As a boy in a coat wanders through a corridor, surreal short films are shown, each door revealing a dreamlike scene that blurs the line between memory and imagination.
The True Story of the Christ's Return is an attempt at recreating the style and atmosphere of the 16mm experimental / art films of the 1970s, though still leaning a bit towards the horror, slightly sci-fi side. While this film is somewhat different than previous efforts, it still seems to have some of usual Italian flare. The story is a bit peculiar to say the least. Jay Creepy of Severed Cinema notes, "This short has a lot of depth. Mario Murgia has seriously planned and executed the shots plus angles of the scenes to layer on dreamy doom-laden material."
A loving wife is the primary caregiver for her blind husband who is confined to their apartment, while she is hiding a dark secret from him in plain sight.
After a debt-collector finds a portal to hell in a washing machine at his local laundromat, he’s propositioned into feeding it sinners to save his neighbor’s soul, maybe even at the expense of his own.
A group of people travel to the Bermuda River to obtain videos and photographs of another dimension, but satanic beings snatch the book with the instructions to get out of there and return to their world, they are left under the power of Lucifer.
Eliza was emotionally abused by her stepfather and her mother, Claire. She tries to live with the traumatic experiences. However, this gets exponentially harder because of a terrifying entity, which is a creation of her increasing psychotic depression.
Vampires crave blood more than anything else. It’s the one thing they need to survive. Well, there’s always an exception. One in particular can’t seem to consume blood, so she must go through an extremely painful treatment to improve her condition and finally become a true vampire. Korean cinema is known for its seamless mix of horror and dark comedy, and HOW TO KILL A VAMPIRE does it brilliantly! – Steven Lee
A man decides to document the days of a murderer. A dreadful journey into the mind of a serial killer. His follies, his violence, his madness, slowly slipping into a vortex of blood.
Klaus has something crucial to tell his old friend Genio: he's had premonitory visions since childhood, and that same night, has seen him being savagely murdered. But the alleged victim seems skeptic.