Democratic Kampuchea (Cambodia) - 1978. Three French journalists are invited by the Khmer Rouge to conduct an exclusive interview of the regime's leader, Pol Pot. The country seems ideal. But behind the Potemkin village, the Khmer Rouge regime is declining and the war with Vietnam threatens to invade the country. The regime is looking for culprits, secretly carrying out a large scale genocide. Under the eyes of the journalists, the beautiful picture cracks, revealing the horror. Their journey progressively turns into a nightmare. Freely inspired by journalist Elizabeth Becker's account in When the war was over.
1918. As the roar of the First World War cannons is dying out, in Vienna, the heart of Central Europe, a golden age comes to an end. The Austro-Hungarian Empire is beginning to disintegrate. On the night of October 31st, in the bed of his home, Egon Schiele dies, one of the 20 million deaths caused by the Spanish flu. He dies looking at the invisible evil in the face, in the only he can do: painting it. He is 28 years old. Only a few months earlier, the main hall of the Secession building had welcomed his works: 19 oil paintings and 29 drawings. His first successful exhibition, a celebration of a new painting idea that portrays the restlessness and desires of mankind.A few months earlier, his teacher and friend Gustav Klimt had died. From the turn of the century, he had fundamentally changed the feeling of art and founded a new group: the Secession.
Yael Hersonski's powerful documentary achieves a remarkable feat through its penetrating look at another film-the now-infamous Nazi-produced film about the Warsaw Ghetto. Discovered after the war, the unfinished work, with no soundtrack, quickly became a resource for historians seeking an authentic record, despite its elaborate propagandistic construction. The later discovery of a long-missing reel complicated earlier readings, showing the manipulations of camera crews in these "everyday" scenes. Well-heeled Jews attending elegant dinners and theatricals (while callously stepping over the dead bodies of compatriots) now appeared as unwilling, but complicit, actors, alternately fearful and in denial of their looming fate.
In the nine months prior to World War II, 10.000 innocent children left behind their families, their homes, their childhood, and took the journey... to Britain to escape the Nazi Holocaust.
In ancient Pompeii, slaves are bought and sold for household chores and sex. A mysterious queen moves among the elite, meantime secretly helping the slaves to escape. Eventually her life is also in jeopardy, and as the volcano erupts she and the slaves attempt to escape while being chased by the military.
After months of exhausting trench warfare, most of Major Belyaev's battalion was destroyed. The area is ruled by German aces snipers. Hope for replenishment collapses when the convoy, in which the Soviet snipers were traveling, falls under a German airstrike. A handful of soldiers and a young hunter from Yakutia, Yegor Cheerin, survive.
Based on the first book of the Bible, Genesis is a sweeping and poetic look at the beginning of man's relationship with God. While Jochebed (Venus Monique) hides in a shelter to protect her son from being murdered, she tells him the story of her people over the course of a dangerous night. This film explores the idea that mankind will one day return to the place where we started, but that the journey will be filled with hardship, beauty, and a desperate need to trust the Creator.
Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed. (A sequel to From Caligari to Hitler, 2015.)
Their family name alone evokes horror: Himmler, Frank, Goering, Hoess. This film looks at the descendants of the most powerful figures in the Nazi regime: men and women who were left a legacy that indelibly associates them with one of the greatest abominations in history. What is it like to have grown up with a name that immediately raises images of genocide? How do they live with the weight of their ancestors' crimes? Is it possible to move on from the crimes of their ancestors?
A destitute WWI veteran is hired to help carry out restoration work on a medieval mural in a rural Yorkshire church. While living in the quiet village, he forms a close friendship with an archaeologist and begins to come to terms with his trauma.
A Mogul king decides to take stealthy action to help overpower his greatest rivals. He chooses nine out thirteen of his loyal generals to embark on the mission. However, jealously amongst them sparks a treacherous family feud that could lead to catastrophic consequences for all involved.
In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful.
Devastated by the First World War and plunged into political controversy, Romania's every hope accompanies its Queen on her mission to Paris, to lobby for its great unification's international recognition at the 1919 Peace Talks.
In a Fascist Milan, a group of boys decided to say no and founded the Aquile Randagie [stray eagles]: led by Andrea Ghetti, who continue clandestine scout activities, they keep their promise: to help others in all circumstances.
An exploration of the cinematic history of the folk horror, from its beginnings in the UK in the late sixties; through its proliferation on British television in the seventies and its many manifestations, culturally specific, in other countries; to its resurgence in the last decade.