Frederick is a young medieval French prince with magical powers, turned into a frog by his evil sorceress aunt, who kills his father in a bid to seize the throne. After being pursued by his aunt, the prince is saved by the Loch Ness Monster, who indebts herself to him, and hides out with a colony of anthropomorphic frogs for a time. After ultimately deciding to accept his fate and fight evil using his powers, Freddie grows to the size of an adult human, travels to the future, and becomes a French secret agent with a sentient car.
Young Henery Hawk's father regretfully admits their family's shame: they hunt and eat chickens. Henery set off to find one, and comes across Foghorn Leghorn, where the loudmouth rooster is engaged in his favorite pastime, playing tricks on grumpy Barnyard Dog.
Set to "Twilight" by Electric Light Orchestra, the girl from DAICON III has become a bunny suit-clad fighter, getting around on a mysterious flying sword, taking on the villains of sci-fi and popular fiction. What will become of the world after this?
Spike is building his dream house when Tom crashes into it mid-chase. Of course, Jerry then takes every opportunity to route the chases through the construction project.
Tom has amnesia and believes he's a mouse. Jerry, finding him more obnoxious as a fellow rodent than as a cat, seeks to cure him with a blow to the head.
A Spanish cat is more interested in playing flamenco guitar than trying to catch the mouse El Magnifico (Jerry). Tom arrives from the States with world champion mouse-catching credentials to have a go.
What is man? Man makes war, man kills man, man hunts, man is executed. A montage mixing original drawings by Topor, original shots and stock shots that ironically analyze what man is.
The movie is more or less a retelling of the first few episodes of the series that is not much more than a slightly padded director's cut. You do learn some interesting details such as where Yugi's dad is, a look at the flame haze who was in the city before Shana, and even a couple of new powers for the Reiji Maigo. The story is certainly fleshed out quite a bit more and the final 15 minutes of the film comprise a surprisingly powerful conclusion (worth the price of admission on its own), but I would have liked a more original story rather then a highly polished version of one that I've already enjoyed. In the end, spectacular visuals, great new music, and well thought out additions to the core story leave you feeling glad to have seen the film. On the other hand, the fact that anything new that was added obviously doesn't change the events that come later in the series means that established fans will likely leave the experience less than satisfied.
Two Goofys play a tennis match in typical Goofy style. The announcer sometimes has trouble following the action. The groundskeeper seems to always be present, trimming the grass, filling in holes (in one case with a tree), and delivering the oversized trophy.
A parrot belonging to an escaped killer washes up in Mickey's basement. Mickey hears it talking and thinks the parrot is the killer he's just heard about on the radio. While Mickey is skulking about the basement, Pluto runs into the parrot, first hidden under the fish, and then inside a leftover turkey.
Goofy is about to set up a hammock in the backyard of his penthouse apartment but is minus one tree. He immediately decides to get another one but he shows poor judgement in regards that the one he picks is unkowingly the home of a mountain lion. The lion returns to Goofy's penthouse to reclaim his tree, notices the hammock, and decides this is a much better source of relaxation than laying on a tree branch. Thus, he tries to remove Goofy from the hammock so he can relax himself and eventually a battle ensues.