An atmospheric essay, which is an alternative version of Count Dracula, a film directed by Jess Franco in 1970; a ghostly narration between fiction and reality.
The year is 1986. Gorgeous Ladies of Wrestling (GLOW) is about to burst onto the scene as the first ever all-female wrestling show on television. By 1989, the GLOW girls were an international phenomenon, attracting over seven million viewers worldwide, touring the nation and making big bank for the show's producers. One year later, GLOW was gone. GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING chronicles the rise and fall of this hit television show through the stories of those who lived it. For some, the show was a brief foray into acting and a short-lived adventure. For others, their time in GLOW would impact and influence their lives for years to follow. For all of the women, working on GLOW was a unique and exciting experience that will bond them forever.
The evolution of the depiction of the various Native American peoples in cinema, from the silent era to the present day: how their image on the screen has changed the way to understand their history and culture.
It is 1944 and the D-Day invasion has failed, Germany's army have successfully invaded England and the Nazi war-machine is now heading west towards Wales. A group of women in an isolated Welsh village near the English border wake up to discover all of the their husbands have mysteriously vanished. They have headed into the mountains to join the Resistance.
Renowned gunman Richard Martin is traveling on a train, held up by Billy Kane, a former student of Martin's. Kane spares Martin, but only after shooting his hands. Years later, Martin meets an escaped convict, wrongly convicted for the train robbery. Martin trains his new student and both men seek out Billy Kane.
A train dispatcher encounters a mute stranger who appears out of nowhere, and finds himself mysteriously involved with a murder in Poland. The end of the eighties in the twentieth century. Alois Nebel works as a dispatcher at the small railway station in Bílý Potok, a remote village on the Czech–Polish border. He's a loner, who prefers old timetables to people, and he finds the loneliness of the station tranquil – except when the fog rolls in. Then he hallucinates, sees trains from the last hundred years pass through the station. They bring ghosts and shadows from the dark past of Central Europe. Alois can’t get rid of these nightmares and eventually ends up in sanatorium. In the sanatorium, he gets to know The Mute, a man carrying an old photograph who was arrested by the police after crossing the border. No one knows why he came to Bílý Potok or who he’s looking for, but it is his past that propels Alois on his journey…
A small southern town has just been rocked by a tragedy: a young white woman has been raped by a black man. When young black man Garth witnesses the Ku Klux Klan's violent retaliation against his innocent friend, Garth declares a one-man war on the Klan and hunts them down one-by-one.
After surviving the slaughter of many Christians 350 years ago, a samurai denounces God for ignoring the pleas of believers. He sells his soul to Satan and receives the power to resurrect the dead to join him in a murderous rampage.
Molly, the eldest child of a group of orphans being used as slaves on a farm hidden deep in a swamp, must rescue the others when their cruel master decides that one of them will be disposed of.
As a young boy, Xu-Xian is forced to free his pet, a small snake. Unbeknownst to him, the snake is actually a young snake goddess named Bai-Niang and she is in love with him. Many years later, when they are both adults, the princess is magically transformed into a human and sets out to find her love. But the local wizard believes her to be a vampire, and banishes Xu-Xian from the village in order to save him. Xu-Xian's pet pandas Panda and Mimi set out to save him and bring him, in the process becoming leaders of an animal gang.
When the older brother (Tommy Nash) he idolizes is run off the road by a ruthless drug dealer (Darren Thomas) during a nighttime street race known as Sepulveda Suicide, Rick Merchant (Jaz Martin) channels his grief into getting revenge behind the wheel. But to win, he’ll need to modify his trusty 1978 Datsun 280Z — with help from a pretty mechanic (Hennely Jimenez) — to get the maximum speed out of its machinery.
A married woman fresh from the countryside meets a charming cab driver on her first day in Moscow. They spend the day together and their fondness for each other grows...
The charismatic, surly son of a wealthy industrialist, Clément, leads a double life as a member of a right-wing extremist organization. When he’s ratted out after a failed assassination attempt on a prominent politician, Clément and his long-suffering wife Anne flee Paris to the idyllic country home of his childhood friend, pacifist print-maker Paul. As affection blossoms between Paul and Anne, the emotional, as well as political tensions, soar and eventually explode.
A lucky couple hits the jackpot when they purchase a 19th century plantation home for pennies on the dollar. Determined to get rich quick, they invite their friends up for the weekend to celebrate their good fortune. It’s quickly apparent that the plantation home’s former residents have not left and the unlucky youths suddenly find themselves running for their lives!
Agastya a NASA scientist comes in search of his crush Piya. In order to make her fall for him, he gets Suhaan to help this out. However, everything goes well till a shocking past stands in front of them, turning their lives upside down.
Jamwaal, a terrorist, plans to wreak havoc in Canada when the Indian Prime Minister visits the nation. However, a team of special agents from India are sent to catch the terrorist.
Drama telling the story of Blue, a young man of Jamaican descent living in Brixton in 1980, as he hangs out with his friends, fronts a dub sound system, loses his job, struggles with family problems and has his friendships tested by racism.
A newspaper publisher's daughter suffers from neglect by her parents. She and her friends turn to crime by dressing up like men, holding up gas stations, raping young men at gunpoint, and having makeout parties when her parents are away. Their "fence" gets them to trash the school on request of sinister un-American clients, and they run afoul of the law, apple pie, and God himself.
A young father asks for pumpkins at the local farm stand. "In August? No." the farmer replies. The farmer ruminates on the odd request and gets involved with strangers for the first time since his son's death long ago.
The film takes place in 1973 during the Yom Kippur War in which Egypt and Syria launched attacks in Sinai and the Golan Heights. The story is told from the perspective of Israeli soldiers. We are led by Weinraub and his friend Ruso on a day that begins with quiet city streets, but ends with death, destruction and devastation of both body and mind. Various scenes are awash in the surreal, as Weinraub's head hangs out over a rescue helicopter's open door, watching with tranquil desperation as the earth passes beneath, the overpowering whir of the blades creating a hypnotic state. It is not a traditional blood, guts and glory film. There are no men in battle, only the rescue crew trying to pick up the broken pieces.