Petra doesn’t know who her father is. Her entire life, it’s been hidden from her. After the death of her mother, she embarks on a search that leads her to Jaume, a famous artist and a powerful, ruthless man. On her path to uncovering the truth, Petra also meets Jaume’s son, Lucas, as well as Marisa, his mother and Jaume’s wife. That is when the story of these characters begins to intertwine in a spiral of malice, family secrets and violence that drives them all to the edge. But fate’s cruel logic is derailed by a twist that opens a path to hope and redemption.
Félicité, a strong and proud woman, sings in bars in Kinshasa. She drifts away from reality when her 14-year-old son gets into an accident. In electric Kinshasa, she wanders in a world of music & dreams... until love unexpectedly brings her back to life.
After posting a video of herself robbing a convenience store, Kiya amasses a huge social media following. A reckless loner, she seeks some form of genuine human connection. Through her travels, she encounters a drifter, an Internet troll and a paint huffing outsider who are all pulled into her circle of chaos, junk food, and drugs.
A young African American man, reeling from the tragic loss of his wife, travels to rural Maine to seek answers from his estranged mother-in-law, who is herself confronting guilt and grief over her daughter's death.
A young woman in the Army must make tough decisions when her love for an older woman causes her to question just where she is going. Adapted from Deb Shoval's 2011 short film of the same name.
The explosive follow-up to We Still Kill The Old Way (2014). Regarded as the best in the business, The Archer Gang is an aging criminal outfit who carry out a daring robbery, but are caught mid-heist. They are sentenced to do time in Britain's toughest prison. Once inside, they encounter their old nemesis Slick Vic Farrow (Billy Murray) who is intent on murdering the gang. The old-school criminals need to use all their wits to stage a daring escape, while dodging Slick Vic, and setting in motion a chain of events which leads to an explosive prison riot.
A man is tasked with driving his embittered 80-year-old father-in-law cross country to be legally euthanized in Oregon, while along the way helping him rediscover a reason for living.
A group of teenage cadets sheltered from war at the Virginia Military Institute must confront the horrors of an adult world when they are called upon to defend the Shenandoah Valley.
When Norwegian scientist Marie attends a seminar in Paris on the actual weight of a kilo, it is her own measurement of disappointment, grief and, not least, love, that ends up on the scale. Finally Marie is forced to come to terms with how much a human life truly weighs and which measurements she intends to live by.
Noah McManus is leaving his job with the Boston mayor's office for a dream gig in Washington, D.C. But in a single day, he finds out his new boss in Washington can no longer employ him and that his girlfriend has been cheating on him. Devastated, Noah travels to a quaint Cape Cod town and unexpectedly finds himself at home.
Keeping to himself in the wake his father's death, James Charm finds refuge in solitary walks and creating morbid sketches — until a charismatic new friend and a quirky young woman begin to draw him out of his shell.
A romantic thriller set during the armed robbery of one of London’s most exclusive jewellers. Sometimes funny, often dark, always captivating and never what you expect.
Christian Slater is a stranger who comes to a small town. The local citizens think he's up to no good. After bothering him for a while, he blurts out in frustration, that he is there to kill himself.
A middle aged, middle class, former music industry executive with a stay-at-home wife and son toils away at a supermarket chain. When a new high energy boss enters the company, she increases his fortunes and responsibilities while also creating tension in both his professional and personal life.
A comedy about a screenwriter (Wuhl) whose old movie script is read by a producer (Landau) and the search for financial backers begins. But it seems that each money source (Aiello, DeNiro, Wallach) has his own mistress that he wants put into the film. Gradually, the screenwriter is forced to make changes to his script to accommodate these backers until he finally sees no semblance of his original ideas in the writing.