Our main protagonist, Barbie, goes through a process of transformation. She emerges like Alice in Wonderland into a magical world, a place of temptation and joy. It is a fantastic place that makes her change little by little to get rid of her stiffness and repression. She passes through several different phases, melting away with exhilaration until she reaches her climax - an implicit orgasm - becomes a liquid magic gel. In this process, eroticism is not created by explicit pictures, but by associative images and movement.
The museum is in turmoil because an artist is preparing to present his latest work and is plotting revenge...
This collaborative film was made by young people aged between 13 and 16 during a holiday course at the Camera-etc studios in Liège.
Filmmaker Steven Fraser lives with prosopagnosia, otherwise known as “face blindness,” which means he can’t remember or recognize faces. In this film, he uses stop-motion animation, cassette tapes, sketchbooks, photos, and diary extracts to convey his feelings about this.
Gabby keeps bothering her older sister Tam to play, so Tam tells a story about a monster that lives in the forest. Whatever you do, she says, you can’t let it see your face...
Kiwi and Strit live in a clearing in the forest, at the foot of the big hill. The forest goes on as far as anyone knows, and is full of great places, like the really, really big tree, the lake with the ugly fish, the tallest mountain with all those caves, the wet waterfall river and many more great places where Kiwi and Strit explore in search of adventures.
Drawing on Autism is an investigation into the ethics of creating animated documentaries. As a non-autistic filmmaker, representing an autistic participant, I needed to be mindful of the well-rehearsed and problematic tropes about autism. These tropes seem to say more about the desires and needs of neurotypical audiences than they do about their autistic subjects. Moreover, animation presents a distinct set of ethical dilemmas.
A young birdwatcher runs for his life after witnessing a bird-on-bird murder. When he finds himself cornered, it's man versus bird, and only one can make it out alive.
In this Eric Porter animation of ‘the grasshopper and the ant’ fable, Willie Wombat lazes and plays all summer. He laughs at his animal mates devoting time to collecting and depositing food in their local bank. Winter arrives and Willie, starving and cold, tries to withdraw food from the bank. The teller can find no record of any deposits for Willie. Dejected, Willie looks on as the other animals eat heartily and stay warm in their cosy homes. Willie collapses from hunger in the snow, but his friends come to the rescue just in time. The following summer Willie, having learned his lesson, deposits food in the bank with dedication and enthusiasm.
In 2015, we created this cell animation short to commemorate the Armenian Genocide Centenary. To the date, the Turkish government still denies the genocide took place, dodging their responsibility. 100 years will have passed this April 24th, and Armenians will keep on fighting for justice. This is a small tribute to the 1.500.000 victims.
A ritualistic evening of self-care spirals into claustrophobic self-scrutiny when a woman discovers a grey hair and begins to contend with the passing of time.
An optimistic young woman finds herself struggling to adjust to the physical and psychological strains of life at the most prestigious ballet academy in Paris, where she is trying to make it big as a ballet dancer. She musters all her strength to cope with family and career problems without getting too distracted from reaching her seemingly unattainable goals.
Sirenetta, the little mermaid, has been living on land for a year now. When four lost mermaids come to her for help, Nettie must dive back into the sea she left behind. Nettie and her four finned friends will have to be careful; there's a wicked Pirate Queen hot on their tails.