A small Indian village: an old man is addicted to watching pornography with his friends. One fine day, he accidentally brings home a DVD with a Godard film inside it. Though his friends were disgusted, Ananda gets attracted to Godard’s film and gradually develops an obsession. He initiates the idea of hosting a film festival in their village where Godard’s films will be screened. The festival gets organized after a lot of drama, but what happens next is to be seen.
After tragedy strikes, a meek Ruby Oliver enters a broken VR game for a last chance to see the dead. Little does she know that this game treats all girls as a virus as she fights to save herself.
Trust Me uses stories, facts and experts to explain how our lack of media literacy is hurting us and how the media is negatively affecting our perspective of the world. True stories of how mis-information can result in real problems are meant to provoke thought and action in viewers.
Luis discovers the world at age seven. Violence touches his surroundings and triggers the first encounter with death, the discovery of the fragility of his father, and the learning of masculinity in his vulnerable world. Everything happens between games and perplexities. It is life in a violent Mexico, where only growing implies danger.
A diverse set of characters find themselves together in a old diner in a small town on Christmas eve during a snow-storm. While a young expecting couple tries to make it home on a night that's anything but silent.
Music is the story of a father and son. Or, rather, the story of the reunion between a father and son who have hardly seen each other over many years and who clumsily attempt to renew bonds. Unfortunately, too much time has already passed and it will be impossible to strengthen the ties. But although they lose each other again, the father will nevertheless pass on a legacy to his son: the love of music.
After a failed attempt at “making it,” jaded 29-year-old artist Leinad Nahallac returns home to a dead end job and a deepening depression. But when he mistakenly dials a wrong number at work, a mysterious voice on the other end shatters his malaise and offers him a way out of his misery. A twisted journey ensues in which the lines between reality and fantasy, past and present, dream and nightmare blur into a maddening labyrinth that will lead Leinad either towards his destiny or destruction.
Public vans provide the traditional and sole means of city transportation in Dakar, Senegal. In a frenzy of activity, from the outskirts to downtown, people from all walks of life as well as fruits, vegetables, chickens, etc. are transported daily in these public vans.
Based on real events, the film’s protagonist inherits a house in West Philadelphia that becomes home to an urban collective for activists of color. The increasingly claustrophobic drama unfolds as the group attempts to live together and find consensus through Black political discourse and social philosophy.
Kalani (Joi Campbell), is a teenager living in Harlem with her older brother Jacob, and her younger sister, Bebe, while her mother struggles to make ends meet. Her college counselor Mr. Rose (Danny Glover) sees great promise in her educational future. As Kalani's siblings get caught in a myriad of hardships, Kalani teeters on the brink of ruin as she struggles to keep both her family and her dream intact. Strive reminds us that hard work, optimism, and perseverance, in the face of overwhelming adversity, is the essence of what it is to be American.
Framed by scenes of Namibia's formal independence as a newly formed African country in 1990, Desiree Kahikopo's historical romance takes us back to 1963, soon after the 1959 uprising in Old Location — an area segregated for black residents of Windhoek, the capital of Namibia (then a territory of South Africa). It is in this setting that Sylvia Kamutjemo (Girley Charlene Jazama, who also produces), a black domestic worker, meets Afrikaner police officer Pieter de Wet (Jan-Barend Scheepers) on a routine passbook check. As the pair exchange letters and a story of forbidden love across racial lines unfolds, Kahikopo explores an underrepresented period of Namibian history with compassion and hope.
Ozzy, beset on all sides by the eccentricities of the artists around her, meets Jack, a city-dwelling forest sprite jazz singer. Together, they escape Dante's, the jazz club Ozzy manages, and losing herself, Ozzy finds something else.
Most mid-19th-century Mississippi River boys dreamed of occupying that pinnacle of power and glamour, the pilot house of a riverboat. In a riot of local color, this film tells how, unlike many, Sam's dream comes true. A callow teenager, he talks the tough but consummate Horace Bixby into making him his apprentice on the "Paul Jones," eventually following him to the much finer "Aleck Scott." Meanwhile, he is already spinning fantastic yarns to everyone from awe-struck lads ashore, to fellow "cub pilots", to young lady passengers who catch his eye. Things temporarily take a turn for the worse when Bixby must attend a meeting and leave Sam to work under Brown, a dour tyrant with a grudge against him.
Soumaya, a practicing Muslim, is fired one day without explanation or warning. Later that night, she sees on TV that news outlets are linking her to jihadist circles.