The astonishing story of a gay Puerto Rican kid growing up in a Hasidic Brooklyn neighborhood, who got on the subway one day and began a musical odyssey that helped shape the musical landscape across N.Y.C. and around the world. Directed by Drew Stone and produced by Michael Alex the film tells the incredible story of a cherished New York City icon. From rubbing elbows with N. Y. scene makers as an teenager at Max's Kansas City and CBGB, to being the architect of a rock 'n' roll renaissance as the 19 year-old talent booker at the legendary Ritz, to making history as a 24 year-old A&R exec, signing the biggest metal band in a generation in Metallica, Michael Alago was on fire.
The Speed Sisters are the first all-woman race car driving team in the Middle East. Grabbing headlines and turning heads at improvised tracks across the West Bank, these five women have sped their way into the heart of the gritty, male-dominated Palestinian street car-racing scene. Weaving together their lives on and off the track, SPEED SISTERS takes you on a surprising journey into the drive to go further and faster than anyone thought you could.
An automated girl and tortoise warrior journey with a band of outlaws on an incredible quest. Their one hope is to find a legendary relic to defeat a sinister mechanized army and save the creatures of their world.
Story of four young monks left alone in their remote monastery in Myanmar. Shot entirely in newly-opened Myanmar with non-actors, the film bridges spirit, cinema, and traditional Burmese storytelling to open a view onto an unseen world.
An African nun is consumed by fear and doubt about her decision to take the solemn vows of poverty, chastity and obedience. Her anguish intensifies night after night as she lies on a hard bed in her small room at the convent and listens to the rhythmic, beckoning drums of her village.
Shot in high-definition video using rear-screen process plates from classic Warner Bros. films noirs. A young man (in color) searches for his past through black-and-white scenes from "The Big Sleep," "Mildred Pierce," and "Strangers on a Train."
After meeting at a party, Luciana and Pedro... embark on a spur of the moment journey together that takes them to the forest. Asthey explore the beauty in the nature that surrounds them, they camp out under the stars, go on hikes, indulge in the passions of their encounter, and discuss their personal beliefs surrounding love, obligations, and attraction. Lensed in lush black-and-white cinematography amidst the gorgeous backdrop of the Costa Rican forest, an honest and genuine relationship story unfolds, lending a feeling of realism to their storybook romance in a refreshing and youthful way.
Hal Ashby's obsessive genius led to an unprecedented string of Oscar®-winning classics, including Harold and Maude, Shampoo and Being There. But as contemporaries Coppola, Scorsese and Spielberg rose to blockbuster stardom in the 1980s, Ashby's uncompromising nature played out as a cautionary tale of art versus commerce.
Every story needs a brave and trustworthy guide, and Deli Man's is the effusive and charming Ziggy Gruber, a third-generation delicatessen man - his uncle and great-uncle owned Berger's in the diamond district, and the Woodrow Deli on Long Island. His grandfather owned the famous Rialto Delicatessen on Broadway, and Ziggy was stuffing cabbages atop of a crate when he was eight. Now he is owner and maven (as well as a Yiddish-speaking French trained chef) of one of the country's top delis, Kenny and Ziggy's in Houston – yes, Texas…Shalom y'all. Of course the story of deli isn't Ziggy's alone. Deli Man has visited meccas like the Carnegie, Katz's, 2nd Avenue Deli, Nate ‘n Al, and Canter's, as well as interviewed some of the great connoisseurs of deli, including Jerry Stiller, Alan Dershowitz, Freddie Klein, Dennis Howard, Jay Parker (Ben's Best), Fyvush Finkel, and Larry King.
Chinese filmmaker Jia Zhangke returns to the shooting locations of his films, along with his actors, friends and close collaborators. Jia recalls the inspiration sources for his movies, such as Platform, Still Life and A Touch of Sin. The film is the memory of a filmmaker and of a country in convulsion, China, which reveals itself little by little.
Lacey Schwartz grew up in a typical upper-middle-class Jewish household in Woodstock, NY, with loving parents and a strong sense of her Jewish identity - despite the open questions from those around her about how a white girl could have such dark skin. She believes her family's explanation that her looks were inherited from her dark-skinned Sicilian grandfather. But when her parents abruptly split, her gut starts to tell her something different. At age of 18, she finally confronts her mother and learns the truth: her biological father was not the man who raised her, but a black man named Rodney with whom her mother had had an affair.
Víctor Tellez is an intellectual, world-weary film critic who prefers to think in French and eschew the clichés of romantic movies...until he finds himself living a sappy, feel-good love story of his own.
A self-proclaimed "ex-lesbian," Jill hunts down her ex-girlfriend Jamie to prove to herself that she is no longer attracted to her. "Heterosexual Jill" is a satire about sexuality where nothing is as it seems.
Buenos Aires, during the summer heart, in gated communities surrounded by wastelands covered with trash. The barking of stray dogs, repeated power outages, and uncontrollable clouds of smoke drive the inhabitants to confront their most primitive instincts.
The chilling story of Dr Rant, whose wicked streak continues from beyond the grave. Based on the festive ghost story by MR James. When a relative comes to find a particular book at the university library, young student Garrett is drawn into a family feud over a will and its legacy - with terrifying consequences.
The tragic medieval tale of a man of inhuman strength, fierce temper and a desire for noble knighthood. While on the run as a murderer, he finds new life as a knight, only to face disillusionment, the horrors of war and ugly human vices.
Two artists create grotesque characters; Two-dimensional drawings which somehow have a life of their own, that exist in the same space as real objects. The film seems to ask, "Isn't every filmmaking venture a series of repeated, once-negative images displayed alongside the real world?"