Maths teacher Claire hears a mysterious low-frequency noise and the pollution is driving her crazy. The constant ‘hum’ drives her away from her family and towards others who also hear the same all-consuming sound. This support group offers compassion but what lies behind their cult-like rituals? Missy Mazzoli and Royce Vavrek's brand new opera is a thriller about social rejection, the abuse of power and echo chambers. Based on an original story by Jordan Tannahill, The Listeners is inspired by an identified phenomenon, the ‘global hum’. Grammy-nominated Mazzoli was the first woman to be commissioned by the Metropolitan Opera and has already successfully collaborated with librettist Vavrek, with whom she wrote the opera Breaking the Waves.
On a winter's night under a full moon, a father and daughter trek into the woods to see the great horned owl. An adaptation of the book of the same title by Jane Yolen; illustrations by John Schoenherr.
Martha Gellhorn, Ruth Cowan, Dickey Chappelle: Three tenacious journalists who forged legendary reputations as war correspondents during a time when battlefields were considered no place for a woman. Their repeated delegation to the sidelines to cover the “woman’s angle” succeeded in expanding the focus of war coverage to bring home a new kind of story— a personal look at the human cost of war. Featuring an abundance of archival photos and interviews with modern female war correspondents, as well as actresses bringing to life the written words of these remarkable women.
The British architect based in Stockholm looks back on major projects of a long career inspired by European Modernism combined with his personal sensitivity to nature and community. Erskine is especially valued for his vital understanding of social interaction, exemplified in commissions for universities and housing complexes built from Scandinavia to Italy. The architect takes the camera on a tour of his buildings while offering revealing comments and interpretations.
"The Art of Dissent" celebrates the resilience and power of artistic engagement in Czechoslovakia before and after the 1968 Soviet-led invasion. The documentary's main protagonists - Václav Havel, banned singer Marta Kubisová, and the underground rock group the Plastic People of the Universe (PPU) - became the most recognizable dissidents during the 1970-80s. Havel bridged the disparate clusters of individuals and fused the literary, musical, political, and philosophical nonviolent elements into a hybrid network that eventually toppled the totalitarian regime in 1989.
A documentary on what is it that makes us who we are: an African an African, a Jew a Jew, an Arab an Arab, a white person white -and what do we make of our apparent differences? Not so long ago, all human cultures assumed a natural and unassailable hierarchy - Europeans on the top, blacks on the bottom and everybody else in the middle. The work of the anthropologist Melville Jean Herskovits helped upend many of these assumptions. Herskovits: A Jew at the Heart of Blackness is the journey of a man into international race politics and its consequences for him -and us- in the first half of 20th century, when the battleground in the earliest "culture wars" was newspapers, radio shows, movies and cartoon, all infused with propaganda that explained why Caucasians dominated the world and other peoples as part of life's natural and inevitable order.
Winner of a Student Academy Award®, Sin País (Without Country) explores one family's complex and emotional journey involving deportation. A co-presentation with Latino Public Broadcasting.
The textures and complexities of everyday life in India unfold in Michael Camerini's richly observed story of two poor women and their efforts to improve their lives.
Lisa Herdahl, a Mississippi mother of six, is forced to sue her public school district in order to have The Bible removed from her childrens' classrooms.
African-American residents in Norco, Louisiana, who believe that increasing pollution is negatively impacting their health, demand to be relocated from under the shadow of a Shell oil refinery.
An unprecedented and unflinching look at how the citizens of South Africa are living with the AIDS epidemic, given the climate of governmental confusion and neglect.
Cell-phone video footage of exploding fireworks is processed and extended through a series of VHS feedback loops. What was once a momentary blast becomes drawn out in time, emphasizing the beauty of pyrotechnic light, while juxtaposing analog and digital video artifacts.
Set in the high plateau of eastern Tibet, DROKPA is an intimate portrait of the lives and struggles of Tibetan nomads whose life is on the cusp of irreversible change as once lush grasslands are rapidly turning into deserts. The grasslands of the Tibetan plateau are home to the source of Asia’s major rivers. Nearly half of humanity depends on this water for survival. Tibetan nomads, known as DROKPA have roamed on this land for thousands of years.
In 1976, Hubert Smith set out with a group of researchers to visually document Yucatec Maya society within the village of Chican. This project resulted in the 4-part series, The Living Maya. During filming, however, it was impossible to ignore the use of sign language in the village. Smith and his team saw a lot of the deaf residents, filmed them often, and went back to have these sign exchanges translated. Now it is time to share a story solely about them.