We meet Warumungu elder Leslie Foster, senior Traditional Owner of country around this famous phenomenon south of Tennant Creek in Central Australia. Leslie shares the dreaming stories of the Marbles' creation, speaks of his 28-year struggle to regain rights over this land, and celebrates recent transfer of title over the Devils Marbles to Traditional Owners for share...
Not Your Model Minority explores the origins of the myth and the intersections with past and present anti-Asian violence. The film reveals the many ways the model minority myth has been used to create a wedge between communities of color and perpetuate divisive narratives. Not Your Model Minority also examines opportunities to build power and make progress toward addressing systemic racism in America.
Is our food bought at the price of famine in the developing world? Is agribusiness more interested in producing profits than producing food? This PBS independent documentary investigates U.S. and European agribusiness in the Third World. Filmed on five continents, it takes a close look at agribusiness, which is turning the world's food supply into a global supermarket, buying food at the lowest prices-regardless of small farmers and local populations-and selling it at the highest price and the greatest profit whenever possible.
Dramatically portraying the Peasants' Revolt of 1381, the film reveals the conditions of virtual slavery which persisted throughout the Middle Ages, and the weaknesses of the feudal system; its oppressive tax structure, its cruelty and its social inequality
This documentary covers the story of Chinese-, Japanese-, and Filipino-Americans in Washington state, from their first arrivals, to the discrimination they've faced, to the modern families and communities that thrive today.
Ms. Taki Kudo says she has been able to connect with deities since she was six or seven years old. Even in modern Japan, mediums like Ms. Kudo are in demand, providing such traditional services as expelling a curse and invoking spirits for health and long life. At twice-annual rituals at Mt. Osore-Zan, she and other female spirit mediums allow the dead to speak through them, relaying insight, comfort and warnings from the deceased to their loved ones. Another important duty is caring for the mulberry-wood Oshirasama puppets representing individual souls. Ms. Kudo dresses and stores the puppets and performs the lively rites in which spirits come down from the mountain in order to protect and purify the people of her village - the deities are cajoled by offerings of food, lights, money and candy.
George Segal constructs a type of human form and vulnerability that feels rare in the world of sculpture. As we follow his process at the isolated New Jersey farmhouse that serves as his studio, the intimacy between Segal and his art is contagious. He casts people who he knows, respects and admires, making the final outcome of the piece seep with personality and humanity. Segal is focused on creating a mold that does not necessarily subscribe to society’s notion of beauty. Originally released in 1979.
Feeling undervalued in a digital age where there are endless options, a millennial Girl aches for more than being a powerless worker bee and just another fling.
On January 29, 2017, a lone gunman entered a mosque in Quebec City, took the lives of six people, injured 19 others and left an entire community in complete shock and grief. This act of hatred, fuelled by racism and Islamophobia, transformed a place of worship and community to a site of unthinkable trauma, devastating Muslim communities the world over and forcing Canadians to question how we got here in the first place.
A documentary that focuses on the topics of human migration and inequality. Intimate and informative, it explains the complexity of human migration by providing valuable data and showing how this affects two friends in their day-to-day lives.
This short film was shot in 2002 during Bilan du Film Ethnographic for the purpose of introducing Jean Rouch to the audience at 2003 Taiwan International Ethnographic film festival. Unexpectedly, Jean Rouch passed away in 2004. In this film Jean Rouch talked about his new marriage, his anger towards the moving of the artifacts of the Mankind Museum, his anarchistic nature, his dreams and fantasies, etc.
Enrique was separated from his mother at birth, Ascension was forced to give up her daughter after giving birth. Both are victims of the "stolen babies" plot, a slippery ground for Spanish justice. While they continue with the legal battle, they continue with their searches, living with guilt, rejection and the construction of their own identity.
Fumiko Hayashida: The Woman Behind the Symbol is both a historical portrait of Fumiko, her family and the Bainbridge Island Japanese American community in the decades before World War II as well as a contemporary story which follows 97-year old Fumi and her daughter Natalie as they return to the site of the former Minidoka internment camp, their first trip back together in 63 years. The film reveals how the iconic photograph became the impetus for Fumiko to publicly lobby against the injustices of the past.