Her name conjures up beauty, grace, talent and style. One of the greatest actresses of her time, she is best remembered for a natural and vulnerable persona which was so genuine and alluring. Her cinematic contributions produced such classics as "Casablanca," "Gaslight" and "Anastasia." But Ingrid's story goes deeper than the triumphs of her movie career.
From its sell-out run at Manchester's Royal Exchange Theatre comes a film version of this unique and critically acclaimed production of Hamlet with BAFTA-nominee Maxine Peake in the title role. This ground-breaking stage production, directed by Sarah Frankcom, was the Royal Exchange's fastest-selling show in a decade.
1964 was the year the Beatles came to America, Cassius Clay became Muhammad Ali, and three civil rights workers were murdered in Mississippi. It was the year when Berkeley students rose up in protest, African Americans fought back against injustice in Harlem, and Barry Goldwater’s conservative revolution took over the Republican Party. In myriad ways, 1964 was the year when Americans faced choices: between the liberalism of Lyndon Johnson or Barry Goldwater’s grassroots conservatism, between support for the civil rights movement or opposition to it, between an embrace of the emerging counterculture or a defense of traditional values.
A coming of age story of a twenty one year old Afro hipster, who embarks on a journey of self discovery trying to keep the memory of her father alive, when she's thrown into a world of greasy overalls, gender stereotypes and abandoned vintage cars in need of a young woman's re inventive touch who tries to reclaim what would've been, what could've been.
Off-grid is not a state of mind. It is not about being out of touch, living in a remote place, or turning off your mobile phone. Off-grid simply means living without a connection to the electric and natural gas infrastructure. From 2011 to 2013 Jonathan Taggart (Director) and Phillip Vannini (Producer) spent two years travelling across Canada to find 200 off-gridders and visit them in their homes. -
Achilles, a normal man infected with a disease that will bring down the Erebus rulers (human/machine hybrids) escapes back in time from 2410 to the present day where he has a chance to stop the Erebus from ever rising to power. However he is followed by the Erebus-7 who will stop at nothing to hunt him down.
A coming of age story about self-revelation. Sylvia, a struggling artist in New York, is fired from her job and flees back to her Texas hometown for a friend’s wedding. At the pre-wedding party, she meets an enigmatic stranger, Esteban. On the eve of the big day, he dares her to join him on a road trip through the jewel cities of the Deep South.
An avowed anarchist and Stern Gang hitman is sent to Jerusalem to assassinate a senior British officer creating much tension within the already troubled cell and almost brings its collapse, as the British operatives are closing in.
Busy discussing the details of her wedding on the phone, Alicia orders a coffee to go. As fate would have it, she unexpectedly bumps into her ex-boyfriend there.
A magical and moving archive trip through the universal theme of love, from the very first kisses ever caught on film, through the disruption of war to the birth of youth culture, gay liberation and free love, we follow courting couples flirting at tea dances, kissing in the back of the movies, shacking up and fighting for the right to love.
An associative collection of visual impressions across fifteen chapters: a seagull in Porto, political posters in New York, an abstract painting in St. Petersburg, an abandoned video shop in Cairo and cats everywhere you look.
Edith dreams of being a successful actress but just can't seem to make things happen. When she can't figure out what she's doing wrong, she begins to do everything wrong.
This true, astonishing story describes how King Leopold II of Belgium turned Congo into its private colony between 1885 and 1908. Under his control, Congo became a gulag labor camp of shocking brutality. Leopold posed as the protector of Africans fleeing Arab slave-traders but, in reality, he carved out an empire based on terror to harvest rubber.
In Seeing Red, three elements run parallel, overlap, diverge, lock horns and in various other ways give voice to the notion that a color, a melody, or a person has multiple characteristics that cannot be grasped by, or understood within, a simple framework. One element is purely visual. One is very verbal and minimally visual. One is purely musical. So is red the color of a fire truck or a ruby, of rust or a rose, of blood or a brick? How fixed is a melody if it can be twisted, stretched and shaken to the point where we no longer recognize its original form? And when we "see red," what color is that exactly? What aspect of passion are we feeling? Are we looking outward and seeing injustice and cupidity, or looking inward at our own limitations and failings?
The movie follows the perspective of several characters (such as Japanese victims, soldiers, American prisoners of war and others) and how they lived or tried to survive the effects felt during the aftermath of the Atomic Bomb dropping by the Enola Gay at Hiroshima, during World War II.
Two teens, Tamari and Itai, are impoverished following the death of their parents when their uncle takes their plow which they need to feed themselves. While their preoccupied neighbors in the village ignore them, Itai leaves for Harare and Tamari stays behind to care for their younger brother and sister. Finally, some of the neighbors notice and come together to support the children.