Two of the most notorious unsolved cases in the history of American crime – the murders of renowned rap stars Tupac Shakur and Biggie Smalls – have been the subject of exhaustive investigations, relentless speculation, and a web of conspiracy theories and dark secrets. Now, for the first time, the true story behind these sensational cases is laid bare in "Murder Rap: Inside the Biggie and Tupac Murders". Using information sourced from hundreds of police case files, taped confessions never shown before, and interviews with the lead detective and witnesses, this is the riveting account of the task force that finally exposed the shocking truth behind the deaths of these two rap music icons.
An independent documentary film about the phenomenal resurgence of the modular synthesizer — exploring the passions, obsessions and dreams of people who have dedicated part of their lives to this esoteric electronic music machine. Inventors, musicians, and enthusiasts are interviewed about their relationship with the modular synthesizer — for many, it's an all-consuming passion.
Follows the real life rock-n-roll fairy tale story of Filipino Arnel Pineda, who was plucked from You Tube to become the front man for iconic American rock band, Journey, thereby becoming the latest performer to go from the Internet to real life celebrity. Having already overcome a life full of painful obstacles and now saddled with the immense pressures of leading a world renowned band and replacing a legendary singer, the film follows Arnel on this personal journey.
Jimmy (Jack Wild) ventures to Living Island with his magical, talking flute, Freddy. Once there, he befriends many of the island's inhabitants, but the evil Witchiepoo (Billie Hayes) is determined to steal Freddy the flute away from the boy to impress the visiting Witches' Council and win the Witch of the Year Award.
Ruth and her beautiful sister Eileen come to New York's Greenwich Village looking for "fame, fortune and a 'For Rent' sign on Barrow Street". They find an apartment, but fame and fortune are a lot more elusive. Ruth gets the attention of playboy publisher Bob Baker when she submits a story about her gorgeous sister Eileen. She tries to keep his attention by convincing him that she and the gorgeous, man-getting Eileen are one and the same person.
Set at the 1958 Newport Jazz Festival, this documentary mixes images of water and the town with performers and audience. The film progresses from day to night and from improvisational music to Gospel. It's a concert film that suggests peace and leisure, jazz at a particular time and place.
The story—in which an American heiress on holiday in South America falls in love with an Argentine horse breeder against the wishes of their families—takes a backseat to the spectacular location shooting and parade of extravagant musical numbers, which include the larger-than-life Carmen Miranda singing the hit “South American Way” and a showstopping dance routine by the always amazing Nicholas Brothers.
When Phil Corey's band arrives at the Idaho ski resort its pianist Ted Scott is smitten with a Norwegian refugee he has sponsored, Karen Benson. When soloist Vivian Dawn quits, Karen stages an ice show as a substitute.
Two soldiers on leave spend three nights at a club offering free of charge food, dancing, and entertainment for servicemen on their way overseas. Club founders Bette Davis and John Garfield give talks on the history of the place.
The story of the black, gay origins of rock n' roll. It explodes the whitewashed canon of American pop music to reveal the innovator – the originator – Richard Penniman. Through a wealth of archive and performance that brings us into Richard's complicated inner world, the film unspools the icon's life story with all its switchbacks and contradictions.
The true story of the Emerson family and the tumult that followed the success of their self-recorded pop-funk album of the same name, which went largely unnoticed until critics rediscovered and reappraised it decades later. Now, as an adult, Donnie is forced to confront the ghosts from the past and grapple with the emotional toll his dreams have taken on the family who supported him.
The November 13, 2015 terrorist attack in Paris claimed 130 lives around the city -- 89 of them at the Eagles of Death Metal’s Bataclan Theatre concert. The American rock band recount their experiences before and after the tragic events.
Made shortly after his death, this documentary explores the brief life and remarkable legacy of guitarist Jimi Hendrix. After finding fame in the U.K., Hendrix brought his act back to the U.S., where his influential playing style left a blazing imprint on a whole generation of musicians. Employing interviews with family and contemporaries, such as Eric Clapton, as well as scorching live performances from Woodstock and Isle of Wight, the film paints an indelible portrait of a rock 'n' roll legend.
Melvin Hoover, a budding photographer for Look magazine, accidentally bumps into a young actress named Judy LeRoy in the park. They start to talk, and Melvin soon offers to do a photo spread of her. His boss, however, has no intention of using the photos. Melvin wants to marry Judy, but her father would rather she marry dull and dependable Harry Black. As a last resort, Melvin promises to get Judy's photo on the cover of the next issue of Look, a task easier said than done.
Jimmy and Mary get a group of kids together to play in a school orchestra. A huge contest between schools is coming up and they have a hard time raising money to go to Chicago for the contest.
The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.