Filmed during their three-night, sold-out residency at the historic Apollo Theater, this hybrid docu-concert film features the late great Sharon Jones, Charles Bradley and the rest of the Grammy-nominated Daptone Records family. Documentary about Daptone Records and their roster or artists.
"Finding Joseph I" is a feature documentary chronicling the eccentric life and struggles of punk rock reggae singer, Paul "HR" Hudson, a.k.a. Joseph I, the legendary lead singer from Bad Brains.
In Palestinian East Jerusalem, Singer-Songwriter David Broza records a new album with American, Palestinian and Israeli musicians in defiance of the Middle East's dark realities.
Live coverage of British rock band Oasis performing at the Barrowlands Ballroom in Glasgow, Scotland, as part of their 2001 10 Years of Noise & Confusion anniversary tour.
Two best friends spent the last fifteen years touring the country in their performance art punk band. When one of them decides to quit, they both face deeper challenges than expected.
Last seen in the West End 15 years ago, Miss Saigon has become one of the most successful musicals in history, seen by 40 million people worldwide. From the process of casting 40 actors from 18 different countries, to the reinvention of the staging, including the famous helicopter scene, The Heat is Back On takes us on a journey through rehearsals right up to the star-studded opening night. Featuring interviews with legendary producer Cameron Mackintosh, authors Alain Boublil and Claude-Michel Schönberg and many of the award-winning cast and creative team.
The Broken Spoke has hosted country greats like George Strait, Willie Nelson, Ernest Tubb, Bob Wills, George Jones, and Roy Acuff. A profile of “the last of the true Texas dance halls” and the tenacious family keeping it alive amid rapid urban growth.
The film is based on the lives of Bengali's across the world, especially on those settled abroad. It attempts to delineate the pain and dilemma of Bengali's estranged from their places of origin. It seeks to explore sensitive souls singing to the tunes of Tagore.
Rebel Truce - The History Of The Clash recounts the history of one of the most influential British punk rock bands of all time. The film offers a glimpse behind the personalities of the band, their highs and lows, endless touring schedules and ultimately their global success. Through candid conversations with Clash front-man Mick Jones, as well as archive interviews with the band, this is the first time that the band’s full history is told. The film features an interview with legendary punk filmmaker Don Letts, who shares his personal archive of unseen Clash footage.
A married, indie band duo regretfully takes a job on a children's show ("Rumperbutts"). Despite the money and success, they are miserable. However, on one magical evening, a mysterious man appears and gives them a second chance.
A timid officer worker becomes both pariah and Pied Piper when she unleashes her confessional, scathingly honest pop compositions upon friends and co-workers, in this hilarious comedy from Vancouver’s Kris Elgstrand (Doppelgänger Paul).
Made entirely of Scottish film archive, a journey into our collective past, the film explores universal themes of love, loss, resistance, migration, work and play. Ordinary people, some long since dead, their names and identities largely forgotten, appear shimmering from the depth of the vaults to take a starring role. Brilliantly edited together, these silent individuals become composite characters, who emerge to tell us their stories, given voice by King Creosote's poetic music and lyrics
When Martin Luxford leaves jail, he decides to form a swing band, having been taught to play the saxophone by his cellmate Jack. Returning to his native Liverpool, Martin pulls together a backing band of misfits and loners, and recruits his ex-girlfriend Joan as a singer. Things are complicated somewhat by the fact that Joan is now married to the policeman who arrested Martin, and when the band's first gig - at a heavy metal pub - goes badly, it seems as though the road to musical success may be a rocky one.
Documentary - Eighteen years in the making, two-headed cow started off as a black and white film that followed Dexter Romweber and his drummer Crow on a rock and roll tour along the same route as General Sherman. The film was not finished due to many circumstances, but the filmmakers were able to resume the film seventeen years later. After major TV appearances, a stint on a major label, bouts of depression and drug addiction, the film took on a different tone and poignancy. - Neko Case, Exene Cervenka, LaResh Crash
Riverdance, the Irish hard-shoe sensation that took PBS viewers by storm, underwent its second incarnation with Live from New York City, a 1996 performance filmed at Radio City Music Hall. While most of the attributes from 1995's Riverdance: The Show remain--the dazzling ensemble choreography, Bill Whelan's energetic score, and the New Age-y view of Celtic mythology--the most significant difference is at the top, where Colin Dunne replaced bombastic lead dancer Michael Flatley. Though lacking Flatley's bravura, Dunne is a superb technician who works well with Flatley's former co-lead, Jean Butler. Flamenco dancer Maria Pagis returns, as do the Riverdance Singers (formerly known as Anuna) with soloist Katie McMahon and the orchestra with fiery fiddler Eileen Ivers. About a half-hour longer than the 1995 original, Live from New York City expands upon the second act's theme of the Irish leaving their homeland
In the slums of Cairo, youth dancing to electro chaabi, new music that blends folk song, electro beats and freestyles chanted in the style of rap. The idea is to merge the sounds and styles so chaotic. One slogan mangling! Victim of corruption and social segregation, youth in neighborhoods exorcise partying. Release of body and a speech repressed transgression religious taboos: more than just a musical phenomenon, Electro Chaabi is a healthy outlet for youth oppressed by the prohibitions imposed.
The Anthony Newley/Leslie Bricusse London and Broadway musical hit Stop the World, I Want to Get Off is given literal treatment in this filmization. Newley stars as Littlechap, whose allegorical rise to success is countered by the instability of his private life. Like the play, the film is staged impressionistically, with Newley decked out in mime makeup and periodically stopping the action to address the audience, and with all the women in his life -- German, American and "Typically English" -- played by a single actress (Millicent Martin, taking over from the stage version's Anna Quayle). In Wizard of Oz fashion, the play itself is lensed in color, while the brief prologue, showing the actors preparing for their performance, is in black-and-white. The production includes such standards (and perennial audition pieces) as What Kind of Fool Am I? and Gonna Build a Mountain.