An ultra-Orthodox Jew, a couch surfing custodian, and a personal injury lawyer - risk everything to find their voices on the cutthroat New York comedy scene.
One of Canada's top 10 universities and its largest school board found themselves embroiled in a growing global controversy as scholars, parents, and officials question the Confucius Institute program's true purpose.
This is a film about the power and necessity of community action in Detroit, and the street level solutions that residents there are finding to make a way in the biggest city in our nation to ever go bust.
In the summer of 2002, a group of friends in rural Ohio set out to create their own Super-8mm zombie epic, inspired by a generation of regional filmmakers before them. Lead by William Schotten, a salesman and horror fan with no prior filmmaking experience, and J.J. Zetts, an I.T. consultant, the group is sure that success is at hand. Or is it...? This is their story... see first-hand how a loyal group of first-time filmmakers try to turn $7,500 cash into 90 minutes of raw, unbridled horror movie!
From the Executive Producers of the acclaimed documentary Blackfish and director Joel N Clark comes an epic trek of survival, hope, mercy, and human will. An expectant mother determined to give her unborn child a life she never knew. A devoted son torn between seeking freedom and living far from the home and mother he loves. A daughter struggling to comprehend the cost of losing her family in order to begin one of her own in a new land. This is the story of American Dream.
In late 2016, state lawmakers formally petitioned the DEA to loosen federal restrictions on cannabis for medical use. Without deliberating, the DEA rejected the petition, maintaining a decades-old prohibition alongside heroin and PCP. Enter THE GREEN STANDARD: a people's account of pot, prejudice, and the fight to end prohibition. Filmed for over a year throughout the US, the film looks at the men, women, and children on all sides of the issue and takes you inside their world of surprising highs and uncomfortable lows. From the refugee families of Colorado seeking treatment for their afflicted children to anti-legalization activists decrying the movement as greed-fueled hype, the film offers an unflinching view on our evolving perceptions of marijuana use, the untold costs of prohibition, and how legalization might (or might not) bring about relief. Moving, informative, and enlightening, THE GREEN STANDARD explores one of the most talked-about yet misunderstood issues in America today.
The lower level of Lichtenberg Station in Belin in early October 1989: the beginning of the end for the GDR. In the snack bar, the staff are catering for travellers of every kind while in the background the authorities maintain a flow of triumphal statements, but those months between August and October come to feel like sitting out the death throes. Careful observation of people and their work as the current of history suddenly becomes perceptible.
The 29-minute experimental film Christmas on Earth caused a sensation when it first screened in New York City in 1964. Its orgy scenes, double projections and overlapping images shattered artistic conventions and announced a powerful new voice in the city's underground film scene. All the more remarkable, that vision belonged to a teenager, 18-year-old Barbara Rubin. A Zelig of the '60s, she introduced Andy Warhol to the Velvet Underground, Bob Dylan to Kabbalah and bewitched Allen Ginsberg. The same unbridled creativity that inspired her to make films when women simply didn't, saw her breach yet another male domain, Orthodox Judaism, before her mysterious death at 35. Lifelong friend Jonas Mekas saved all her letters, creating a rich archive that filmmaker Chuck Smith carefully sculpts into this fascinating portrait of a nearly forgotten artist. An avante-garde maverick, a rebel in a man's world, Barbara Rubin regains her rightful place in film history.
An obsessively-made documentary, filmed over 16 years, exploring the creative life and adventures of the eccentric artist and entrepreneur Harrod Blank. From his youth growing up in the woods with chickens and working as a camera assistant for his father- the venerable film-maker Les Blank- to the creation of his first attention-getting artcar, to his current multi-faceted career as creator and head of a nationwide art car movement, all the while pursuing his visions of non-conformity. Featuring interviews with his girl-friends, his mom, his brother, his raconteur lifelong pal, Kevin, as well as Blank’s own painful yet hilarious self-examinations. With special appearances by Les Blank and many fine art car artists. “The pressure to conform is incredible, ” says Blank, “but I don’t care what other people think. The reason I’m alive is to create.”
The Land Beneath Our Feet follows a young Liberian man, uprooted by war, who returns from the USA with never-before-seen footage of Liberia’s past. The uncovered footage is embraced as a national treasure. Depicting a 1926 corporate land grab, it is also an explosive reminder of eroding land rights.
Moroccan paralympic gold medalist Azzedine Nouiri is no longer looking for the longest throw, but to overthrow the system that keeps athletes with different abilities marginalized as destitute second-class citizens.
A love letter to film history, Sickies Making Films looks at our urge to censor movies and asks, Why? By focusing on the Maryland Board of Censors, the nation's longest lasting censor board, we discover reasons both absurd and surprisingly understandable.
Born with cystic fibrosis, 28 year old Ethan Rice faces his demise with a dark sense of humour and more concern about what his passing will mean to those he leaves behind than for himself.
Huey Lewis And The News: BEFORE! follows one of the world’s top rock-and-roll bands of the 80’s and a crew of fifty technicians to the Bahamas for the making of a music video for their number one hit single, “Stuck With You” for their album, “FORE!” Blank takes us behind the scenes for an off-beat look at what happens when a song is transformed into visuals and musicians are transformed into actors. Hidden in the straightforward reportage are sly comments on the MTV machine, sexism in the media, and the business of rock-and-roll. Best of all, Huey Lewis and the News maintain their sense of humor even when absurdity threatens to overwhelm them.
Ida B. Wells: A Passion for Justice documents the dramatic life and turbulent times of the pioneering African American journalist, activist, suffragist and anti-lynching crusader of the post-Reconstruction period. Nobel Prize-winning author Toni Morrison reads selections from Wells' memoirs and other writings in this winner of more than 20 film festival awards.
Things aren't looking good for the world's population; as we multiply at an alarming rate there is not enough food, space... or sense. This intelligent film interweaves a fascinating 1960s rat experiment by Dr. John B. Calhoun with a slick snapshot of today's urban jungle.
BIPOLARIZED is about one man's personal journey to heal. Diagnosed with bipolar disorder, Ross' psychiatrist told him he would live with the disorder for the rest of his life and that he would have to take lithium to control symptoms. To Ross, taking the drug daily felt like a chemical lobotomy, leaving him in a foggy, drug-induced haze. Ross ultimately decided to resolve his symptoms outside of conventional medicine. He progressively reduced his use of the psychotropic drug lithium, at an experimental clinic in Costa Rica. What ensued was a self-exploration into alternative treatments to treat his condition and a journey delving into the root cause of his mental breakdown. The film uses Ross' personal experiences to tell a larger story about medication. It will reveal how we are labelling more and more people with mental illnesses and how, in tandem, we are prescribing more and more toxic psychotropic drugs to treat these illnesses.
A multi-racial group of college students in a weekend racial sensitivity workshop discuss affirmative action, self-segregation, internalized racism and cultural identity. The film continues as they return to their campuses (University of Massachusetts, Texas A&M, Chico State, and U.C. Berkeley) and visit home.