The film evolves around questions of identity, popular memory and culture. While focusing on aspects of Vietnamese reality as seen through the lives and history of women resistance in Vietnam and in the U.S, it raises questions on the politics of interviewing and documenting.
An anonymous body in the Arizona desert sparks the beginning of a real-life human drama. The search for identity leads us back across a continent to seek out the people left behind and the meaning of a mysterious tattoo.
Modern British dairy farms must get bigger and bigger or go under but Farmer Stephen Hook decides to buck the trend. Instead he chooses to have a great relationship with his small herd of cows and ignore the big supermarkets and dairies. The result is a laugh-out-loud emotional roller-coaster of a film, a heart warming tearjerker about the incredible bonds between man, animal and countryside in a fast disappearing England.
Explores the music scene in Greenwich Village, New York in the '60s and early '70s. The film highlights some of the finest singer/songwriters of the day.
There's a bad mood rising against the corporate brands. No Logo is the warning on the label. In the last decade, No Logo has become a cultural manifesto for the critics of unfettered capitalism worldwide. As the world faces a second economic depression, No Logo's analysis of our corporate and branded world is as timely and powerful as ever. Equal parts cultural analysis, political manifesto, mall-rat memoir, and journalistic exposé, No Logo is the first book to put the new resistance into pop-historical and clear economic perspective. It tells a story of rebellion and self-determination in the face of our new branded world.
The Darkness of Day is a haunting meditation on suicide. It is comprised entirely of found 16mm footage that had been discarded. The sadness, the isolation, and the desire to escape are recorded on film in various contexts. Voice-over readings from the journal kept by a brother of the filmmaker’s friend who committed suicide in 1990 intermix with a range of compelling stories, from the poignant double suicide of an elderly American couple to a Japanese teenager who jumped into a volcano, spawning over a thousand imitations. While this is a serious exploration of a cultural taboo, its lyrical qualities invite the viewer to approach the subject with understanding and compassion.
Windjammer, the first presentation in CINEMIRACLE, is the record of a training cruise of the full-rigged S/S Christian Radich from Oslo across the Atlantic, through the Caribbean, to New York and back home again.
An indelible portrait of the complex relationship between playwright and actor Sam Shepard and his close friend Johnny Dark as they prepare forty years of their correspondence for publication, stirring up old memories both good and bad.
In the summer of 1995, as every year, the patients and staff of "La Borde" psychiatric clinic rehearse their summer play for a performance on August 15th. The film records the ups and downs of the venture as rehearsals go by. Yet, it also delicately captures the day-to-day existence, the seemingly insignificant details, the loneliness and the fatigue but also the collective joy and the close attention that all these people pay to each other.
United in Anger: A History of ACT UP is an inspiring documentary about the birth and life of the AIDS activist movement from the perspective of the people in the trenches fighting the epidemic. Utilizing oral histories of members of ACT UP, as well as rare archival footage, the film depicts the efforts of ACT UP as it battles corporate greed, social indifference, and government negligence.
In September, 1959, six Europeans leave Cook's Bay on the southern coast of Dutch New Guinea, now West Papua or Irian Jaya, to trek north to the far side of the island. The journey (450 miles, as a crow flies) across unmapped territory took seven months; three Muyu porters died. Near both coasts, the expedition met villagers who invited them to observe rituals and live with them. In the interior, all villagers kept them at bay, and they depended on air lifts from Hollandia for food and supplies. They climbed above 10,000 feet, built 14 bridges, and fought leeches and malaria. The narrator focuses on describing Stone Age savages, headhunters, and cannibals.
DOMESTIC VIOLENCE shows the Tampa, Florida police responding to domestic violence calls and the work of The Spring, the principal shelter in Tampa for women and children. Sequences with the police include police response, intervention, and attempted resolution of domestic violence calls. Sequences at the shelter include intake interviews, individual counseling sessions, anger management training, group therapy, staff meetings, conversations among clients and between clients and staff, and school activities, therapy and counseling for children at the shelter.
The School for the Deaf at the Alabama Institute is organized around a theory of total communication i.e. the use of signs and finger spelling in conjunction with speech, hearing aids, lip reading, gestures and the written word. The film shows sequences dealing with various aspects of this comprehensive training such as teaching students and parents to sign; speech therapy; psychological counseling; regular academic courses; vocational training; disciplinary problems; parents visits; sports and recreational activity; training in living and working independently; and developing skills in home and money management.
HIGH SCHOOL II is a film about Central Park East Secondary School (CPESS), a successful alternative high school in New York's Spanish Harlem, 85-95% of whose graduates go on to four year colleges. The film illustrates the school's emphasis on the “Habits of Mind” program (weighing evidence; awareness of multiple points of view; seeing connections and relationships; speculating on possibilities; and assessing values.) Sequences illustrating the school's approach to learning include: classroom activities in the humanities and sciences; family conferences; discussions of race, class, and gender; faculty meetings; disciplinary problems; sex education; conflict resolution by students; and student council meetings.
A documentary about a political troupe headed by actors Jane Fonda and Donald Sutherland which traveled to towns near military bases in the US in the early 1970s. The group put on shows called "F.T.A.", which stood for "F**k the Army", and was aimed at convincing soldiers to voice their opposition to the Vietnam War, which was raging at the time. Various singers, actors and other entertainers performed antiwar songs and skits during the show.
The film bears witness to German artist Anselm Kiefer's alchemical creative processes and renders in film, as a cinematic journey, the personal universe he has built at his hill-studio estate in the South of France.
After documentarian Ross McElwee gets married, a series of misfortunes follow: his grandmother dies, his wife miscarries, and then his father dies less than a week later. Shaken by the sudden string of deaths, McElwee becomes depressed. After spending time with his friend and former high school poetry teacher, Charlene, he goes to meet his brother, a doctor. In a series of interviews, McElwee contemplates his morbid preoccupation with death and tries to figure out how to shake it off.