Chi Minh City to Hanoi, recording conversations with Vietnamese strangers and friends. The sisters' expansive travel diary covers tourism, insights into city life, pervasive culture clashes and a bracing historic inquiry. What begins as a picaresque road trip soon blossoms into a richer social and political discourse.
British mod rocker Steve Marriott had great stage presence, a unique voice and plenty of angst -- all on display in this docu-concert featuring clips from Marriott's days in bands the Small Faces and Humble Pie. Though Marriott remained a lesser-known musician throughout his abbreviated life, performance selections here, such as "Paradise Lost" "Black Coffee" and "Lazy Sunday," bring it all back for his fans.