Lupita and Toña work as housemaids at the Ruíz Palacio’s house, an aristocratic Mexican family. For a long time they have been mistreated and poorly paid. They’re now fed up with the abuse and lack of respect they get from their employers.
After Jake Tilton is given a mystical "monkey's paw" talisman that grants its possessor three wishes, he finds his world turned upside down after his first two wishes result in his malevolent coworker, Tony Cobb, being resurrected from the dead. When Cobb pressures Jake into using the final wish to reunite Cobb with his son, his intimidation quickly escalates into relentless murder - forcing Jake to outwit his psychotic friend and save his remaining loved ones.
It's been five years since Terry's friend Glen discovered The Gate to hell in his backyard. Glen has now moved away and Terry begins practicing rituals in Glen's old house and eventually bringing back demons through The Gate and leading to demoniac possession and near world domination.
While on Christmas break, college student Michael journeys to Quebec City to spend time with his attractive girlfriend, Gabriella. Not long after he arrives, Gabriella breaks up with him, but her two equally gorgeous sisters waste no time showing romantic interest. In the meantime, Michael is left to deal with Gabriella's eccentric grandmother and offbeat father, an academic who spends most of his time naked.
Two young boys sneak aboard a spaceship and find themselves whisked away to the mysterious planet Terra. There, they encounter Gamera's old foe Gyaos and two female aliens with a taste for human brains. Gamera must save the children and battle the new monster Guiron, whose entire body is a deadly living weapon.
Although a successful romance novelist, Terry Russell hasn't had luck in her own love life. After a disastrous first date with cocky, hot-shot New York chef Matthew Everston, she retreats to her friend's French villa for the summer to finish her latest novel, with her reluctant teenage daughter in tow.
While Aurora "Roe" Teagarden searches for her piece of the American dream, she decides to test the waters of the family business - real estate sales. Only thing is there's a dead body in the first house she shows. When a second body shows up in another home, Roe realizes there's more to real estate than she thought.
Two years after the discovery of "Sue," the largest and most complete Tyrannosaurus Rex skeleton found to date, government officials seize the remains and claim that "Sue" was stolen from federal land.
When a reporter encounters the eldest son of a famous political family at a mountain retreat, she winds up pretending to be his girlfriend over Christmas so he can save face with his family. Should she secretly expose newsworthy scoops about the famous family in order to save her job, or trust that she's falling in love for real? Stars Patricia Richardson and Katrina Law.
During a live punk-rock New Year's Eve TV programme, the presenter gets a phone call from a psycho calling himself "Evil" saying that when New Year's strikes in each US time zone, he will murder someone.
In Ireland, American lawyer Ingrid Jessner and her activist partner, Paul Sullivan, struggle to uncover atrocities committed by the British government against the Northern Irish during the "Troubles." But when Sullivan is assassinated in the streets, Jessner teams up with Peter Kerrigan, a British investigator acting against the will of his own government, and struggles to uncover a conspiracy that may even implicate one of Kerrigan's colleagues.
Dana, daughter of the only survivor of a massacre in 1993, is going on a weekend trip with her friends. After their car breaks down in the very same town where her mother once fought the Driller Killer, Dana and her friends must come face-to-face with the man who has haunted her mother’s life for the past 30 years.
The untold origin story behind Ridley Scott's Alien - rooted in Greek and Egyptian mythologies, underground comics, the art of Francis Bacon, and the dark visions of Dan O'Bannon and H.R. Giger. A contemplation on the symbiotic collaborative process of movie-making, the power of myth, and our collective unconscious.
Technology brings us closer. Or perhaps it brings strangers, a little too close. But how much can you really trust someone? With a new ride share service, you never know who will be getting in a car with. Or if you'll ever get out.
Kill or be killed is the golden rule of the Game of Death. Sucks for seven millennials who ignored that rule. Now each one's head will explode unless they kill someone. Will they turn on each other to survive, or will this sunny day be the last for the innocent people of their middle-of-nowhere town?