Christopher Walken has branched out from his very successful acting career to pursue his true passion, creating artisanal coffee beverages and pastries, but be warned his concoctions have more than just meets the eye.
Pero is a handsome boy, but when he becomes enamored with his own looks, he must learn a difficult lesson about the value of external beauty. Based on the story by Oscar Wilde.
In a dystopian future where fossil fuels were exhausted, ruling corporations had turned to desperate measures to generate energy. Books were banned and confiscated as fuel for the fire, and with them free thinking had been lost. Human beings had morphed into illiterate cockroaches. In New York City an underground group of exiled scientists, writers and artists were the last bastion of those who remembered the books. The group risked their lives to seek the books, and save them from being destroyed. They are known as The Inksect. This is the story of how one of their own, Pikes, on a book quest is led to an even more important discovery: paper, pen and literacy.
Early in the morning in a Japanese shopping center, a shopkeeper gets stuck. In order to help her, her young employee decides to cross the shopping center with her.
The digital age has given birth to a new reality: infinite screen time. Rather than experiencing the natural world around us, our intake of communication, ideas, visuals, and sounds is packaged via a series of zeros and ones, waiting neatly for us to consume. This screen-dependent existence is even more prevalent and maddening for the modern-day creative. Beyond entertainment, so many artists rely on screens for work — using digital tools to create more digital experiences that are designed to be digested through yet another screen. It creates a loop that at times feels paralyzing and inescapable.
ALEXANDER THE GRAPE, an unfinished cut-paper animated short from Jim Henson from 1965, relates the fable of a young grape with big ambitions who learns that it is better to accept yourself than to try to be something you are not. The short was reconstructed from film and audio elements; images from Jim’s storyboard fill in missing segments of the animation.
TM stands for “tuyo/mío” (“yours/mine” in Spanish): an idea related to found footage practice but also to the hypnotic rhythm of 35mm film frames cut in half by a 16mm film projector. What you hear is what you originally saw.
Iwasaki’s ink oscillates like an evil lava lamp that might actually be alive and its progression into more and more disturbing images create an impressive sense of dread in a film that is basically just some pencil drawings on a blank background. (Film School Rejects)
Repetition and distortion drive this audiovisual collaboration between composer Lux Prima and visual artist Max Hattler, where fuzzy analogue music and geometric digital animation collide in an electronic feedback loop, spawning arrays of divisional articulations in time and space.
When an advanced race of giant lobsters from outer space land on Earth, no one can figure out why they've come. A complete failure to communicate on both ends leads to panic and pandemonium. Why are they here? What do they want? In this clever throwback to the ‘50s B-movie, a small neighbourhood learns the value of clear communication.